"Yes."
"I don't understand 'Manfred.' Here and there are passages in cipher. I read and catch a glimpse of hidden meaning; I read again, and it vanishes in mist. It seems to me a poem of symbols, dimly adumbrating truths, which my clouded intellect clutches at in vain. I have a sort of shadowy belief that 'Astarte,' as in its ancient mythological significance, symbolizes nature. There is a dusky vein of mystery shrouding her, which favors my idea of her as representing the universe. Manfred, with daring hand, tore away that 'Veil of Isis' which no mortal had ever pierced before, and, maddened by the mockery of the stony features, paid the penalty of his sacrilegious rashness, and fled from the temple, striving to shake off the curse. My guardian has a curious print of 'Astarte,' taken from some European Byronic gallery. I have studied it until almost it seemed to move and speak to me. She is clad in the ghostly drapery of the tomb, just as invoked by Nemesis, with trailing tresses, closed eyes, and folded hands. The features are dim, spectral, yet marvelously beautiful. Almost one might think the eyelids quivered, there is such an air of waking dreaminess. That this is a false and inadequate conception of Byron's 'Astarte' I feel assured, and trust that I shall yet find the key to this enigma. It interests me greatly, and, by some inexplicable process, whenever I sit pondering the mystery of Astarte, that wonderful creation in 'Shirley' presents itself. Astarte becomes in a trice that 'woman-Titan' Nature, kneeling before the red hills of the west, at her evening prayers. I see her prostrate on the great steps of her altar, praying for a fair night, for mariners at sea, for lambs in moors, and unfledged birds in woods. Her robe of blue air spreads to the outskirts of the heath. A veil, white as an avalanche, sweeps from her head to her feet, and arabesques of lightning flame on its borders. I see her zone, purple, like the horizon; through its blush shines the star of evening. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers. She reclines on the ridge of Stillbro- Moor, her mighty hands are joined beneath it. So kneeling, face to face, 'Nature speaks with God.' Oh! I would give twenty years of my life to have painted that Titan's portrait. I would rather have been the author of this than have wielded the scepter of Zenobia, in the palmiest days of Palmyra!"
She spoke rapidly, and with white lips that quivered. Clara looked at her wonderingly, and said hesitatingly:
"I don't understand the half of what you have been saying, It sounds to me very much as if you had stumbled into a lumber room of queer ideas; snatched up a handful, all on different subjects, and woven them into a speech as incongruous as Joseph's variegated coat." There was no reply. Beulah's hands were clasped on the table before her, and she leaned forward with eyes fixed steadily on the floor. Clara waited a moment, and then continued:
"I never noticed any of the mysteries of 'Manfred' that seem to trouble you so much. I enjoy the fine passages, and never think of the hidden meanings, as you call them; whereas it seems you are always plunging about in the dark, hunting you know not what. I am content to glide on the surface, and—"
"And live in the midst of foam and bubbles!" cried Beulah, with a gesture of impatience.
"Better that than grope among subterranean caverns, black and icy, as you are forever doing. You are even getting a weird, unearthly look. Sometimes, when I come in and find you, book in hand, with that far-off expression in your eyes, I really dislike to speak to you. There is no more color in your face and hands than in that wall yonder. You will dig your grave among books, if you don't take care. There is such a thing as studying too much. Your mind is perpetually at work; all day you are thinking, thinking, thinking; and at night, since the warm weather has made me open the door between our rooms, I hear you talking earnestly and rapidly in your sleep. Last week I came in on tiptoe, and stood a few minutes beside your bed. The moon shone in through the window, and though you were fast asleep, I saw that you tossed your hands restlessly; while I stood there you spoke aloud, in an incoherent manner, of the 'Dream Fugue,' and 'Vision of Sudden Death,' and now and then you frowned, and sighed heavily, as if you were in pain. Music is a relaxation to most people, but it seems to put your thoughts on the rack. You will wear yourself out prematurely if you don't quit this constant studying."
