During the drive he was abstracted, now and then consulting a paper of memoranda, carried in the inside breast-pocket of his coat.

Once introduced into the elegant studio of Mr. Harcourt in Tenth Street, Regina found much to interest and charm her, while her guardian arranged the preliminaries, and settled the details of the picture. Then he removed the hat and cloak, and placed her in the comfortable seat already prepared.

The artist went into an adjoining room, and a moment after Hero bounded in, expressing by a succession of barks his almost frantic delight at the reunion with his mistress. Since her removal to New York, she saw him so rarely, that the pleasure was mingled with pain, and now with her arms around his neck, and her face hidden in his thick white hair, she cried softly, unable to keep back the tears.

"Come, Regina, sit up. Make Hero lie on that pile of cushions, which will enable you to rest one hand easily on his head. Crying! Mr. Harcourt paints no such weeping demoiselles. Dry your eyes, and take down your hair. Your mother wishes it flowing, as when she saw you last."

While she unbraided the thick coil, and shook out the shining folds, trying to adjust them smoothly, the lawyer stood patiently beside her; and once his soft white hand rested on her forehead, as he stroked back a rippling tress that encroached upon her temple.

The dress of pearly cashmere was cut in the style usually denominated "infant waist," and fully exposed the dazzling whiteness and dimpling roundness of the neck and shoulders; while the short puffed sleeves showed admirably the fine modelling of the arms.

Walking away to the easel, Mr. Palma looked back, and critically contemplated the effect; and he acknowledged it was the fairest picture his fastidious eyes had ever rested on.

He put one hand inside his vest, and stood regarding the girl, with mingled feelings of pride in "Erle Palma's ward," and an increasing interest in the reticent calm-eyed child, which had first dawned when he watched her asleep in the railroad car. It was no easy matter to stir his leaden sympathies, save in some selfish ramification, but once warmed and set in motion they proved a current difficult to stem.

In a low voice the artist said, as he selected some brushes from a neighbouring stand:

"How old is she? Her features have a singularly infantile delicacy and softness, but the eyes and lips seem to belong to a much older person."