LIST OF ILLUSTRATIONS
VOL. IV
| The illustrations may be viewed enlarged by clicking on them.
In order to ease the flow of reading, some of the illustrations have been moved to before or after the paragraph in which they appeared in the book. (note of etext transcriber) |
| AUGUSTUS J. C. HARE.From a photograph by Hill and Sounders. (Photogravure) | [Frontispiece] |
| PAGE | |
| HIGHCLIFFE, THE KING’S ORIEL | [9] |
| FRANCIS GEORGE HARE.(Photogravure) | To Face [20] |
| THE CHURCHYARD AT HURSTMONCEAUX | [15] |
| GIBRALTAR FROM ALGECIRAS.(Full-page woodcut) | To face [34] |
| TOLEDO. (Full-page woodcut) | To face [38] |
| SEGOVIA. (Full-page woodcut) | To face [42] |
| FOUNTAIN OF S. CLOUD | [45] |
| FROM THE LIBRARY WINDOW, FORD | [52] |
| HATFIELD | [75] |
| FIDENAE | [86] |
| VIEW FROM THE TEMPIETTO, ROME | [91] |
| SUBIACO.(Full-page woodcut) | To face [96] |
| ISOLA FARNESE | [96] |
| PONTE DELL’ ISOLA, VEII | [97] |
| CASTEL FUSANO | [100] |
| CYCLOPEAN GATE OF ALATRI | [104] |
| THE INN AT FERENTINO | [105] |
| PAPAL PALACE, ANAGNI | [106] |
| TEMPLES OF CORI | [107] |
| NINFA | [108] |
| S. ORESTE, FROM SORACTE | [109] |
| CONVENT OF S. SILVESTRO, SUMMIT OF SORACTE | [111] |
| SUTRI | [112] |
| CAPRAROLA | [113] |
| PAPAL PALACE, VITERBO | [114] |
| FROM THE WALLS OF ORVIETO | [115] |
| PORCH OF CREMONA | [120] |
| PIAZZA MAGGIORE, BERGAMO | [121] |
| THE HOSPICE, HOLMHURST | [130] |
| LANGLEY FORD, IN THE CHEVIOTS | [138] |
| RABY CASTLE | [146] |
| LAMPEDUSA FROM TAGGIA | [167] |
| STAIRCASE, PALAZZO DELL’ UNIVERSITA, GENOA | [168] |
| CLOISTER OF S. MATTEO, GENOA | [169] |
| COLONNA CASTLE, PALESTRINA | [172] |
| GENAZZANO | [173] |
| SUBIACO | [174] |
| SACRO SPECO, SUBIACO | [175] |
| S. MARIA DI COLLEMAGGIO, AQUILA | [176] |
| SOLMONA | [177] |
| HERMITAGE OF PIETRO MURRONE | [178] |
| CASTLE OF AVEZZANO | [179] |
| GATE OF ARPINUM | [180] |
| TRIUMPHAL ARCH, AQUINO | [181] |
| PORTO S. LORENZO, AQUINO | [182] |
| FARFA | [190] |
| GATE OF CASAMARI | [191] |
| LA BADIA DI SETTIMO | [195] |
| AT MILAN | [197] |
| PARAY LE MONIAL | [198] |
| THE GARDEN TERRACE, HIGHCLIFFE | [210] |
| THE HAVEN HOUSE | [211] |
| THE LIBRARY, HIGHCLIFFE | [214] |
| THE FOUNTAIN, HIGHCLIFFE | [216] |
| GATEWAY, LAMBETH PALACE | [220] |
| THE BLOODY GATE, TOWER OF LONDON | [221] |
| COMPIÈGNE | [225] |
| HOLLAND HOUSE | [227] |
| HOLMHURST, THE ROCK WALK | [229] |
| HOLLAND HOUSE (GENERAL VIEW) | [231] |
| HOLLAND HOUSE, THE LILY GARDEN | [234] |
| COBHAM HALL | [238] |
| LOUISA, MARCHIONESS OF WATERFORD. (Line engraving) | To face [256] |
| THE SECRET STAIR, FORD | [257] |
| NORHAM-ON-TWEED | [259] |
| THE KING’S ROOM, FORD | [263] |
| THE PINETA, RAVENNA | [302] |
| IL SAGRO DI S. MICHELE | [313] |
| CANOSSA | [314] |
| URBINO | [315] |
| GUBBIO | [316] |
| LA VERNIA | [319] |
| CAMALDOLI | [320] |
| BOBBIO | [321] |
| FRANCES, BARONESS BUNSEN. (Line engraving) | To face [322] |
| LOVERE, LAGO D’ISEO | [322] |
| LAMBETH, INNER COURT | [324] |
| DORCHESTER HOUSE | [332] |
| CROSBY HALL | [337] |
| THE GARDEN PORCH, HIGHCLIFFE | [341] |
| THE SUNDIAL WALK, HIGHCLIFFE | [342] |
| FOUNTAIN COURT, TEMPLE | [361] |
| IN FRONT OF ST. PAUL’S | [364] |
| CHAPEL AND GATEWAY, LINCOLN’S INN | [372] |
| STAPLE INN, HOLBORN | [373] |
| JOHN BUNYAN’S TOMB, BUNHILL FIELDS | [377] |
| TRAITOR’S GATE, TOWER OF LONDON | [378] |
| THE SAVOY CHURCHYARD | [380] |
| RAHERE’S TOMB, ST. BARTHOLOMEW’S, SMITHFIELD | [381] |
| THE SLEEPING SISTERS, ST. MARY OVERY | [382] |
| CHARLTON HALL | [389] |
| COURTYARD, FULHAM PALACE | [399] |
| HOLMHURST | [405] |
| LOUISA, MARCHIONESS OF WATERFORD. From a photographby W.J. Reed. (Photogravure) | To face [406] |
| CHURCHYARD OF ST. ANNE, SOHO | [413] |
| LONDON BRIDGE FROM BILLINGSGATE | [485] |
XVI
IN MY SOLITARY LIFE
“Console if you will, I can bear it;
’Tis a well-meant alms of breath;
But not all the preaching since Adam
Has made Death other than Death.”—Lowell.
“Whoever he is that is overrun with solitariness, or crucified with worldly care, I can prescribe him no better remedy than that of study, to compose himself to learning.”—Burton, Anatomy of Melancholy.
“E certo ogni mio studio in quel temp’ era
Pur di sfogare il doloroso core
In qualche modo, non d’acquistar fama,
Pianger cercai, non già del pianto onore.”
—Petrarch, In Morte di Laura, xxv.
“Why should we faint, and fear to live alone,
Since all alone, so Heaven hath willed, we die,
Nor even the tenderest heart, and next our own,
Knows half the reasons why we smile or sigh?”
—Keble.
“Let us dismiss vain sorrows: it is for the living only that we are called to live. Forward! forward!”—Carlyle.