My object in this discourse has been not, as I fear it may have appeared to you from the brief time at my disposal and my imperfect treatment of the subject, to extol the material arts as being intrinsically of more interest or importance than other branches of culture, but to affirm the principle that it is by studying the psychology of the material arts alone that we can trace human culture to its germs.
The theory of degradation is supported only by the study of those branches of culture of which the early history is lost.
The tree is the type of all evolution: all trees are seedlings, but they differ in their mode of growth. Some, like the beech and oak, throw their branches upwards, and these are typical of the development of the material arts; others, like the straight-stemmed pine, throw off their branches downwards, and these are typical of the development of some other branches of culture. It is quite true, as stated by mythologists, that the history of myths is one of continued degeneration in so far as they can be traced, and that the element of decay enters far more into their composition than that of growth. But the whole accessible history of these myths represents drooping branches from the upward-growing stem of free thought out of which they sprang. What is the space of time which separates us from the Vedas, as compared with the whole upward growth of humanity before and since!
There are huge gaps in our knowledge of the history of the human race, and it has been the pleasure of mankind in all ages to people these gaps with jugglers and bogies; but surely, if slowly, science will open up these desert places, and prove to us that, so far as the finite mind of man can reach, there is nothing but unbroken continuity to be seen in the present and in the past.
PRIMITIVE WARFARE[13]
I
Although it is more in accordance with the purposes for which this establishment has been organized, that the Lecture-room should be devoted chiefly to subjects of practical utility connected with the improvement of our military system and the progress of the mechanical appliances, the organization, and general efficiency of our Army and Navy, than to the efforts of abstract science, yet the fact of your possessing in the three large apartments that are devoted to your armoury, one of the best assortments of semi-civilized and savage weapons that are to be found in this country, or, perhaps, in any part of the world, is sufficient to prove that it is not foreign to the objects of the Institution that the science of war should be ethnographically and archaeologically, as well as practically, treated.
The requirements of our advancing age demand that every vein of knowledge should be opened out, and, in order to make good our title to so interesting a collection of objects as that comprised in what may very properly be called our ethnographical military department, it should be shown that, whether or not the subject may be considered to fall within the ordinary functions of the Society, our Museum is made available for the purposes of science.
The age in which we live is not more remarkable for its rapid onward movement than for its intelligent retrospect of the past. It is reconstructive as well as progressive. The light which is kindled by the practical discoveries of modern science, throws back its rays, and enables us to distinguish objects of interest, which have been unnoticed in the gloom of bygone ages, or passed over with contempt.
Men observe only those things which their occupations or their education enable them to understand and appreciate. When a savage is introduced on board the deck of a European vessel, he notices only those objects with the uses of which he is familiar—the sewing of a coat, a chain, or a cable, at once rivets his attention, but he passes by the steam-engine without observation, and if a work of art is forced upon his notice, he is unable to say whether it represents a man, a ship, or a kangaroo![14] So in past ages the flint implements of the drift, the parents of all our modern implements, whether for war or handicraft, must have been carted away in hundreds, unobserved, and in ignorance that these inconspicuous objects would one day be the means of upsetting the received chronology of our species.