Scenes of combat [[p. 478]]—Hercules, from Herculaneum: Pitture di Ercolano, vol. 3, pl. 47, p. 247; ibid., vol. 4, pl. 5, p. 27; and Museo Borb., vol. 11, pl. 9; Helbig, Wandgemälde, nos. 1124, 1125. Meleager and the boar: Fiorelli, Descrizione di Pompei, pp. 40, 382; Sogliano, op. cit., nos. 508, 509. Achilles and the fleeing Troilus: Bull. dell' Inst., 1868, p. 37; Helbig, Wandgemälde, pp. 460-461; cf. also Sogliano, op. cit., no. 548. Combat between warrior and Amazon: Bull. dell' Inst., 1871, p. 204; Sogliano, op. cit., no. 547, cf. also no. 548.
Io and Argus, Io in Egypt [[p. 479]]: Museo Borb., vol. 2, pl. 12, vol. 10, pl. 2; Roux, Herculanum et Pompéi, vol. 2, pl. 59; Helbig, Wandgemälde, nos. 131, 138. Cf. Braun, Elenco dei monumenti rappresentanti il mito di Io, Ann. dell' Inst., vol. 10 (1838), pp. 328-330, and Mon. dell' Inst., vol. 2, pl. 59.
Hecuba [[p. 479]]: Bull. dell' Inst., 1877, p. 13; Mau, Ettore riportato a Troia, pittura paretaria di Pompei, Ann. dell' Inst., vol. 49 (1877), pp. 268-279, and pl. O, P (colored, at the end of the volume); Sogliano, op. cit., no. 579.
Narcissus, Polyphemus, Apollo, and Admetus [[pp. 479]-[480]]: Helbig, Wandgemälde, nos. 1338-1367, Sogliano, op. cit., nos. 586-592; Helbig, nos. 220-222, 1048.
Idyllic pictures [[p. 480]]—Selene and Endymion: Helbig, Wandgemälde, nos. 950-962; Sogliano, op. cit., nos. 456-457. Paris and Oenone: Helbig, no. 1280. Perseus and Andromeda: Helbig, nos. 1192-1198. Bacchus and Ariadne: Helbig, nos. 1235-1240; Sogliano, no. 538; Röm. Mitth., vol. 11 (1896), pp. 52-53 (no. 98, house of the Vettii). Hercules and Omphale: Helbig, nos. 1136-1140; cf. Sogliano, nos. 496, 497.
Examples of a pathetic situation [[p. 480]]—Aphrodite and the wounded Adonis: Helbig, nos. 335-340; Sogliano, no. 142. Cyparissus: Sogliano, nos. 109, 110; Röm. Mitth., vol. 11 (1896), p. 19 (no. 36, with illustration, house of the Vettii). Europa and the bull: Sogliano, no. 79; cf. Helbig, nos. 123-130.
Groups with figures in contrast [[p. 480]]—Hephaestus and Thetis: Helbig, nos. 1316-1318 c. Daedalus and Pasiphaë: Helbig, nos. 1205-1208; Röm. Mitth., vol. 11, pp. 49-51 (with illustration, house of the Vettii). Danaë cast away: Helbig, nos. 119-121; Sogliano, nos. 76-78.
Paintings in groups [[p. 481]]: Trendelenburg, Gegenstücke in der Wandmalerei, Archäologische Zeitung, vol. 9 (1876), pp. 1-8, 79-93. Group of three paintings, Achilles: Bull. dell' Inst., 1879, pp. 51-54 (Ins. IX. V. 2); Sogliano, nos. 572, 576, 577. Group of two, Polyphemus, Aphrodite fishing: Bull. dell' Inst., 1876, pp. 49-50; Sogliano, nos. 146, 472 (Ins. VI. XIV. 28); Helbig, nos. 354, 1049 (house of Lucretius). Group of two, Europa and Pan: Sogliano, nos. 79, 196 (Ins. IX. V. 18). Double group, Hercules and Artemis, Athena and Marsyas: Röm. Mitth., vol. 5 (1890), pp. 263-269 (with illustrations), vol. 6 (1891), pp. 71-72 (Ins. V. II. 10).
CHAPTER LVI. MONUMENTAL INSCRIPTIONS AND PUBLIC NOTICES
Publication: in the notes to the preceding chapters references have been given to the place of publication of nearly all the monumental inscriptions, both Latin and Oscan; the Latin inscriptions on stone are classified C. I. L. X. 787-1079, with a supplementary collection, Ephem. Epigr., vol. 8, pp. 86-90 (nos. 311-332); cf. also Not. d. scavi, 1898, pp. 422-423. The Oscan inscriptions of all classes are published by Zvetaieff, Sylloge Inscriptionum Oscarum (with 19 plates of facsimiles; St. Petersburg and Leipzig, 1878); Inscriptiones Italiae inferioris mediae (with 11 plates; Moscow and Leipzig, 1886); von Planta, Grammatik der Oskisch-Umbrischen Dialekte (2 vols., Strassburg, 1892, 1897), vol. 2, pp. 499-510 (nos. 28-116); Conway, The Italic Dialects (2 vols., London, 1897), vol. 2, pp. 54-81 (nos. 39-86). The public notices are collected in C. I. L. IV. pp. 1-75 (nos. 1-1204), pp. XVI-XVII (nos. 3256-3296), and the Supplement, pt. 2, which is in press, pp. 467-499 (nos. 3341-3884).