Oliver Cromwell, while Lord Protector, presented to the library twenty-two Greek manuscripts he had purchased, and, what is more, when Bodley's librarian refused the Lord Protector's request to allow the Portugal Ambassador to borrow a manuscript, sending instead of the manuscript a copy of the statutes forbidding loans, Oliver commended the prudence of the founder, and subsequently made the donation just mentioned.
A great wave of generosity towards this foundation was early noticeable. The Bodleian got hold of men's imaginations. In those days there were learned men in all walks of life, and many more who, if not learned, were endlessly curious. The great merchants of the city of London instructed their agents in far lands to be on the look-out for rare things, and transmit them home to find a resting-place in Bodley's buildings. All sorts of curiosities found their way there—crocodiles, whales, mummies, and black negro-boys in spirits. The Ashmolean now holds most of them; the negro-boy has been conveniently lost.
In 1649 the total of 2,000 printed books had risen to more than 12,000—viz., folios, 5,889; quartos, 2,067; octavos, 4,918; whilst of manuscripts there were 3,001. One of the first gifts in money came from Sir Walter Raleigh, who in 1605 gave £50, whilst among the early benefactors of books and manuscripts it were a sin not to name the Earl of Pembroke, Archbishop Laud (one of the library's best friends), Robert Burton (of the Anatomy of Melancholy), Sir Kenelm Digby, John Selden, Lord Fairfax, Colonel Vernon, and Barlow, Bishop of Lincoln. No nobler library exists in the world than the Bodleian, unless it be in the Vatican at Rome. The foundation of Sir Thomas Bodley, though of no antiquity, shines with unrivalled splendour in the galaxy of Oxford
'Amidst the stars that own another birth.'
I must not say, being myself a Cambridge man, that the Bodleian dominates Oxford, yet to many an English, American, and foreign traveller to that city, which, despite railway-stations and motor-cars and the never-ending villas and perambulators of the Banbury Road, still breathes the charm of an earlier age, the Bodleian is the pulsing heart of the University. Colleges, like ancient homesteads, unless they are yours, never quite welcome you, though ready enough to receive with civility your tendered meed of admiration. You wander through their gardens, and pace their quadrangles with no sense of co-ownership; not for you are their clustered memories. In the Bodleian every lettered heart feels itself at home.
Bodley drafted with his own hand the first statutes or rules to be observed in his library. Speaking generally, they are wise rules. One mistake, indeed, he made—a great mistake, but a natural one. Let him give his own reasons:
'I can see no good reason to alter my rule for excluding such books as Almanacks, Plays, and an infinite number that are daily printed of very unworthy matters—handling such books as one thinks both the Keeper and Under-Keeper should disdain to seek out, to deliver to any man. Haply some plays may be worthy the keeping—but hardly one in forty.... This is my opinion, wherein if I err I shall err with infinite others; and the more I think upon it, the more it doth distaste me that such kinds of books should be vouchsafed room in so noble a library.' [3]
'Baggage-books' was the contemptuous expression elsewhere employed to describe this 'light infantry' of literature—Belles Lettres, as it is now more politely designated.
One play in forty is liberal measure, but who is to say out of the forty plays which is the one worthy to be housed in a noble library? The taste of Vice-Chancellors and Heads of Houses, of keepers and under-keepers of libraries—can anybody trust it? The Bodleian is entitled by imperial statutes to receive copies of all books published within the realm, yet it appears, on the face of a Parliamentary return made in 1818, that this 'noble library' refused to find room for Ossian, the favourite poet of Goethe and Napoleon, and labelled Miss Edgeworth's Parent's Assistant and Miss Hannah More's Sacred Dramas 'Rubbish.' The sister University, home though she be of nearly every English poet worth reading, rejected the Siege of Corinth, though the work of a Trinity man; would not take in the Thanksgiving Ode of Mr. Wordsworth, of St. John's College; declined Leigh Hunt's Story of Rimini; vetoed the Headlong Hall of the inimitable Peacock, and, most wonderful of all, would have nothing to say to Scott's Antiquary, being probably disgusted to find that a book with so promising a title was only a novel.
Now this is altered, and everything is collected in the Bodleian, including, so I am told, Christmas-cards and bills of fare.