It is a strange criticism that recently declared Newman's style to lack individuality. Oddity it lacked, and mannerisms, but not, so it seems to me, individuality.
But this wide recognition of Newman's charm both of character and style cannot conceal from the anxious truth-hunter that there has been an almost equally wide recognition of the futility of Newman's method and position.
Method and position? These were sacred words with the Cardinal. But a few days ago he seemed securely posed before the world. It cannot surely have been his unrivalled dialectics only that made men keep civil tongues in their heads or hesitate to try conclusions with him. It was rather, we presume, that there was no especial occasion to speak of him otherwise than with the respect and affection due to honoured age. But when he is dead—it is different. It is necessary then to gauge his method and to estimate his influence, not as a living man, but as a dead one.
And what has that estimate been? The saintly life, the mysterious presence, are admitted, and well-nigh nothing else. All sorts of reasons are named, some plausible, all cunningly contrived, to account for Newman's quarrel with the Church of his baptism. A writer in the Guardian suggests one, a writer in the Times another, a writer in the Saturday Review a third, and so on.
However much these reasons may differ one from another, they all agree in this, that of necessity they have ceased to operate. They were personal reasons, and perished with the man whose faith and actions they controlled. Nobody else, it has been throughout assumed, will become a Romanist for the same reasons as John Henry Newman. If he had not been brought up an Evangelical, if he had learnt German, if he had married, if he had been made an archdeacon, all would have been different.
There is something positively terrible in this natural history of opinion. All the passion and the pleading of a life, the thought, and the labour, the sustained argument, the library of books, reduced to what?—a series of accidents!
Newman himself well knew this aspect of affairs. No one's plummet since Pascal's had taken deeper soundings of the infirmity—the oceanic infirmity—of the intellect. What actuary, he asks contemptuously, can appraise the value of a man's opinions? In how many a superb passage does he exhibit the absurd, the haphazard fashion in which men and women collect the odds and ends, the bits and scraps they are pleased to place in the museum of their minds, and label, in all good faith, their convictions! Newman almost revels in such subjects. The solemn pomposity which so frequently dignifies with the name of research or inquiry feeble scratchings amongst heaps of verbosity had no more determined foe than the Cardinal.
But now the same measure is being meted out to him, and we are told of a thinker's life—it is nought.
He thought he had constructed a way of escape from the City of Destruction for himself and his followers across the bridge of that illative sense which turns conclusions into assents, and opinions into faiths—but the bridge seems no longer standing.
The writer in the Guardian, who attributes Newman's restlessness in the English Church to the smug and comfortable life of many of its clergy rather than to any especial craving after authority, no doubt wrote with knowledge.