A LIST OF THE REPRODUCTIONS IN THIS VOLUME
OF DESIGNS ATTRIBUTED TO TORY
BY M. BERNARD.

REPRODUCED
ON PAGE
DESCRIBED
ON PAGE
Design on covers: from the binding of a copy of
Petrarch, Venice, 1525, in the Library of the British
Museum.
[47]
[I]The letter Alpha: from the Greek alphabet of Robert Estienne.[189]
[III]Border: from the title-page of 'Champ fleury.'[192]
[IV]Border: from Ovid's 'Tristia,' 'Fasti,' etc. Paris, Colines, 1541.
[V]Frieze: from the Works of Justin Martyr. Paris, Robert Estienne, 1551 (slightly reduced).[189]
[V]Initial: from the Greek alphabet of Robert Estienne (1541).[189]
[IX]Border: from the Colines Hours of 1543.[210]
[X]-[XIX]Borders in niello: from the Colines Hours of 1543.[211]
[XXI]Border used by Colines on the title-pages of various works.[174]
[1]Frieze: from a border of the Colines Hours of 1543 (reduced).[210]
[1]Initial letter L: from folio 1 of 'Champ fleury.'[22]
[6]Monogram of 'Civis.'[6]
[12]Pot Cassé, as printed in Tory's poem on his daughter's death.[12]
[20]Pot Cassé, as used by Tory on bindings.[20]
[21]Pot Cassé: from 'Champ fleury,' folio 43.[21]
[23]Letters I and K, by Jean Perreal: from 'Champ fleury,' folio 46.[23]
[45]Tory's autograph, on Manuscript of Cicero's orations against Verres: from Bernard.[45]
[45]-[47]Various forms of the Pot Cassé.[45]-[47]
[48]Letter A with the 'lisflambe': from 'Champ fleury.'[192]
[49]Border: from 'Champ fleury.' Afterwards used on various works.[196]
[50]-[51]Triumph of Apollo and the Muses: from 'Champ fleury,' folios 29 verso and 30 recto.[192]
[100]Arms of France: from 'Champ fleury' verso of title.[192]
[101]-[117]Borders and illustrations: from the Hours of 1524-1525; from the copy in the British Museum.[109]-[116]
[129]The Visitation: from Mallard's octavo Hours of 1542. Bernard describes only the octavo edition of 1541.[129], [218]
[130]Border: from title-page of Macault's translation of Diodorus Siculus.[136]
[137]Mark of Pierre Roffet.[140], [285]
[140]Border of title: 'Isocratis Oratoris dissertissimi sermo,' etc. Paris, Simonem Colinæum, 1529.
Not mentioned by Bernard.
[141]The 'Gallic Hercules': from 'Champ fleury,' folio 3.[192]
[152]Allegorical letter Z: from 'Champ fleury,' folio 65.[193]
[153]Frieze (slightly reduced). See under page [v.][189]
[171]Coronation of the Virgin: from the quarto Hours of 1527.[124]
[172]Frieze (slightly reduced). See under page [v.][189]
[172]Monogram: from Vostre's Hours of 1515; from Bernard.[172]
[179]Monogram of Tory.[179]
[183]Monogram of Tory: from 'The Labours of Hercules'; from Bernard.
[186]-[188]Floriated (Roman) letters engraved for Robert Estienne.[185]
[190]-[191]Floriated (Greek) letters: engraved for Robert Estienne.[189]
[193]Letter Y: from 'Champ fleury,' folio 63.[193]
[194]Greek Alphabet: from 'Champ fleury,' folio 71.[193]
[195]Latin Alphabet: from 'Champ fleury,' folio 72.[193]
[198]Title-page of the Aristophanes of 1528, with the sign of Gilles de Gourmont and the Gourmont arms.[197]
[206]Frontispiece of Macault's translation of Diodorus Siculus.[205]
[209]-[211]Borders: from Colines quarto Hours of 1543.[210]
[233]Portrait of Theodore de Bèze: from 'Theodori Bezæ Vezelii Poemata,' 1548.[233]
[234]Portrait of Luchinus, Duke of Milan: from Pauli Jovii Novocomensis, etc., 1549.[235]
[236]A man on horseback: from the Entrée de Henri II à Paris, 1549. Usually attributed to Bernard Salomon
(Le petit Bernard).
[237]
[240]A fleet of ships: from 'Gerard d'Euphrate,' 1549.[241]
[263]Frontispiece of 'Textus de Sphæra' Joannis de Sacrobosco. Paris, Simon de Colines, 1527 (reduced).
Not mentioned by Bernard.
[264]Mark of Philippe Le Noir.[279]
[265]Frieze (slightly reduced.) See under page [v].[189]
[265]Mark of the Marnefs.[265]
[266]Mark of Conrad Bade.[266]
[268]Mark of Simon de Colines.[268]
[269]Mark of Simon de Colines.[268]
[269]Mark of Gilles Corrozet.[269]
[270]Mark of Mathieu David.[270]
[271]Mark of Robert Estienne.[271]
[272]Mark of Robert Estienne.[272]
[273]Mark of Michel Fezandat.[272]
[274]Mark of Gilles de Gourmont.[274]
[277]Mark of Louis Grandin.[277]
[278]Mark of Charlotte Guillard.[277]
[281]Mark of Sebastien Nivelle.[280]
[283]Mark of Nicole Paris.[283]
[285]Mark of Gilles Robinot.[285]
[286]Mark of Jean de Roigny.[285]
[287]Mark of Thielman Vivian.[287]
[288]The Triumph of Death: from the quarto Hours of 1527.[124]
[289]Frieze: from Orontius Finæus. Colines, 1544 (slightly reduced). Not mentioned by Bernard.
[289]Initial G, with Lorraine cross: from the Roman alphabet engraved for Robert Estienne.[185]
[325]Border: from Robert Estienne's Greek testament, folio, 1550. Not mentioned by Bernard.
[338]Letter Omega: from the Greek alphabet, engraved for Robert Estienne.[189]
[339]Illustration from Mallard's octavo Hours of 1542.[129], [218]

