Here and there throughout the volume we find figures in the borders. These figures are: 16, which appears on the inner side of leaves Ai verso and Cvij recto and verso; 3, on the outer side of the border of leaves Aiiij recto and verso, and Ciiij recto and verso; 10, at the foot of leaf Biij; 12, on the outer side of the border of leaf Bvi. Here and elsewhere, to make my descriptions more clear, these books having no pagination, I assign signature letters to the eight sheets of each fold; but it is common knowledge that they actually appear on the first four only. I feel justified in concluding from these figures that at first certain numbers, running from 1 to 16, were engraved, and repeated on each compartment of the same border, in order to enable the compositor to assort the pages properly. Later these numbers were probably deemed to be of no use and were cut off. The four that I have noticed, having inadvertently been left, were finally removed before the printing was concluded. The scheme of repeating each border on the recto and verso of the same leaf was very ingenious, for it permitted the imposition of a larger number of pages without calling attention to the repetition, as the two similar pages were never seen at the same time. This required no more work, for it is very clear that the borders were not added to the pages until the very moment of printing, so that they might not be exposed to the accidents inherent in the preparatory handling. M. Willemin has reproduced several specimens of these borders in his 'Monuments Français Inêdits' (folio, 1839), page 296.
The book contains, as we have said, thirteen large cuts (all of which except the second are signed with the Lorraine cross). They are as follows:
1 and 2. The Angelic Salutation, in two plates facing each other.
3. The Visitation of the Virgin, with the device 'non plus' in a scroll suspended from a tree.
4. The Birth of Jesus.
5. The Adoration of the Shepherds.
6. The Adoration of the Magi.
7. The Circumcision.