The painting in the middle panel at the right brings before us Bacchus with his train as they come upon the sleeping Ariadne. On the left wall opposite is Daedalus, pointing out the wooden cow that he has made to Pasiphae, who hands to him a golden arm band. The subject of the third picture is here met with for the first time at Pompeii—the punishment of Ixion.
The tragedy of the scene ([Fig. 171]) is plainly suggested, but not forced upon the beholder; we see, at the left, only half of the ever revolving wheel to which the wretched victim is bound. The other figures are more prominent and, with one exception, convey no suggestion of pain or sympathy in either pose or expression of face. Nearest the wheel is Hephaestus, who has just fastened Ixion upon it; his pincers, hammer, and anvil are lying upon the ground in the corner. In front of him is Hermes, who, in obedience to the command of Zeus, brought the offender to the place of punishment.
A sad-faced female figure with veiled head sits in the foreground—a personification of the spirit of one who has died, a shade introduced to indicate that the place of punishment is the Underworld. The left hand is involuntarily raised with the shock that the thought of the victim's suffering brings; the face has been thought by some to resemble that often given to the Madonna.
Fig. 171.—The punishment of Ixion.
Wall painting in the house of the Vettii.
The two figures at the right of the picture are of the upper world, not directly connected with the main action, yet well conceived and skilfully introduced. Nearer the foreground Hera sits enthroned, her sceptre in her left hand; behind her stands Iris, faithful messenger, who points out to her the well deserved fate of him who dared to offer an affront to the queen of heaven.
CHAPTER XLII
THREE HOUSES OF UNUSUAL PLAN
In the houses described in the preceding chapters the distribution of the rooms is characterized by a certain regularity, which makes it possible to indicate the arrangements by reference to an ideal or normal plan. A wide departure, however, is occasionally noted; and by way of illustration three houses of unusual plan will be briefly presented here, first a house without an atrium, then one having an atrium but no compluvium, and, lastly, a large establishment built on terraces at different levels.