“Mrs. Stewart spoke again of how far a lie might be made right by circumstances—giving a wrong direction to a man who was in pursuit of another to kill him, &c., and, when some one objected, dwelt upon its being far greater to be noble for others than holy for one’s self. Some one said that in this case all should follow the inner voice, which would tell them truly what their real duty was. She replied, ‘Yes, having formed your character by the Master without, you may then act in a crisis by the voice within, which will never be false to your life’s teachings.... But perhaps,’ she added, ‘I should say, like Dr. Johnson, “I have been speaking in crass ignorance, according to the failings of my fallible human nature”’ (and she repeated some lovely lines on Mary Magdalen, from Moore’s ‘Rhymes of the Road’);[354] ‘and yet, may we all, whilst acting like fallible human beings as we are, trust respectfully in God’s mercy,—though speaking of no glorious future as reserved for us, lest He should say, “What hast thou done to deserve that?”’
“The letters written to the Morning Post from Hanover during the last days of the monarchy, and signed H. S., were by Mrs. Stewart: those in the Times, bearing the same signature, were by another lady.
“After being for a time with Mrs. Stewart and hearing her talk, I feel how great the decay of conversation is since my childhood, when there were many people who knew how to converse, not merely to utter. Scarcely any one now ever says what they really think, and there is an unwholesome striving after aestheticism, Louis Quatorze, blue china, &c., which another age, if it remembers it, will think most ridiculous.”
“London, Jan. 24.—To Miss Bromley, who had been on Saturday to take leave of Carlyle, to whom she has been the most faithful of friends for many years. He has been sinking for some time, full of power, pathos, and patience. He woke out of what was supposed to be a death stupor to recognise her, and pressed her hand to his lips.”
“Feb. 26.—Went by appointment to see the Queen of Sweden, who is at Claridge’s Hotel for two nights. She was most kind and gracious, and said that she was glad to thank me in person for all that I had been to the Crown Prince. She talked of her illness and its anxieties; but there were many other people waiting for an audience, and there was no time for any real conversation.”
“March 1.—Met Lady Lyveden at dinner at General Higginson’s. She described Mrs. Grote saying one day, ‘I have to go out this morning, my dear; it’s not my usual time, and in fact it’s very inconvenient to me, but then you know, my dear, it’s an affliction job.’
“Mrs. Grote, to the last, was very proud of her appearance. Her hands and feet she was especially proud of. One day Lady Lyveden asked her to come in the evening to meet some pleasant people in her neighbouring house in Savile Row. She would not do it. ‘I shall not come, my dear,’ she said, ‘because I never go out; but besides that, I could not come, for, if I did, I should have to put my well-formed figure into one of your abominably low arm-chairs.’[355]
“There was a charm about her primitive household. There was not one of her servants who spoke of her otherwise than ‘the Missis.’
“After dinner, she would leave ‘the historian,’ as she called him, in his study, and come up to the drawing-room, where she would talk to her guests and be most entertaining. At nine o’clock, tea would be brought up—such a tea as one never sees now, with tablecloth, muffins, cakes, &c. Then she would say to the servant, ‘Bring up the historian’—and the historian was ‘brought up.’ He was vastly civil, of the old school, and wore a great deal of frill. He would take his place opposite the table, and immediately taking a large clean pocket-handkerchief from his pocket, spread it very deliberately over his knees, after which a dog jumped up and sat upon it. Then he would say, as to a perfect stranger, ‘And now, Mrs. Grote, will you kindly favour us with a sonata?’ and Mrs. Grote, who was an admirable musician, would play a very long sonata indeed; after which he would say, ‘Thank you, Mrs. Grote. I am sure Lady Lyveden joins with me in being very much obliged to you for your beautiful sonata.’[356]
“Lady Eastlake’s written portrait misses all the wit, all the acted comedy of Mrs. Grote’s real life. She made, however, a capital pencil sketch (which Lady Lyveden has) of Mrs. Grote, who was greatly pleased with it.”