[318] I am indebted for this information to M. Vallet de Viriville, who is devoting himself to looking up the works of Jean Fouquet, as I myself am looking up Tory's.
[319] See Part 1, Biography, supra, p. [7].
[320] This plate was reproduced by MM. Alexis Socard and Alexandre Assier in their work entitled: Livres liturgiques du diocèse de Troyes, 8vo, 1863.
[321] See what I have to say on this subject in § III, under the word 'Colines' (infra, p. [268]).
[322] See what I have to say of this book in the Bulletin du Bouquiniste, 1860, p. 101.
[323] If necessary, four workmen would have sufficed,—two compositors and two pressmen—Lefèvre d'Etaples being abundantly able to perform the duties of corrector.
[324] [An office-book formerly in use, containing the antiphones called 'graduals,' as well as introits and other antiphones, etc., of the mass. Also called the 'Cantatory' or 'Cantatorium.'—CENTURY DICT.]
[325] Bibliothèque Nationale.
[326] Bibliothèque de l'Arsenal.
[327] An additional proof in confirmation of what I have already said as to the unscrupulous way in which artists copied one another. (See page [149] note [1].)