“On reaching Longford, Miss Wingfield received more writing from John Longland, who described himself as anxious to confess how faithless he had been to his intimate friendship with Thomas Bullen (Anne’s father); that he had been instrumental in persuading Henry VIII. to divorce Catherine and to marry Anne, thus advancing his friend’s daughter, and that afterwards—entirely from motives of personal pique against his former friend—he had influenced Henry against Anne, and fostered suspicions which led to her execution. He again said that he was buried in Eton College Chapel.
“Anxious to verify these statements, Mr. Wingfield (Coldstream Guards) purposely went to Eton to search for the tomb of John Longland, and nowhere could it be found. The Radnors and Miss Wingfield then thought that John Longland must be a ‘lying spirit,’ and not finding any record of his being Dean of Salisbury either, they tore up his writings.
“After Mr. Barnby had left Longford, John Longland came again, but no one would listen to him. He was, however, so persistent, that the Radnors decided to have a hunt for a list of officers of the cathedral. In a lobby cupboard they discovered some old volumes of county history, uncut and covered with dust. In one of these they found that John Longland had been Dean of Salisbury at the date mentioned, and that he was translated to Lincoln in 1521. Turning to ‘Britton’s Lincolnshire,’ equally covered with dust, showing it had not been moved for months (so that there was no possibility of Miss Wingfield having seen the statement), it was found that Bishop John Longland was a person of great learning and piety, &c., that he was confessor to Henry VIII., and suspected of having unduly influenced the King with regard to Catherine and Anne, &c. He died at Woburn, and was privately buried in Eton College Chapel, of which he was ‘visitor,’ his heart being sent to Lincoln.[511] The Radnors afterwards learnt that the tombstone of Longland was removed from Eton College Chapel during a ‘restoration.’
“Some time after, when Miss Wingfield went for the first time to the Palace at Salisbury with Lady Radnor, she exclaimed, ‘There is my Bishop that I saw!’ and went straight up to a portrait on which the name of Brian Duppa was found to be inscribed in very small characters.
“The day after I came was Sunday—thick snow without, with bright sunshine, which together threw a glorious light on the pictures. Lady Radnor showed them all delightfully. Amongst those which remain in one’s mind are a delightful full-length of his boy by Rubens in the Long Parlour, which the family chiefly inhabit, and the ‘Child Feeding Chickens,’ and Mrs. Edward Bouverie and her child, by Reynolds, in the great saloon. In the Long Gallery are two grand Claudes and a steel chair of enormous value, the delicate work of one Thomas Ruker, given by the city of Augsburg to Rudolph II. in 1577. This gallery opens on one side toward the chapel, with the font in which little Lucius Hare, son of Lord Coleraine, who once lived here, was baptized; and on the other to a sort of ‘Tribune’ with the choicest pictures—the Egidius of Quentin Matsys, the Erasmus of Holbein, a fine Sebastian del Piombo, and a glorious Paris Bordone of a scornful beauty—‘Violante’—in a red velvet dress. In a passage is the curious portrait of Mrs. Honeywood, aged ninety-three, who had 367 descendants at the time of her death. She is represented with a glass goblet. In her great age she was sure she was doomed to eternal damnation. ‘I am as certain to be lost,’ she said, ‘as that goblet is to be broken to pieces,’ and she dashed it to the ground, and it rolled away quite unhurt. So after that she remained perfectly satisfied that all would be well with her. But the pictures which interested me most personally were the noble Vandyke of my great-great-great-great-grandmother, Margaret Carey, Countess of Monmouth, and the Holbein of Mary Boleyn, who married William Carey, and was also my grandmother by just ten removes.
“The house is built in a triangle, with three round towers at the angles, known as the Father, Son, and Holy Ghost. Lord Radnor told me how, when he walked out with his father every summer evening, as they neared the house he always saw his father take off his hat, look up at the windows, and bow three times. When his father died he often regretted that he had never liked to ask him why he did this. But now he had asked his father’s spirit through a medium, and the spirit answered that he had always repented not having told him the cause, in an old distich, which he wrote:—
‘Owner of Longford, whoe’er you be,
Turn and bow with bends full three,
And call on the name of the Trinitie,
Or castle and lands will pass from thee.’
And since that he had always done the same.
“In one of the round towers is a pleasant room with ancient panelling of white and gold. This is now Lady Radnor’s boudoir, and here she has often sung to us delightfully. The grounds, with their two rivers, and the garden with its terraces and vases and yew-hedges, are enchanting. The younger son, Stuart Bouverie, called ‘Toby’ in the family, is, at fourteen, a clever mechanician.”
On the 17th of February 1893, my dear old cousin Charlotte Leycester died peacefully at her house in London. For months past she had been failing in her great age (ninety-five) as to physical powers, but her mind was as much alive as ever, and her affection and sympathy as warm and ready. “She seemed,” as I have read in the novel “Diana Tempest,” to “have reached a quiet backwater in the river of life, where the pressure of the current could no longer reach her, would never reach her again.” In the last days of her own life, my dearest mother begged me always to be all I possibly could to this dear cousin and friend of her whole life, and I believe that I have been able to fulfil her wishes. She has had a home at Holmhurst every summer, and I have never allowed a week, generally not three days, to pass without writing to her. She carries away with her my closest link with the past, but no one could wish to keep her here. Better that she should go in her great age before the suffering of age came.