My aunt goes down with me into the village, where she owns a three-storeyed house. The capacious edifice also contains a baker's and butcher's shop, and a restaurant. It has a lightning-conductor, because the store was a year ago struck by lightning. When my good aunt, who is as rigidly religious as her sister, conducts me to the room assigned for my use, I remain fixed on the threshold as if arrested by a vision. The walls are painted a rose-colour, which reminds me of the flush of the dawns which accompanied me on my journey. The curtains are also rose-coloured, and the windows so full of flowers that the daylight is subdued by them. Everything is spotlessly clean, and the bed with its canopy supported by four pillars is like that of a maiden. The whole room with its appurtenances is a poem, and speaks of a soul which only half lives upon earth. The Crucified is not there, but the Blessed Virgin is, and a vessel of holy water guards the entrance against evil spirits.

A feeling of shame seizes me, and I fear to sully the ideal of a pure heart which has erected this temple to the Virgin over the grave of her only love, who has been dead ten years, and in confusion I attempt to decline the kindly offer. But the good lady insists: "It will do you good, if you sacrifice your earthly love to the love of God, and of your child. Believe me, this thornless love will preserve your peace of mind and cheerfulness of spirit, and under the protection of the Virgin you will sleep quietly."

I kiss her hand as a sign of gratitude for her sacrifice, and consent with a feeling of humility of which I had not thought myself capable. The powers seem to be gracious to me, and to have arranged the sufferings they have ordained for my improvement. Still, for some reason or other, I wish to sleep another night in Saxen, and put off my change of residence till the next day. So I return with my aunt to my child. Looking at the house from the street, I discover that the lightning-conductor is fastened exactly above my bed.

What an infernal coincidence! It makes me think again that I am the subject of a personal persecution. I also notice that my window commands a pleasant prospect, looking out as it does on a poorhouse occupied by released criminals and sick people, among whom several are dying. A sorry spectacle truly, to have continually before one's eyes!

In Saxen I pack my things and prepare for departure. I part with sorrow from my child, who has become so dear to me. The cruelty of the old woman, who has succeeded in separating me from wife and child, enrages me. Angrily I shake my fist against a painting of her which hangs over my bed, and utter an imprecation against her. Two hours later a terrible storm breaks over the village. One lightning flash succeeds another, the rain pours in torrents, the sky is pitch dark.

The next day I am in Klam, where the rose-coloured room awaits me. Over my aunt's house there hangs a cloud in the shape of a dragon. They tell me that a house quite close by has been struck by lightning, and that the torrents of rain have injured haystacks and carried away bridges.

On the 10th of September a cyclone has devastated Paris, and that under most extraordinary circumstances. Without any warning, it suddenly rises behind St. Sulpice in the Jardin de Luxembourg, grazes the Théâtre du Châlet and the police station, and disappears behind the St. Louis hospital, after it has torn up iron gratings for fifty yards round. Regarding this cyclone and the one in the Jardin des Plantes, my theosophical friend asks me, "What is a cyclone? Is it an ebullition of hatred, the eruption of some passion, the effluence of some spirit?"

It must be a coincidence, or rather, more than a coincidence, that in a letter which crosses his, I have asked him as one initiated in the occult doctrines of the Hindus, "Can the philosophers of Hindustan cause cyclones?"

I began to suspect the adepts in magic of persecuting me on account of my gold-making or my obstinacy, and of wishing to bring me in complete subjection to their society. In the German Mythology of Rydberg and in Wärend och Widarne of Hilten-Cavallius, I had read that witches were in the habit of appearing in a storm or in short and violent gusts of wind. I mention this to show my mental condition before I fell in with Swedenborg's teaching.