“Cloaked shapes, the twanging of guitars,
A rush of feet and rapiers clashing,
Then silence deep with breathless stars,
And overhead a white hand flashing.”
and if any shadows fall across the picture they are those of the brigand and the priest-inquisitor. Then comes the inevitable reaction. Those who visit Spain find that it is for them indeed un pays de l’imprévu. The former image in their mind soon perishes, and they cry out upon this “ciel insalubre,” this—
“pays endiablé;
Nous y mangions, au lieu de farine de blé,
Des rats et des souris et pour toutes ribotes
Nous avons dévoré beaucoup de vieilles bottes.”
But, to judge from many books published about Spain, most European countries would seem to have entered into a league to look upon the Peninsula solely as a land of a poetical unreality, its inhabitants divided into inquisitors, monks, brigands, and conspirators, lending—
“the colour of romance
To every trivial circumstance.”
A well-balanced and accurate account of the country is singularly rare. It is true that in some respects Spain has changed little since the sixteenth century, but, on the other hand, during the twentieth century, while she has been making laborious progress, foreign ideas of Spain have remained stationary, with the prejudices and fixed opinions of fifty years ago. No error or exaggeration concerning Spain is too ridiculous to be affirmed and readily believed, and those who take no thought to study the Peninsula in quiet days save as a land of vague romance, when trouble occurs are officious with wise criticisms and stern common-sense, based on ignorance. Quite recently the hysterical visions of prisoners tortured in Spanish dungeons, and of priestly cruelty and greed, might persuade one that Mr. Kipling’s “Little Foxes” was written not before, but after, the events of 1909 in Spain. One forgets that it is of Ethiopia, not Spain, that Mr. Lethabie Groombride, M.P., exclaims, “What callous oppression! The dark places of the earth are full of cruelty!” Like the natives of Ethiopia, the courteous Spaniards are “much pleased at your condescensions;” but they too have a sense of humour, and note with amusement the ignorance of nations which declare that Spain’s chief need is more education and culture.
For the traveller who wishes to explore the remote parts of Spain, and to escape from Spanish trains, the simplest method is to proceed on horseback. Walking and bicycling and motoring are possible in the North, and especially in the Basque Provinces, where the inns are good and the roads excellent. But in most parts of Spain they are practically impossible; the roads are too stony or too dusty even for walking, and, moreover, in fifty kilometres you may find hardly one inn. There remains the diligencia—coche, tartana, diabla, call it what you will—but a single experience of it will probably be sufficient. It rolls and lurches heavily to the loud, continuous shouting of the driver to his horses: Caballo-allo-allo-allo, Mula-ula-ula-ula. The traveller, if he has the misfortune to be in the interior, is beaten against the wooden sides, the windows rattle, the bells jingle, the vehicle sways slowly on its way, groaning and complaining of the breadth, as well as the length, of the road[47]—nosotros tambien llegaremos, si Dios quiere, as a driver said when passed by more rapid travellers, “if it is the will of Heaven.” Occasionally at a country railway station may be seen a boy who is a pillar of dust or mud. He is the zagal of the diligencia, who runs by its side through dirt and mire, urging on the horses, or stands to rest on the step at the back. Sometimes the diligencia descends into river-beds, usually dry; and after much rain it is apt to stay there, and darkness falls and the frogs croak mockingly, while more mules are fetched to help in the work of extrication. Often it proceeds by night, throwing strange, fantastic shadows in the narrow streets of sleeping villages. The driver must undergo not only extremes of heat and cold, but is often in danger of snowdrifts and swollen torrents and rocks from the hill-sides. A Navarrese innkeeper, an old soldier of Santa Cruz, introduced a driver of a diligencia as “the bravest man of my acquaintance.” Spanish travellers accept all these discomforts with a marvellous, fatalistic resignation and equanimity; but even a pedestrian will go further and fare better in an afternoon than a traveller in diligencia during a whole day. Still, as a unique experience, a diligencia drive must be undertaken; and the driver is good company, sparing time from the loud praise and blame meted out to his mules to bestow pithy comments on the living and the dead—
“The crosses in the mountain pass,
Mules gay with tassels, the loud din
Of muleteers, the tethered ass
That crops the dusty wayside grass,
And cavaliers with spurs of brass
Alighting at the inn.”
The inns, mesones, ventorrillos, ventas, posadas, paradores, are still much the same as in the times of Cervantes, moderately clean, immoderately uncomfortable, bare alike of furniture and food.[48] Still to your first inquiry the answer is, “Hay de todo, we have everything,” still to your further inquiry the abstract todo shrinks to nada. But for an understanding of the Spanish people, nothing is more interesting and one may add, more pleasant than to listen to their talk as they sit round some great inn fire of crackling scented twigs burning on the stone floor of the court and kitchen. The discomfort and hardships of travel in remote parts of Spain are repaid in flowing measure. Here a solitary peasant is seen ploughing land so precipitous and steep that the stones rattle down as he advances; there the mules stand hour by hour at the plough while the peasants—in this case servants on some great estate—play cards, the large earthenware botijos of water standing ready to their hand; or a group of workers in the fields stand shivering in early morning round a great common puchero, dipping their spoons in turn, and in turn raising the bota high above their heads to drink; or one has a glimpse of some peasant’s dress[49] of brilliant colouring, of some ancient vanishing costume of leather or velvet, silk embroidery or silver buttons—at every turn some quaint custom, some curious picturesque scene and colour appears, and the talk of the peasants is a delight. The two most successful English travellers in Spain were beyond doubt, Ford and Borrow. They won the respect of all classes of Spaniards, and saw practically the whole of Spanish life three-quarters of a century ago. Borrow describes himself on one occasion as “dressed in the fashion of the peasants of the neighbourhood of Segovia in Old Castile, namely, I had on my head a species of leather helmet or montera, with a jacket and trousers of the same material.” And Ford says: “In all out-of-the-way districts the traveller may adopt the national costume of the road, to wit, the peaked hat (sombrero gacho), the jacket of fur (zamarra).” But without the peaked hat, now almost extinct, or Borrow’s leathern helmet, a few changes of dress and especially what Ford calls “a graceful and sleeveless Castilian manta” or rather capa, excellently suited to the climate, will bring many advantages. For to the ordinary traveller, with red book and camera, the Spaniard will hardly disclose his true nature, and remains an impenetrable mystery; not that the foreigner often realizes the existence of the unsolved riddle, the Spaniard presenting a sufficient number of striking aspects to make a swift superficial impression. The best guides to Spain are still Ford’s “Gatherings,” and a thorough acquaintance with “Don Quixote,” a fluent knowledge of Spanish, and, lastly, the advice of Spaniards, since as Sancho sagely observed, “más sabe el necio en su casa que el cuerdo en casa ajena.” The traveller in Spain may in the heat of summer listen to the silver plashing of fountains in marble patios, and feel the coolness of snowy Sierras; he may in early morning gather frozen oranges to be eaten later beneath a burning sun; but it is this sun which with the cold winds tends to limit his wanderings to a brief period of spring or autumn. Martial indeed says—
“Aestus serenos aureo franges Tago
Obscurus umbris arborum.”