This Abbot Solomon was a learned as well as a kind-hearted man. He kept up a literary correspondence with two brother bishops, Dado, of Verdun, and Waldram, of Strasburg, and most of the letters that passed between them were in verse. He was, moreover, well skilled in the arts, and no one succeeded so well as he in designing the capitals for illuminated manuscripts; nay, even after he became bishop, he did not think this occupation unworthy his episcopal hand. He always kept up the same affectionate intercourse with St. Gall’s and its scholars, and loved to encourage their studies and amuse himself with their innocent freedoms. Nor was it only by ecclesiastics drawn from the ranks of the community that these marks of favour and interest were bestowed. All the great German sovereigns understood the value of St. Gall’s, and frequently visited it in person. Otho the Great was accustomed to say that he would willingly break his imperial crown into fragments to preserve regular observance in that abbey. His sagacious mind discerned the vast benefits which must flow to his empire from the preservation in the midst of it of such a centre of civilisation. So very solicitous was he for the well-being of the monastery, that reports having reached him in 968 of a rumoured decay of discipline, he used his imperial authority after the fashion of Charlemagne, and appointed a commission of abbots and bishops to investigate the case. They gave a good report of the state of the monastery; but the emperor, not yet satisfied, dispatched Kebon, abbot of Lauresheim, and some others, to enforce the observance of the Rule to the very letter. The only irregularity which the commissioners could discover was, that the Sunday chant was in too high a key, and that the Friday fast was too rigorous. Otho did not fail to do justice to the monks, and paid them a visit in person to console them for the trouble he had given them by his royal commissioners. It is said that assisting with them in choir, he let his stick fall as if by accident, and was edified to see that not one head was turned to observe the cause of the disturbance.

Ekkehard relates another royal visit from King Conrad I., which took place in 912. The king being at Constance on Christmas-day, the bishop happened after dinner to speak of the processions which were celebrated at that season at St. Gall’s. “Why should we not go there to-morrow?” said the king; and his courtiers eagerly assenting, the next day very early they set out in boats across the lake, and so reached the abbey, where they spent three days. They specially admired the procession of the children; and to test their discipline, the king threw an apple among them, which none of them so much as looked at, whereat he greatly wondered. He dined with them in the refectory, and took pleasure in hearing the boys read in succession. As they came down from the desk, he sent some gold to be put into their mouths, which one of them spitting out again, Conrad declared he would make an excellent monk. His visit ended pleasantly to the children, for after causing himself to be enrolled as a conscript brother, he granted the scholars three extra play-days, and discharged the expenses of a great feast, furnishing the pepper, as he said, to season their beans. When Conrad II. and his empress paid a similar visit in 1033, they contrived to coax Abbot Dietbald to give them the German Psalter and the book of Job, which had been written out by Notker Labeo, a treasure worth more to the community than many such instalments of royal pepper.

