An hour later Father Temple made his way into the tenement house, through a noisy mob of children romping on the pavement, and when he entered the narrow hall outside din was conquered by the deep, swelling music of "Quis est Homo," wailing from a violoncello held between the knees of a man sitting half way up the stairs, a thin, stooping old figure with shaggy grey hair, and bearded as a Welsh harper. The priest ascended, and the musician edged closer to the wall to allow him passage way, but he merely nodded his bowed head, and the solemn strains rose and fell like the sobbing moan of waves settling to calm after lashing blasts. Father Temple lifted his finger.
"Mrs. Dane lives on the next floor?"
"Go ub. She vill see no briests, but her door is oben for de child to hear de music he loves. Dear leedle boy is sick, and my cello sounds more better here dan closer."
He shut his eyes and continued playing. Opposite the undraped west window of the room above, an alley stretched, making clear pathway for the sinking sun that poured a parting flood of radiance into the apartment, and upon the cot where, propped up with pillows, the boy clasped his arms around his knees, and listened, quiet and happy. Between cot and window his mother sat, facing the back of her chair, on top of which she rested one arm, leaning her brow upon it, while the other hand, lying on the cot, slowly stroked Leighton's bare feet. Having washed her hair earlier in the day, it was now brushed out over her shoulders to dry in the sunshine, and the bright mass of waving tendrils seemed to clothe her with light. On the floor were scattered several newspaper sheets—"The Chain Breaker"—and across her knee lay an open copy of "Battle-cry of Labor." Only the mellow voice of the cello sounded, and the room was sweet with the breath of Mr. Herriott's white carnations nodding in a blue bowl on the table. Standing a moment at the threshold, Father Temple's eyes fastened on the veil of golden locks falling to the floor, and his heart leaped, then seemed to cease beating as he recalled a vision of the far West, where just such glittering strands had been twined around his fingers.
"Oh, my St. Hyacinth's preacher!"
At Leighton's glad cry his mother raised her head, started up, and, moving forward a few steps, swept back her hair, holding it with both hands. Before her stood the tall, thin figure in the long, black habit of his Order, cord-girded at the waist; with a soft wool hat and book in one hand; a clean-shaven face, pale, sensitive, scholarly, and suggestive of "lauds and prime," of asceticism without peace, and of brooding regret.
He recognized every line in her lovely features, from the large pansy eyes and delicate, over-arching brows to the perfect oval molding of cheek and chin, and the full, downward curve of scarlet lips. Love is so keen of vision it pierces the changes wrought by ripening years, and he knew the dear face. She did not suspect, love had been dead so long, and she had buried all tender memories in its neglected grave.
"I am surprised a Romish priest wastes his time coming here, and I have no welcome to offer you, because I wish no visitors."
With a swift movement he closed the door, dropped hat and book, and came close to her. The sudden glow on his cheek, the light of exultation in his sad eyes transformed him.
"Look at me. Don't you know me? Look—look!"