The great differences with respect to constancy or variability which are displayed by the different stages of one and the same species, must therefore find their explanation elsewhere than in the type of the marking itself. The explanation must be found in the circumstance that each stage changes independently of the others, and at different periods can enter a new phase of variability.
We are here led in anticipation to the main question:—Are changes produced by internal or external causes? is it the physical nature of the organism which is compelled to become remoulded spontaneously after the lapse of a certain period of time? or does such modification only occur when produced directly or indirectly by the external conditions of life?
In the cases before us the facts undoubtedly indicate a complete dependence of the transformations upon external conditions of life.
The independent appearance of variability in the separate stages of the metamorphosis might, however, be regarded as only apparent. It might still be attempted to attribute the changes to a purely inherent cause, i.e., to a phyletic vital force, by assuming that the latter acts periodically in such a manner that at first one and then the following stage becomes variable, until finally the entire species is transformed.
There is but little to be said in reply to this if we once take refuge in entirely unknown forces, the operation of which can be arbitrarily conceived to be either constant or periodic.
But granting that such a transforming power exists and acts periodically, the variability must always pass over the different stages in a fixed direction, like a wave over the surface of water—imago, pupa, and larva, or larva, pupa, and imago, must successively become variable. Cases like that of Araschnia Prorsa, in which all three stages are variable, may certainly be thus explained, but those instances in which the larva and imago are extremely variable, and the pupa quite constant, are entirely inexplicable from this point of view.
The latter can, however, be very simply explained if we suppose the changes to be dependent upon external influences. From this standpoint we not only see how it is possible that an intermediate stage should remain uninfluenced by the changes which affect the two other stages, but we can also understand why it should just be the pupal stage that plays this part so frequently. If we ask why most pupæ are constant and are relatively but very slightly variable, the answer will be found in the facts that all pupæ which remain concealed in the earth or inside plants (Sesiidæ), or which are protected by stout cocoons, show complete constancy, whilst any considerable amount of variability occurs only in those pupæ which are suspended or openly exposed. This is closely connected with a fact to which I have called attention on a former occasion,[172] viz., that dimorphism occurs in certain pupæ, but only in those which are openly exposed and which are therefore visible to their foes. I am only acquainted with such cases among the pupæ of butterflies, and it is likewise only among these that I have found any considerable amount of variability.
Facts of this kind indicate that Nature does not uselessly sport with forms, but that at any rate changes of this sort result from external influences. The greater frequency of variability among larvæ and its comparative rarity in imagines is also undoubtedly in favour of this view.
It has already been shown that species with variable larvæ and constant imagines are extremely common, but that those with constant larvæ and variable imagines are very rare. This confirms the conclusions, already drawn above, first, that the variability of the imago cannot owe its existence to the variability of the larvæ, and secondly, that the causes which produce variability affect the larval condition more commonly than that of the imago.
Where can these causes be otherwise sought than in the external conditions of life, which are so widely different in the two stages, and which are much more variable for the larva than for the imago?