I have lingered so long on the history of St. Gall’s as to leave little space for noticing the other monastic schools of the period. Most of those in Germany were remarkable for their cultivation of the arts, in which they far outstripped their Italian contemporaries. Godeschard, the successor of St. Bernward of Hildesheim, thoroughly shared his tastes, and carried on his designs. He even founded a school of painting in his episcopal palace which propagated the art through all the German dioceses. The subjects chosen were mostly scenes from the Old and New Testaments, being professedly intended for the instruction of the unlearned. Rio fixes the latter part of the tenth century as the date of the invention of glass painting, and the first fabrication of carpets and hangings. These new branches of industry were at once taken up by the monks, and at St. Florent de Saumur, in 985, a manufactory was established for weaving tapestries adorned with flowers and figures of animals. Sometimes the love of nature, so inherent in the monkish soul, induced them to decorate their cloisters with woodland scenes, in which the figures of men, dogs, horses, and deer, appear taking part in the chase. This was, of course, a departure from the principles on which the art of religious painting rested; and in the twelfth century these artistic caprices drew down severe reproofs from St. Bernard, who particularly disliked the representation of monsters, such as centaurs, and quadrupeds with a fish’s tail. He thought that they savoured of heathenism, and were unsuitable to the gravity of a religious house. Hugo, of St. Victor, objected even to the natural designs of sheep and oxen; “It may be well,” he said, “that monasteries should have paintings for the edification of those who are not delighted with Scriptural subtleties, but for monks themselves a horse or an ox is more useful in the fields than in a picture.” These landscape subjects were, however, exceptional; far more frequently the monastic paintings were of a character described in their annals as “solemn pictures.” They were pathetic representations of the Sacred Passion, accompanied with pious verses, not without a reference to the part of the convent where they were fixed. Thus, in the lavatory, the monks were bid not to wash their hands only, but their hearts also; in the refectory, to remember the gall and vinegar which Our Lord received on the Cross; and in the cloister, to think how the fashion of this world flees past us with noiseless step. The great abbey of St. Denis, in France, was covered all over with carvings and paintings, its very doors being sculptured with the mysteries of the Passion and Resurrection; while within the cloister was a whole series of paintings, historical and mystical, some of the latter exceedingly quaint, such as that which represented St. Paul turning a mill, and all the prophets of the Old Testament bringing a sack of corn to be ground in it; figuring thereby his gift in the interpretation of the Sacred Scriptures of the Old Law.

One thing cannot be overlooked whilst studying the annals of these early monastic schools; it is the peculiar charm attaching to the character of the masters. Everywhere we see the same features of cheerful labour, and a certain tranquil activity. Turn to the newly converted land of Normandy, and hear how Oderic Vitalis describes the abbots and masters of his own monastery of St. Evroult. In one page he paints the good abbot Theodoric, a very skilful scribe, who managed to collect a fine library, partly by the diligent exercise of his own pen and the labours of his youths, and partly by “gentle solicitations.” Then there was Osbern, eloquent in speech, with a lively genius for sculpture, architecture, and painting. How we seem to behold him with “his stately stature, and his head, profusely covered with black hair sprinkled with grey!” He was always urging the novices to make progress in reading, singing, and writing; and loved with his own hands to make the writing implements and waxen tablets for the use of the boys. Or shall he tell us of that most promising scholar, William, who was placed in the abbey when nine years old, and was so diligent at his books, that the monks called him Gregory the Second? Not only did he make an excellent reader and chanter, and an exceedingly skilful copyist, but he was so devoted a student of the Scriptures, that he committed to his tenacious memory the Epistles of St. Paul, the Proverbs of Solomon, and many other books of either Testament.

Of another youth, who began his education at five, and who afterwards became schoolmaster, the same historian remarks, that his special gift lay in his powers of conversation. He had a knack of making everything interesting, and told the commonest things in a way that was quite delightful; and the monks were never weary of hearing him recite the narratives of Scripture, or the histories of learned men. It is not merely as men of learning that the character of these monastic students claims our admiration. It is the union of strength with tenderness, of scholarship with humility, which renders them so dear and venerable in our eyes. How seldom in these records are we disgusted with any of those traits of pedantry and self-seeking, the offsprings of a pride which had been pruned away by the knife of religious discipline? The monks were not mere scholars, and the tendency to literary conceit was effectually corrected