“Who knows? Attila is composed of treachery. You do not know that once he wrote two letters, one to Dieterich, King of the West Goths, asking for an alliance against the Romans as the common enemy; and on the same day he wrote a similar letter to the Romans, in which he proposed an alliance against the West Goths. The deceit was discovered, and Attila fell between two stools.”
“He seems to be immortal, otherwise he would have been killed in battle, as he always goes at the head of his army.”
Until evening the travelling companions remained incarcerated. At last the door was opened, and a master of the ceremonies led them into the hall where the great feast was to take place. Here there were countless seats and tables covered with the most costly cloths and drinking vessels of gold and silver. The guests were assembled, but the two travellers saw no faces that they knew; they looked in vain for the bridegroom and the bride. As they were conducted to their places, a low murmur broke out among the guests, who talked in an undertone, and asked where the great King would show himself.
Orestes and Edeko cast their eyes over the walls and ceiling without being able to see where the wonder would happen, for the childish and cunning Huns used to amuse their guests with surprises and practical jokes.
Suddenly the whole assembly stood up. The curtain which covered the wall in the background was drawn aside, and on a platform sat a little insignificant-looking man, with a table before him and a sofa beside him. On the table stood a wooden goblet. He sat quite motionless, without even moving his eyelids. Somewhat lower than he stood his chief Minister, the Greek Onegesius. He kept his eyes unwaveringly fixed on his master, who seemed to be able to converse with him through his eyes.
Attila remained in the same attitude, his legs crossed, and his right hand on the table. He gave no greeting, neither did he answer any.
“He does not see us! He only shows himself!” whispered Orestes. “He sees well!”
Onegesius received a command from the despot’s eye, and lifted his staff. A poet stepped forward with an instrument that resembled a harp and a drum combined. After he had struck the strings, and beaten the drum, he began to recite. It was a song celebrating all Attila’s feats in terms of strong exaggeration, and it would have been endless, if the assembly had not taken up the refrain and struck with their short swords on the table. The poet represented Attila’s defeat on the Catalaunian Plain as an honourable but indecisive battle. After the guests had for some time contemplated the insignificant-looking hero in his simple brown leather dress, they both felt the same irresistible reverence that all did who saw him.
There was something more than vanity in this self-conscious calm; this visible contempt for all and everything. He kept his side-face turned to the guests, and only his Minister could catch his eye.
When the panegyric was at an end, Attila raised his goblet, and, without drinking to anyone, sipped it. That was, however, the signal for a drinking orgy, and the wine was poured into gold and silver goblets, which had to be emptied at a draught, for Attila liked to see those around him intoxicated, while he remained sober.