She rose to go, and, glancing up at her, Beulah answered musingly:
"We are very unlike. The things that I love you shrink from as dull and tiresome. I live in a different world. Books are to me what family, and friends, and society are to other people. It may be that the isolation of my life necessitates this. Doubtless, you often find me abstracted. Are you going so soon? I had hoped we should spend a profitable evening, but it has slipped away, and I have done nothing. Good-night." She rose and gave the customary good-night kiss, and, as Clara retired to her own room, Beulah turned up the wick of her lamp and resumed her book. The gorgeous mazes of Coleridge no longer imprisoned her fancy; it wandered mid the silence, and desolation, and sand rivulets of the Thebaid desert; through the date groves of the lonely Laura; through the museums of Alexandria. Over the cool, crystal depths of "Hypatia" her thirsty spirit hung eagerly. In Philammon's intellectual nature she found a startling resemblance to her own. Like him, she had entered a forbidden temple, and learned to question; and the same "insatiable craving to know the mysteries of learning" was impelling her, with irresistible force, out into the world of philosophic inquiry. Hours fled on unnoted; with nervous haste the leaves were turned. The town clock struck three. As she finished the book and laid it on the table she bowed her head upon her hands. She was bewildered. Was Kingsley his own Raphael-Aben-Ezra? or did he heartily believe in the Christianity of which he had given so hideous a portraiture? Her brain whirled, yet there was a great dissatisfaction. She could not contentedly go back to the Laura with Philammon; "Hypatia" was not sufficiently explicit. She was dissatisfied; there was more than this Alexandrian ecstasy to which Hypatia was driven; but where, and how should she find it? Who would guide her? Was not her guardian, in many respects, as skeptical as Raphael himself? Dare she enter, alone and unaided, this Cretan maze of investigation, where all the wonderful lore of the gifted Hypatia had availed nothing? What was her intellect given her for, if not to be thus employed? Her head ached with the intensity of thought, and, as she laid it on her pillow and closed her eyes, day looked out over the eastern sky.
The ensuing week was one of anxious apprehension to all within the city. Harriet's words seemed prophetic; there was every intimation of a sickly season. Yellow fever had made its appearance in several sections of the town in its most malignant type. The board of health devised various schemes for arresting the advancing evil. The streets were powdered with lime and huge fires of tar kept constantly burning, yet daily, hourly, the fatality increased; and, as colossal ruin strode on, the terrified citizens fled in all directions. In ten days the epidemic began to make fearful havoc; all classes and ages were assailed indiscriminately. Whole families were stricken down in a day, and not one member spared to aid the others. The exodus was only limited by impossibility; all who could abandoned their homes and sought safety in flight. These were the fortunate minority; and, as if resolved to wreak its fury on the remainder, the contagion spread into every quarter of the city. Not even physicians were spared; and those who escaped trembled in anticipation of the fell stroke. Many doubted that it was yellow fever, and conjectured that the veritable plague had crossed the ocean. Of all Mrs. Hoyt's boarders, but half a dozen determined to hazard remaining in the infected region. These were Beulah, Clara, and four gentlemen. Gladly would Clara have fled to a place of safety, had it been in her power; but there was no one to accompany or watch over her, and as she was forced to witness the horrors of the season a sort of despair seemed to nerve her trembling frame. Mrs. Watson had been among the first to leave the city. Madam St. Cymon had disbanded her school; and, as only her three daughters continued to take music lessons, Beulah had ample leisure to contemplate the distressing scenes which surrounded her. At noon, one September day, she stood at the open window of her room. The air was intensely hot; the drooping leaves of the China trees were motionless; there was not a breath of wind stirring; and the sable plumes of the hearses were still as their burdens. The brazen, glittering sky seemed a huge glowing furnace, breathing out only scorching heat. Beulah leaned out of the window, and, wiping away the heavy drops that stood on her brow, looked down the almost deserted street. Many of the stores were closed; whilom busy haunts were silent; and very few persons were visible, save the drivers of two hearses and of a cart filled with coffins. The church bells tolled unceasingly, and the desolation, the horror, were indescribable, as the sable wings of the Destroyer hung over the doomed city. Out of her ten fellow-graduates, four slept in the cemetery. The night before she had watched beside another, and at dawn saw the limbs stiffen and the eyes grow sightless. Among her former schoolmates the contagion had been particularly fatal, and, fearless of danger, she had nursed two of them. As she stood fanning herself, Clara entered hurriedly, and, sinking into a chair, exclaimed, in accents of terror: