Inscriptions found in the theatre [[pp. 148]-[150]]: monumental, C. I. L. X. 833-843; painted inscriptions and graffiti, C. I. L. IV. pp. 63, 153-157.
The stage and the orchestra in the Greek and the Roman theatre [[p. 150]]: Vitr. V. VI-VIII.
The problem of the stage in the Greek theatre [[p. 151]]: Doerpfeld and Reisch, Das griechische Theater, Beiträge zur Geschichte des Dionysos-Theaters in Athen und anderer griechischer Theater (Athens and Leipzig, 1896), particularly pp. 341-365; Doerpfeld, Das griechische Theater Vitruvs, Athen. Mitth., vol. 22 (1897), pp. 439-462; vol. 23 (1898), pp. 326-356. A convenient summary of Doerpfeld's conclusions and of the literature of the subject to 1898 is given by Frazer, Pausanias's Description of Greece, vol. 3, pp. 254-255, and vol. 5, pp. 582-584.
The stage of the Large Theatre at Pompeii [[p. 152]]: Puchstein and Koldewey, Berliner Philologische Wochenschrift, 1896, pp. 477-478; Archäologischer Anzeiger, Beiblatt zum Jahrb. des Inst., 1896, pp. 30, 40; Puchstein, Die griechische Bühne (Berlin, 1901), pp. 75-77.
CHAPTER XXII. THE SMALL THEATRE
Excavation, remains: see references to [Chap. XXI].
Decoration (second style): Mau, Geschichte der dec. Wandmalerei, pp. 248-249.
Inscriptions: C. I. L. X. 844, 845. Theft of the bronze letters of the inscription of Oculatius Verus [[p. 156]]: Fiorelli, Pomp. ant. hist., vol. 1, pt. 3, pp. 231, 277; Zangemeister, Sopra l' iscrizione del teatro piccolo di Pompei, Bull. dell' Inst., 1866, pp. 30-31.
Gaius Quinctius Valgus [[p. 153]]: Cic. De lege agraria, III; C. I. L. IX. 1140, X. 5282 (cf. Buecheler, Carmina Latina epigraphica, vol. 1, Leipzig, 1895, no. 12); Dessau, C. Quinctius Valgus, Der Erbauer des Amphitheaters zu Pompeii, Hermes, vol. 18 (1883), pp. 620-622.
The narrow doors at the rear of the stage designed to give access to the tribunalia [[p. 156]]: Kelsey, The Stage Entrances of the Small Theatre at Pompeii, American Journal of Archæology, series 2, vol. 4 (1900), p. 150, also vol. 6 (1902).