by the daily exercises of community life. In the best days of monasticism, labour was cultivated hand in hand with letters. The same man who at one hour was engaged in writing a commentary on the Scriptures, producing Christian imitations of Horace or Virgil, or elaborating some of the exquisite master-pieces of cloistral art, found himself at another, employed on the meanest and humblest offices for the service of his brethren. The finest glass-painter of one medieval convent had to leave his paintings to take their chance in the furnace, while he was sent on the quest; and the Pope’s messengers who brought a cardinal’s hat to another learned friar, found him busy in the kitchen. This was the invariable régime which existed wherever the monastic institute preserved its discipline uncorrupted. Thus Odericus says of Roger de Warrene, son of the famous earl of Surrey, that entering the abbey of St. Evroult at the age of forty-six, he never plumed himself on his noble birth or varied accomplishments, but chose rather base employments, “cleaning the shoes of the brethren, washing their stockings, and cheerfully doing other services which appear mean to stupid or conceited persons.” Yet he was a very skilful artist; and when he had finished with the shoes and stockings, he gave the rest of his time to the labours of the scriptorium, where he ornamented a book of the Gospels with gold, silver, and precious stones. And the historian knows not how to say enough of his pleasant and musical voice, his constant attendance in choir, and his courteous manner with the other monks, “always abstemious towards himself, always generous to others, always alive for vigils, and incredibly modest.”[138] What a fragrant sweetness hangs about such notices as these, coming as they do in the midst of records of bloodshed and violence! Truly, we may say of the monastic schools, that they were “as beds of flowers by the dens of lions encompassed!” Huns and Saracens raged around them, but these gentle scholars fled to the mountains and the wilderness, and building their nests amid the rocks, while the world was flooded by new forms of barbarism, they wrote, they studied, they taught, and they prayed, and perpetuated that beautiful character which even Michelet has owned to have been in all ages the appanage of monks; sweetness, goodness of heart, and innocence. It remained wholly unaffected by the stormy turbulence of the world around them. They had a world of their own apart from and above it. All Europe might be in arms, whilst at St. Gall’s Tutilo was constructing his wonderful table, which showed all the courses of the stars, or Notker was composing those hymns and sequences which for centuries afterwards were to be incorporated into the Office of the Church. Whilst the barbarians were laying all things in ruins, they, heedless alike of fame or profit, were patiently laying the foundations of European civilisation. They were forming the languages of Schiller, of Bacon, and of Bossuet; they were creating arts which modern skill in vain endeavours to imitate; they were preserving the codices of ancient learning, and embalming the world, “lying in wickedness,” with the sweet odour of their manifold virtues. Surely, it was of such as these that the Wise Man spoke when he described that wisdom which God has given to His chosen ones. For they had received “the true knowledge of the things that are: the revolutions of the year, and the dispositions of the stars; the natures of living creatures, the reasonings of men, the diversities of plants, and the virtues of roots,”—and in them was “the spirit of understanding, holy, one, manifold, eloquent, active, undefiled, sweet, loving that which is good, beneficent, gentle, and kind.”[139]

But before closing our sketch of the tenth century, we have yet to speak of its greatest scholastic glory: one whose attainments have elicited not only the admiration of his contemporaries, but the respectful notice even of those writers least disposed to believe that anything good can come out of the Dark Ages. The scholars of whom we have hitherto spoken, if regarded as great men by their contemporaries, are spoken of by later critics with very general contempt. They do not even allow them to have been useful in their own poor way, as transcribers of volumes that they scarce knew how to read, for Mr. Berington considers that even as copyists, the monks were sadly idle. Two names, however, escape the otherwise universal oblivion to which such writers would willingly consign the scholars of the Dark Ages, they are Erigena Scotus and Gerbert. There is, I hope, no malice in supposing that the intellectual superiority of these men does not form their only claim to exemption from the obloquy so plentifully heaped on their fellow-students. The independent views of Erigena were well fitted to win him favour with all disciples of the Rationalistic school; whilst the supposed circumstance of Gerbert having acquired his knowledge of science in an Arabic, and not in a Christian, academy, to say nothing of his having been at one time involved in a dispute with the Holy See, may have had some share in procuring him a larger meed of indulgence. To admit his merit did not entail the necessity of giving any credit to the Christian teachers, for if Gerbert ended his days on the chair of St. Peter, it is at least a comforting reflection to our historians, that he began life in the Moorish schools of Granada.

