Some of the Central American opals have the reputation of fading and becoming translucent and opaque in course of time, or according to the circumstances of exposure. We will relate an instance which forms a part of our experience and education in the study of gems.
A few years ago, two Spaniards arrived in New York with a bag of rough opals brought from Central America, but from what particular locality we never learned. The specimens varied in size from that of a bean to that of an English walnut, and were extremely beautiful. They had a fresh appearance, as though they had been recently extracted from the mines, and many of them had portions of the soft sandy matrix still attached to them. They excited suspicions of not having been properly tempered and hardened by exposure; but their beauty, which reminded one of the perfect glow-worm, or lumps of phosphorus moistened with oil, did not allow the spectator to hesitate about the purchase of them, especially as they were offered at a moderate price. We invested in the purchase of several charming specimens, and never wearied in examining their exquisite effects. Still, we felt a vague suspicion of the enduring qualities of our newly acquired treasures. The most beautiful stone, the size of a small almond, we carried in our pocket for a long time, not only for our gratification but for the purpose of studying the effect of the atmosphere upon its reflections. Soon after our acquisition, we fancied a slight shadow or nebulosity appearing in one end of the stone. We carefully watched it, and before long an indistinct cloudiness began to appear, like the dim and distant haze of a summer sky on the commencement of a storm. Even then we thought it might be mere fancy on our part. But when the shadow changed to opacity, and the transparency of the gem, with its beautiful reflections, vanished, never to return, we were compelled to admit that even substances of the mineral kingdom had their diseases as well as forms of the organic world.
This is indeed but one example to illustrate a theory; but most of those we purchased at that time of the Spaniards have altered in appearance, and some of them quite as seriously. Therefore we have arrived at the conclusion that recently mined opals should be bought with caution; and that the perfection of a rough opal as a gem cannot be safely estimated until after it has been cut by the lapidary.
No definite idea can be given in relation to the price of the opal, so much depends upon the degree of its brilliancy and play of colors. The gem is not sold by weight, but its value is estimated by its size and the perfection of its charms. An opal half an inch in diameter exhibiting fair colors may be worth $5, and another of the same size, of greater perfection, may bring $5,000, or more. The palmy days of the opal were during the period of Roman luxury, as the beauties of the diamond were not then fully revealed, and the opal flashed forth its marvellous beams of color both by daylight and artificial light. The gem then commanded enormous prices. According to the tables of Dureau de la Malle, the opal of Nonius was valued at twenty million sesterces, or about eight hundred thousand dollars. Enormous as this sum of money appears, Catherine of Russia would have given as much for the gem, if its beauty had been in keeping with its reputation.
The commerce of the opal affords a curious example of credulity and superstition, which is in singular contrast with the progressive ideas of our advanced civilization. In times past the changes that sometimes occur in the opal from physical causes have impressed the minds of some excessively superstitious people as due to supernatural causes. And from these trivial fancies the most beautiful and recherché of all that Nature has offered to us in the mineral kingdom has been placed under ban. This superstitious dread may be of ancient origin, and whence its source we know not. But it is a matter of history that the opal was the favorite gem among the Romans in their best periods of intelligence and refinement. So far from being feared at that time, it was eagerly sought for, as it was supposed to possess the power of warning against disaster, and exhibiting the rosy herald of joy. Hence it has been thought that a feeling of superstition as well as of avarice influenced Nonius when his paragon was demanded of him.
It is possible that the dread of the opal may be derived from the superstitious fancies that have descended to us from neolithic times, like the superstitions connected with the ancient stone implements which are now called in Western Europe elf-stones. In Scotland at the present day the ancient arrow-heads of stone are known as elf-bolts or fairy shots, and believed to protect the wearer from disease or misfortune. Thus it appears that stone weapons of an extinct race are used as ridiculous charms by later nations far advanced in civilization. History shows us how elves and fairies were created in the popular imagination from neolithic sources, and how weapons and ornaments of stone, amber, and metal became invested with mystic powers as objects of handicraft of the elves themselves. These objects are not only regarded as fairy charms among the races of the East, but the belief in their powers and use is quite as strong and tenacious among the Celtic portions of Europe. In other countries these primitive ideas of fairies and charms have become modified, and blossomed into poetic fancies to please chiefly the innocence of childhood. Some of these the genius of Shakspeare and other poets have made beautiful, and to these we offer no objection. Poetic license may sometimes invest an object with a positive effect which eventually may assume the appearance of fact. Thus the allusion to changes in the beauty of the opal in connection with misfortune, which was made by Sir Walter Scott, in his novel “Anne of Geierstein,” was taken to heart seriously by many of his readers, and the gem was placed under ban. The popular imagination became so strongly affected that the commerce of the opal in England became very seriously injured; and even at the present day many a timid maiden hesitates over the selection of the opal for ornamentation. Every mineralogist and man of science will rejoice to learn that Queen Victoria exhibits sterling good sense in selecting the opal among her choicest family gifts, thereby presenting a pleasing contrast to the superstitious and foolish fancies of the Empress Eugénie.
To the amateur who loves the rare and beautiful, with a feeling untrammelled by any of the misty traditions of the past or the caprices of fashion of the present, the opal is the dearest of all the gems. For it is not only rare, but it displays the glories of all the other gems; and it is the only one that defies the skill of the modern artisan to imitate. Its flash instantly betrays its character, and places it above suspicion, while quite all of the precious stones regarded as gems are now imitated so perfectly as to require close and careful inspection, and sometimes the application of scientific tests.
When we recall the phenomena of the opal, and the wonders of its reflections, with their strange and sudden disappearance, we may pardon the credulity of the Arabian romance writers in ascribing to the gem supernatural powers. It was a beautiful theory with them that it falls from heaven in the lightning’s flash, and is the veritable Ceraunia. Its charming and mysterious play of colors suggested to their ardent imaginations the glories of Paradise, and hence they invested it with wonderful talismanic properties, and believed it to be the abode of afreets and genii. Alas for romance! Science clearly demonstrates that many of the phenomena which puzzle the superstitious are simply due to atmospheric influences and to the natural laws which regulate the decay of organic and inorganic forms.
THE SAPPHIRE.
“The azure light of sapphire stone
Resembles that celestial throne,
A symbol of each simple heart
That grasps in hope the better part,
Whose life each holy deed combines,
And in the light of virtue shines.”