The flushed cheeks, and a certain icy curtness in Leo's tone, warned her companion that she was rashly invading sacred precincts.

"Eight years ago I made the solemn asseveration that I would never marry; and I ran as a raw recruit to swell the army of foolish virgins who lost all the wedding splendors, the hypothetical 'cakes and ale', for want of the oil of worldly wisdom. Now I am thirty-three, and my lamp is filled to the brim, and the bridegroom is in sight. Why not? Adverse weather, rain, rust and mildew spoiled my beautiful golden harvest ten years ago, but aftermath is better than bare stubble fields, and though you miss the song of the reapers, you escape starvation. Deny it as we may, we are hopelessly given over to fetichism, and each one of us ties around her stone image some beguiling orthodox label. Leo, yours is pride, masquerading in the dun garb of 'religious duty'. Mine is self-love, pure and simple, the worldly weal of Alma Cutting; but nominally it is dubbed 'grateful requital of a life of devotion' in my lover! You grieve over my heartlessness? That is the one compensation time brings, when men and women have killed the best in our natures. Teeth ache fiercely; then the nerve dies, and we have surcease from pain, and find comfort in knowing that the darkening wreck can throb no more. There was a time when the pangs of Prometheus seemed only pastime to mine, but all things end; and now I get on as comfortably without a heart, as the victims of vivisection—the frogs, and guinea pigs, and rabbits—do without their brains."

"I do indeed grieve over the fatal step you contemplate; I grieve over your unwomanliness in marrying a man whom you do not even pretend to love; and some terrible penalty will avenge the outrage against feminine nature. Some day your heart will stir in its cold torpor, and then all Dante's visions of horror, will become your realities, scuurging you down to despair."

"Because 'Farleigh Court' may lie dangerously close to 'Denzil Place'? Be easy, Leo; the cold remains of my ossified affection will lie in as decorous repose as the harmless ash heaps of some long buried damosel of the era of Lars Porsenna, dug out of Vulci or Chiusi. To make a safe and brilliant marriage is the acme of social success. What else does the world to which I belong, offer me now?"

"There remains always, Alma, the alternative of listening to the instinctive monitors God set to watch in every woman's nature; and we have the precious and inalienable privilege of being true to ourselves. Better mourn your 'bisc' than stoop to a lower substitute. Be loyal to yourself, be true to your own heart."

"I know myself rather too intimately to offer a tribute of admiration on the altar of ego; and I prefer to make the experiment of trying to be true and loyal to some one else, with whose imperfections I am not so well acquainted. When you meet your adorable 'bisc' in society, with a wife hanging on his arm,—when as pater familias he convoys his flock of small children who tread on your toes at the chrysanthemum shows, what then? The world, my world, is generously and munificently lax, and though the limits of respectable endurance may be as hard to find as the 'fourth dimension of space', or the authenticity of the 'Book of Jasher', still for decency's sake we submit there are limits of decorum; certain proprietorial domains upon which we may not openly poach; and mcum et tuum though moribund, is not yet numbered with belief in the 'grail'. Female emancipation is not quite complete even in America, and noblesse oblige! our code still reads: 'Zeus has unquestioned right to Io; but woe betide Io when she suns her heart in the smiles that belong to Hera!' Some women find exhilaration in the effort to excel, by flying closest to the flame without singeing their satin wings; by executing a pirouette on the extremest ledge of the abyss, yet escape toppling in; female Blondins skipping across the tight rope of Platonic friendship, stretched above the unmentionable. You are shocked?"

"Indeed, I am pained. I can scarcely recognize the Alma of old."

"Wait one moment, I have the floor. In the days when I wept for my—shall I say 'bisc'? for impersonality is hedged about with safety, and the consolation prize had not yet been invited to come back from Coventry, a funny trifle set me to thinking seriously of my sin of covetousness. One summer at a certain fashionable resort, let us call it villeggiatura of the Lepidoptera, the amusement programme had reached the last act, and people yawned for something new, when 'sweet charity' came to the rescue, and proposed an entertainment to raise funds for enlarging an ecclesiastical 'Columbary' where aged, unsightly and repentant doves might moult, and renew their plumage. Musical, dramatic, poetic recitations, and tableaux vivants constituted the method of collecting the money, and the selections would have made Rabelais chuckle. We had the most flagitiously erotic passages (rendered in costume) from opera and opera bouffe, living reproductions of the tragic pose of Paolo and Francesca that would hare inspired Cabanel anew; of 'Ginevra Da Siena,' of 'Vivien,'—a carnival of the carnal! where nurseries were robbed to supply the mimic ballet, and where bald-headed clergyman, and white-haired mothers in Israel clapped and encored. One fair forsaken dame, whose indignant spouse was seeking a divorce, came to the footlights in an artistic garment so decollete that a man sitting behind me whispered to his friend: 'What pictures does she suggest to you? "Phryne before the Judges"—or Long's "Thisbe?" She languorously waved a floral fan of crimson carnations, and recited with all of Siddons' grace and Rachel's fire selections from a book of poems, that were so many dynamite bombs of vice smothered in roses. Amid tumultuous applause, she gave as encore something that contained a fragment of Feydeau, and its closing words woke up my drowsy soul, like a clap of thunder: 'Ce que les poetes appellent l'amour, et les moralistes l'adultere!' Leo, there is a moral somnambulism more frightful than that which leads to midnight promenades on the combs of roofs, and the borders of Goat Island; so I wiped my tears away, and after that day, began to read the billet doux and wear the flowers of my 'consolation prize'."

"You do not love him, and your marriage will degrade you in your own estimation. Your bridal vows will be perjury, an insult to your God, and a foul terrible wrong against the man who trusts your truthfulness. According to our church, wedlock is a 'holy ordinance'; and to me an unloving wife is unhallowed; is a blot on her sex, only a few degrees removed from unmarried mothers. You know the difference between friendship and love, and when you go to the altar, and give the former in exchange for the latter, the base counterfeit for the true gold, you are consciously and premeditatedly dishonest."

"Thanks, for your clearness of diction, your perspicuity which leaves no cobweb of misty doubt wherewith to drape my shivering moral deformity! To 'see ourselves as others see us' is as disappointing as the result of plunging one's hand into the 'grab-bag', but at least it brings the stimulating tingle of a new sensation. Suppose each knows perfectly well that as regards the true gold, both are equally bankrupt? There is a queer moral fungus called 'honesty among thieves', and we both know that we never sang snatches from Offenbach to each other, through pink 'bisc' lips. He loved quite desperately a mignonne of a blonde, with heavenly blue eyes and cherubic yellow hair, who, not knowing his expectations from a California uncle, jilted him for a rich Cuban. Look you, Leo, because I cannot wear Kohinoor, must I disport myself without any diamond necklace? Since he can never own 'La Peregrina,' must he eschew pearl studs in his shield front? We distinctly understand that we are not first prizes; but perhaps we may be something better than total blanks in the lottery, even though we quite realize the difference between love and friendship. Do you? Portia should know every jot and tittle of the law, and all the subtle shades of evidence, before she lifts her voice in court."