This consolation, alas! they enjoy no longer. Modern researches, which have upset so many time-honoured traditions, have proved beyond the possibility of dispute that Gerbert owed nothing either to Moors or Pagans, that his education was exclusively Christian, and that whatever be his value as a man of science, the Christian schools of the Iron century must bear the credit of it. It is hard to dissipate fables so romantic as those which represent the young scholar Gerbert enabled, through the favour of a fair Moorish damsel, to gain possession of her wizard father’s conjuring-book, the mystic Abacus—and return to Europe with the unholy treasure, which was to infuse a gleam of Saracenic light into the dull intellects of Christendom. But the recent discovery of an authentic memoir of this famous monk, whose name casts so broad a splendour over his age, written by his own disciple, Richer, of Rheims, has cleared away every obscurity which hitherto hung over his history.[140]

Few particulars of his early life are known, save that he was the son of poor parents, that he was a native of Aurillac in Auvergne, and entered the monastery of that town when still a youth, about the end of the ninth century. He had already commenced his studies in grammar, when Borrel, count of Barcelona, came to the monastery on pilgrimage. The abbot, hearing from him of the excellent schools which then flourished in Spain, begged him to take back with him some of their young monks, and Gerbert accordingly accompanied the count into Spain, and was placed under Hatto, then Bishop of Vich, in Catalonia, where he formed an intimate friendship with Warin, abbot of Cusan, one of the most learned men of his time. From this account, the authenticity of which is beyond question, it appears that the popular notion which represents Gerbert as acquiring his learning among the Arabs is incorrect, and all the romantic stories connected with his acquisition of the mysterious Abacus vanish into thin air. Doubtless, the Christian schools of Spain profited not a little from their proximity to the Arabic universities, and the sciences of mathematics and astronomy were naturally those which were most successfully cultivated. Gerbert made extraordinary progress in both; and when he accompanied Borrel and Hatto on their next pilgrimage to Rome, Pope John XIII. was not long in discovering his talents. The liberty of the subject seems not to have been much understood in the tenth century, for when it became known that the young monk was an adept both in music and mathematics, neither of which sciences were then taught in Italy, the Pope lost no time in communicating the fact to the emperor Otho I., who conjured him not to permit his return to Spain. Gerbert was accordingly most affectionately kidnapped and sent without delay to Otho’s court, where being interrogated as to the extent of his knowledge, he replied that he was tolerably acquainted with mathematics, but was ignorant of logic, which science he greatly desired to study. It happened that at that time Gerard, archdeacon of Rheims, an excellent logician, had been sent as ambassador to Otho from Lothaire, king of France, and Gerbert at last won the emperor’s consent to his returning home with him, that he might teach mathematics and study logic in the schools of that city. Adalberon was then archbishop of Rheims, and he forthwith committed the studies of his cathedral school to the direction of the young professor. Richer gives a very precise account of the method he followed. He began with the “Dialectics of Aristotle,” going through and thoroughly explaining the propositions of each book. He particularly explained the Introduction of Porphyry; and passed on to the “Categories” and the “Topics” of the same author, as translated out of Greek into Latin by Cicero, and commented on in six books by the Consul Manlius. In the same way he lectured on the four books of Topical differences, two of Categorical syllogisms, one book of Divisions, and one of Definitions. And here the reader will not fail to observe that these logical lectures must have been the fruit of studies pursued not in Spain, but in France, for previous to Gerbert’s coming to Rheims, we have his own acknowledgment that he knew nothing of that science. After he had taken his scholars through this course, says Richer, he proceeded to initiate them into the art of rhetoric; and he set out on the principle, that in this branch of study a knowledge of the classical poets was essential. He therefore read and explained Virgil, Statius, and Terence; then the satirists, Juvenal, Persius, and Horace, and last of all, Lucan. After this, his pupils were exercised in disputation, which he taught with such art, that the art was never apparent; a thing, observes his biographer, which is held to be the perfection of oratory. Then he popularised the science of music;[141] and as to arithmetic, mathematics, and astronomy, he made these difficult studies easy and delightful. Richer devotes