Though it be true that all men have sufficient wit to pass a judgment on this or that, and not a few sufficient impudence to print the same (these last being commonly accounted critics), I have ever held that the critical faculty is more rare than the inventive. It is a faculty your Eminence possesses in so great a degree that your praise or blame is something oracular, your utterance infallible as great genius or as a beautiful woman. Your mind, I know, rejoicing in fine distinctions and subtle procedures of thought, beautifully discursive rather than hastily conclusive, has found in criticism its happiest exercise. It is a pity that so perfect a Mecænas should have no Horace to befriend, no Georgies to accept; for the offices and function of patron or critic must of necessity be lessened in an age of little men and little work. In times past it was nothing derogatory for great princes and men of State to extend their loves and favour to poets, for thereby they received as much honour as they conferred. Did not Prince Festus with pride take the masterwork of Julian into his protection, and was not the Æneis a pretty thing to offer Cæsar?
Learning without appreciation is a thing of naught, but I know not which is greatest in you—your love of the arts, or your knowledge of 'em. What wonder then that I am studious to please you, and desirous of your protection. How deeply thankful I am for your past affections you know well, your great kindness and liberality having far outgone my slight merits and small accomplishment that seemed scarce to warrant any favour. Alas I 'tis a slight offering I make you now, but if after glancing into its pages (say of an evening upon your terrace) you should deem it worthy of the remotest place in your princely library, the knowledge that it rested there would be reward sufficient for my labours, and a crowning happiness to my pleasure in the writing of this slender book.
The humble and obedient servant of your Eminence,
AUBREY BEARDSLEY.
[UNDER THE HILL]
A ROMANTIC NOVEL
[CHAPTER I]
The Abbé Fanfreluche, having lighted off his horse, stood doubtfully for a moment beneath the ombre gateway of the mysterious Hill, troubled with an exquisite fear lest a day's travel should have too cruelly undone the laboured niceness of his dress. His hand, slim and gracious as La Marquise du Deffand's in the drawing by Carmontelle, played nervously about the gold hair that fell upon his shoulders like a finely-curled peruke, and from point to point of a precise toilet the fingers wandered, quelling the little mutinies of cravat and ruffle.