Fig. 246.—Plan of the tombs east of the Amphitheatre.
[View larger image]
The first tomb at the right (No. 1 on the plan) was built in the form of a commemorative arch, with pilasters at the corners. Above was a low cylinder surmounted by a truncated cone, on which stood a terminal member in the shape of a pine cone, found near by. The cinerary urn was buried in the earth below an opening in the floor of the passage under the arch (shown in the plan). No name appears in connection with this monument.
Fig. 247.—View of two tombs east of the Amphitheatre.
That at the left is No. 3 on the plan; the next is No. 4.
Another monument of the arch type, that of Mancius Diogenes, is seen on the opposite side of the street (5; [Fig. 248]). The structure is shallow, the vaulted opening low. On the top of the arch were three niches, in which stood three travertine statues; two of these, both of women, have been preserved, and are of indifferent workmanship. A marble tablet was placed in front, over the vault, with the inscription, P. Mancio P. l[iberto] Diogeni ex testamento arbitratu Manciae P. l[ibertae] Dorinis,—'To the memory of Publius Mancius Diogenes, freedman of Publius Mancius; (the monument was erected) in accordance with the terms of his will, under the direction of Mancia Doris, freedwoman of Publius Mancius.'
There is a curious ambiguity in this inscription; we cannot tell whether Doris, seemingly the wife of Diogenes, was manumitted by the Publius Mancius who gave him his freedom, or by Diogenes himself after he had gained his freedom and was entitled to use the name Publius Mancius. Four bust stones stood in front of the tomb and two at the rear, arranged as indicated on the plan; those in front are seen in our illustration.
The tomb at the left of that just described (4; [Fig. 247]) is of interest as showing the result of an attempt to blend the arch type with that of the temple. A passage roofed with a flat vault runs through the middle of the first story. The second story had the appearance of a diminutive temple with four Corinthian columns in front. The niche representing the cella was of the full width of the tomb, and occupied two thirds of the depth; the other third was given to the portico. Four statues of tufa coated with stucco that were found here probably stood under the portico or in the intercolumniations, where they would best be seen from below; three were statues of men, the fourth of a woman.
The arrangement of the five bust stones in the vaulted passage is indicated on the plan. The three nearest the street entrance bear the name of a freedman, L. Caesius L. l. Logus,—'Lucius Caesius Logus, freedman of Lucius Caesius,' and of Titia Vesbina and Titia Optata, both evidently freedwomen manumitted by a lady named Titia. We are probably safe in assuming that the two inmost stones, without names, are those of Caesius and Titia, husband and wife, who gave Logus, Vesbina, and Optata their freedom, and built the monument. It was not necessary to place the names of the builders upon the commemorative stones, because they were doubtless given in the memorial tablet in front, which has disappeared. Coins of Augustus and Tiberius were found in the urns.