several pages to the description of the various instruments which he constructed, and by which he contrived to render the science of astronomy, as it were, sensible to the eyes of his scholars. A round wooden ball, with its poles oblique to the horizon, figured the world, the various astronomical and geographical phenomena being represented by other circles. In fact, from the minute description of the writer, we are obliged to conclude that Gerbert exhibited at his lectures two very passable specimens of the terrestrial and celestial globes. But the great boon, which he is commonly represented as bestowing on the European schools, was the introduction of that wonderful table, “in which nine ciphers represented all the numbers, and produced in their infinite combinations all multiplications and divisions.” This was the mystic Abacus, the foundation, no doubt, of our present system of numeration. It consisted of a tablet, on which three columns were marked out, sometimes in fixed lines, sometimes in sand sprinkled over its surface; and in these columns figures were arranged in units, tens and hundreds. The method in use for working out calculations, even with the assistance of this decimal system, as explained by Gerbert in several treatises, was, however, extremely intricate, though it was probably a vast improvement on the clumsy contrivances which had been resorted to by former scholars. How far, however, the Abacus is to be regarded as a new invention, appears more than doubtful. Its history has been made the subject of interesting modern researches, and the result seems to be that the system of numeration used and explained by Gerbert, contained nothing in it which had been unknown to Boëthius.[142] Nevertheless, he certainly seems to have elucidated and popularised the science of arithmetic, which from this epoch began to be more seriously studied.

It is not easy to convey any notion of the enthusiasm excited by Gerbert’s lectures, or the tide of scholars that flocked to him not only from every part of France, but from Germany, Italy, and the British Islands. Brucker is careful to repeat the old calumny, which represents the dull heads of his contemporaries as attributing his superior science to the effect of magic. “The knowledge of nature which Gerbert possessed,” he says, “so far surpassed that of his contemporaries, that they thought him possessed of magical powers; and Benno, a cardinal who owed him a grudge for his opposition to the See of Rome, invented a tale of his holding converse with the devil.” Alas for the accurate historian! this round assertion must go to keep company with that other from the same pen touching the trial of Polydore Vergil before the Inquisition. It was, doubtless, a temptation to represent the person who charged a man of genius with being a magician as one of the dull orthodox, moved to the malicious act by his zeal on behalf of the See of Rome, but the facts are exactly the contrary. Benno, the zealous cardinal who owed Gerbert a grudge for his opposition to the Pope, happened himself to be a schismatic and a partisan of the anti-pope; and instead of being a contemporary of Gerbert’s, he lived a century later, in the time of St. Gregory VII., and introduced this precious story in a writing, the express purpose of which was to defame the character of the Roman pontiffs.[143] In justice to Gerbert it must be added, that not only was he innocent of sorcery, but that he was altogether above all petty jealousy and self-seeking, and desired nothing so ardently as to communicate his discoveries to as many as wished to receive them. Not content with instructing his own scholars, he corresponded with the scholastics of Tours, Sens, Fleury, and Aurillac, and spared no pains or expense in the collection of his library. In this work he was generously assisted by his friends, scattered over the length and breadth of Europe. It is in his “Epistles” that we catch a glimpse of that prodigious activity of mind which took cognisance of all subjects, and never rested till it had sounded all to the depth. In one letter, we find him begging the loan of a Cæsar from his archbishop, and offering in exchange eight volumes of Boëthius and some excellent geometrical figures. In another, he solicits the monks of Aurillac to furnish him with a Spanish treatise on the arts of multiplication and division, and directs them in the work of correcting a manuscript of Pliny. Then, again, we find him writing on the medical science, to which he and his disciples directed a good deal of attention, and in which they followed the Greek masters. In fact, it was the diversified character of his acquirements that made Gerbert the wonder of the world in the eyes of his contemporaries. He knew all things, they said, and all things equally well. If this were an exaggeration, it is certain that he possessed the rare power of being able to direct his attention to a very wide range of studies, though natural philosophy was certainly his special attraction.