And it was this primitive, apostolic Mr. Knox who is held by some to be the real parent of the Tractarian movement, whose correspondence is almost entirely religious, and whose whole character stands revealed in his Remains as that of a man without guile, and as obstinate as a mule, who was chosen at a most critical moment of political history to share the guilty secrets of Mr. Pitt and Lord Castlereagh. It seems preposterous.

The one and only thing in Knox’s Remains of the least interest to people who are not primitive, is a letter addressed to him by Lord Castlereagh, written after the completion of the Union, and suggesting to him the propriety of his undertaking the task of writing the history of that event—the reason being his thorough knowledge of all the circumstances of the case.

Such a letter bids us pause.

By this time we know well enough how the Act of Union was carried. By bribery and corruption. Nobody has ever denied it for the last fifty years. It has been in the school text-books for generations. But the point is, Did Mr. Knox know? If he did, it must seem to all who have read his Remains—and it is worth while reading them only to enjoy the sensation—a most marvellous thing. It would not be more marvellous had we learnt from Canon Liddon’s long-looked-for volumes that Mr. Pusey was Mr. Disraeli’s adviser in all matters relating to the disposition of the secret service money and the Tory election funds. If Knox did not know anything about it, how was he kept in ignorance, how was he sheltered from the greedy Irish peers and borough-mongers and all the other impecunious rascals who had the vending of a nation? And what are we to think of the foresight of Castlereagh, who secured for himself such a secretary in order that, after all was over, Mr. Knox might sit down and in all innocence become the historian of proceedings of which he had been allowed to know nothing, but which sorely needed the cloak of a holy life and conversation to cover up their sores?

It is an odd problem. For my part, I believe in Knox’s innocence. Trying very hard to be worthy of the second century was not good training for seeing his way through the fag-end of the eighteenth. Apart from this, it is amazing what some men will not see. I recall but will not quote the brisk retort of Mrs. Saddletree at her husband’s expense, which relates to the incapacity of that learned saddler to see what was going on under his nose. The test was a severe one, but we have no doubt whatever that Alexander Knox could have stood it as well as Mr. Bartoline Saddletree.

Another strange incident connected with the same event is that the final ratification of the Act of Union in Dublin was witnessed by, and made, as it could not fail to do, a great impression upon, the most accomplished rhetorical writer of our time. De Quincey, then a precocious boy of fifteen, happened by a lucky chance to be in Ireland at the time, and as the guest of Lord Altamount, an Irish peer, he had every opportunity both of seeing the sight and acquainting himself with the feelings of some of the leading actors in the play, call it tragedy, comedy, or farce, as you please.

De Quincey’s account of the scene, and his two chapters on the Irish Rebellion, are to be found in the first volume of his ‘Autobiographic Sketches.’

De Quincey hints that both Lord Altamount and his son, ‘who had an Irish heart,’ would have been glad if at the very last moment the populace had stepped in between Mr. Pitt and the Irish peers and commoners and compelled the two Houses to perpetuate themselves. Internally, says De Quincey, they would have laughed. But it was written otherwise in Heaven’s Chancery, and ‘the Bill received the Royal assent without a muttering or a whispering or the protesting echo of a sigh.... One person only I remarked whose features were suddenly illuminated by a smile—a sarcastic smile, as I read it—which, however, might be all fancy. It was Lord Castlereagh.’ Can it possibly be that this was the very moment when it occurred to his lordship’s mind that Mr. Knox was the man to be the historian of the event thus concluded?

The new edition of De Quincey’s writings has naturally provoked many critics to attempt to do for him what he was fond enough of doing for others, often to their dismay—to give some account, that is, of the author and the man. De Quincey does not lend himself to this familiar treatment. He eludes analysis and baffles description. His great fault as an author is best described, in the decayed language of the equity draughtsman, as multifariousness. His style lacks the charm of economy, and his workmanship the dignity of concentration.

A literary spendthrift is, however, a very endurable sinner in these stingy days. Mr. Mill speaks somewhere (I think in his ‘Political Economy’) almost sorrowfully of De Quincey’s strange habit of scattering fine thoughts up and down his merely miscellaneous writings. The habit has ceased to afflict the reader. The fine maxim ‘Waste not, want not,’ is now inscribed over the desks of our miscellaneous writers. Such extravagance as De Quincey’s, as it is not likely to be repeated, need not be too severely reprobated.