TABLE OF CONTENTS.

[PRINTERS' PREFACE.]PAGE [V]
[AUTHOR'S PREFACE.][IX]
[PART I] BIOGRAPHY.[1]
[PART II.] BIBLIOGRAPHY.[49]
[I.] WORKS WRITTEN OR ANNOTATED BY TORY.[50]
[II.] BOOKS OF HOURS PUBLISHED BY TORY FOR HIMSELF.[101]
[III.] WORKS PUBLISHED BY TORY FOR FRANÇOIS I.[130]
[IV.] WORKS PRINTED BY TORY FOR PRIVATE INDIVIDUALS.[137]
[PART III.] ICONOGRAPHY.[141]
[I.] MANUSCRIPTS DECORATED WITH MINIATURES BY TORY.[153]
[II.] PRINTED BOOKS ILLUSTRATED WITH ENGRAVINGS BY TORY OR HIS PUPILS.[172]
[III.] MARKS OF BOOKSELLERS AND PRINTERS WITH THE LORRAINE CROSS.[265]
[APPENDICES.]
[I.] CONCERNING GEOFROY TORY'S FAMILY.[289]
[II.] VERSES IN HONOUR OF TORY.[292]
[III.] TORY ADMITTED AS TWENTY-FIFTH BOOKSELLER TO THE UNIVERSITY.[294]
[IV.] CONCERNING TORY'S VARIOUS DOMICILES IN PARIS.[295]
[V.] OF THE FIRST USE OF THE APOSTROPHE, ETC.[295]
[VI.] TRANSLATION OF THE LETTERS PATENT APPOINTING CONRAD NÉOBAR KING'S PRINTER FOR GREEK.[299]
[VII.] EXTRACT FROM LETTERS PATENT APPOINTING DENIS JANOT KING'S PRINTER.[302]
[VIII.] LIST OF KING'S PRINTERS IN PARIS FROM THE ORIGINAL INSTITUTION OF THAT OFFICE.[303]
[IX.] CONCERNING THE KING'S BINDERS AND LIBRARIANS.[308]
[X.] LATIN PASSAGES TRANSLATED IN THIS BOOK.[311]
[INDEX.][325]
[LIST OF REPRODUCTIONS.][333]