Upon the fall of Napoleon he returned to Coppet with Madame de Staël, and in 1815 published a second volume of his Poetical Works, (Heildelberg, 1811-1815, 2nd edit., 2 vols., 1820). These are characterized not merely by the brilliancy and purity of the language, but also by the variety and richness of the imagery. Among these the Arion, Pygmalion, and Der Heilige Lucas (St. Luke,) the Sonnets, and the sublime elegy, Rhine, dedicated to Madame de Staël, deserve especial mention, and give him a just claim to a poet's crown.
On the death of his friend and patroness in 1819, he accepted the offer of a professor's chair in Bonn, where he married a daughter of Professor Paulus. This union, as short-lived as the first, was followed by a separation in 1820. In his new position of academic tutor, while he diligently promoted the study of the fine arts and sciences, both of the Ancient and the Moderns, he applied himself with peculiar ardour to Oriental literature, and particularly to the Sanscrit. As a fruit of these studies, he published his Indian Library, (2 vols., Bonn, 1820-26); he also set up a press for printing the great Sanscrit work, the Râmâjana (Bonn, 1825). He also edited the Sanscrit text, with a Latin translation, of the Bhagavad-Gita, an episode of the great Indian Epos, the Mahâbhârata (Bonn, 1829). About this period his Oriental studies took, him to France, and afterwards to England, where, in London and in the college libraries of Oxford and Cambridge, and the East India College at Hailesbury, he carefully examined the various collections of Oriental MSS. On his return he was appointed Superintendent of the Museum of Antiquities, and in 1827 delivered at Berlin a course of Lectures on the Theory and History of the Fine Arts, (Berlin, 1827). These were followed by his Criticisms, (Berlin, 1828), and his Réflexion sur l'Etude des Langues Asiatiques, addressed to Sir James Mackintosh. Being accused of a secret leaning to Roman Catholicism, (Kryptocatholicisme,) he ably defended himself in a reply entitled Explication de quelques Malentendus, (Berlin, 1828.)
A. W. Von Schlegel, besides being a Member of the Legion of Honour, was invested with the decorations of several other Orders. He wrote French with as much facility as his native language, and many French journals were proud to number him among their contributors. He also assisted Madame de Staël in her celebrated work De l'Allemagne, and superintended the publication of her posthumous Considérations sur la Révolution Française.
After this long career of successful literary activity, A. W. Von Schlegel died at Bonn, 12 May, 1845. His death was thus noticed in the Athenaeum:—
"This illustrious writer was, in conjunction with his brother Frederick, as most European readers well know, the founder of the modern romantic school of German literature, and as a critic fought many a hard battle for his faith. The clearness of his insight into poetical and dramatic truth, Englishmen will always be apt to estimate by the fact that it procured for himself and for his countrymen the freedom of Shakspeare's enchanted world, and the taste of all the marvellous things that, like the treasures of Aladdin's garden, are fruit and gem at once upon its immortal boughs:— Frenchmen will not readily forget that he disparaged Molière. The merit of Schlegel's dramatic criticism ought not, however, to be thus limited. Englishmen themselves are deeply indebted to him. His Lectures, translated by Black, excited great interest here when first published, some thirty years since, and have worthily taken a permanent place in our libraries."
His collection of books, which was rather extensive, and rich in Oriental, especially Sanscrit literature, was sold by auction in Bonn, December, 1845. It appears by a chronological list prefixed to the catalogue, that reckoning both his separate publications and those contributed to periodicals, his printed works number no fewer than 126. Besides these he left many unpublished manuscripts, which, says the Athenaeum, "he bequeathed to the celebrated archaeologist, Welcker, professor at the Royal University of Bonn, with a request that he would cause them to be published."
DRAMATIC LITERATURE.
LECTURE I.
Introduction—Spirit of True Criticism—Difference of Taste between the
Ancients and Moderns—Classical and Romantic Poetry and Art—Division of
Dramatic Literature; the Ancients, their Imitators, and the Romantic
Poets.
The object of the present series of Lectures will be to combine the theory of Dramatic Art with its history, and to bring before my auditors at once its principles and its models.