“I cannot say the food here is delicious; it would be an exaggeration. All the little somethings and nothings a butchered calf is capable of, and vegetables lost in garlic and oil. The host’s name is Zefferino; he is a very substantial zephyr. He arranged for my going this morning to S. Martino, which I was most anxious to visit, for love—or was it hate?—of Donna Olimpia Pamfili. I so longed to see where the great ‘papessa’ died; and how the plague got hold of her on that most grand height, overlooking seventy miles of pink and blue distances, one cannot imagine. Rocky honeysuckle-hung lanes lead up to it—a little brown-walled town, with gates and fountain, and just one street—the steepest street in the world, up which the great white oxen can only just struggle—leading up to the palace and church. Before the high altar of the latter is Olimpia’s tomb, providently placed in her lifetime, with, I thought, a rather touching inscription, saying that she had really tried to do all the good she could; and in the palace are her full-length portrait and furniture of her time, and two pictures of Innocent X. The great cool halls are let in the summer months, and have, oh! such a view from their terrace; while close behind the palace is another gate of the walled town, from which glorious forest—the great Ciminian oak forest—begins at once, and stretches away to infinity. I drew there, and five little swineherds in peaked hats and about a hundred pigs grouped themselves around me. How human the latter are! They all had names, to which, when their masters called them, they responded from a great distance, grunting loud, and running up as hard as they could.
“Then this afternoon—oh! wealthy Viterbo!—I have been again to the glorious Villa Lante. Surely never was there so beautiful a garden; never one so poetical out of nymph-and faun-land—the green glades, the moss-grown staircases, the fountains and vases, the foaming waterfalls, the orange-trees and flowers!”
To W. H. Milligan.
“Abbazia di S. Gregorio, Venice, May 17.—On arriving here, I was persuaded to go to one of the principal hotels, sumptuously luxurious, and consequently intensely unsympathetic and unattractive. The mass of Americans, travelling like their own trunks, and with as much understanding of the place, drove me away at last, and I was enchanted to find a refuge in this dear little abbey, with its venerable court full of flowers and beautiful decorated gateway, outside which the green waves of the Grand Canal sparkle and dance. Walter Townley and his charming bride have the other rooms, and we go together for our dinner to a restaurant, and close by are Lady Airlie and Lady Kenmare, and, just opposite, Basil and Lady Margaret Levett, all as perfect types of high-bred excellence as can be found anywhere. I have enjoyed Venice more than any other part of this time abroad—have had very happy times with these friends in the afternoons, and in the mornings by myself drawing in desolate but lovely corners, unknown places, quite overlooked in what Symonds calls ‘Ruskin’s paint-box of delirious words.’ Yet I find colouring here very difficult, and quite a new style necessary, where every shadow is transparent. Miss Clara Montalba thoroughly understands this, and the delicate drawings which come from her fairy brush have as much of the most refined poetry of the place as mine have of its most unimaginative prose. But, with the love which I suppose every one has of seeking what is unusual, she paints rather the dull and foggy than the bright days. From the windows of the old house in the Zattere, where she lives with her mother and two sisters, she has the most glorious subjects, in which shipping is the great feature. Her sister Hilda has also a studio in the top of the house—such a quaint and picturesque place, with two tame doves flying about in it. She described an old palace in which they had lived near Vicenza, where the immense dining-room table had a central leg, with a fireplace in it to keep the dinner hot.
“Two sets of people ought always to live in Venice: those who have heart complaints and those who are afraid of horses; the peaceful floating gondola life would be so suited to them. Lord Houghton’s sister, old Lady Galway, spent many winters here for the former reason. But no one ought to come here unless they at least intend to see the best of it, and to enjoy it.”
To W. H. Milligan.
“August 1, 1896.—I have enjoyed my six weeks in London with their much people-seeing. People laugh at me for liking it all so much, and still more for expressing my liking for it; but I believe I shall never turn out to be ‘one of those whom Dante found in hell-border because they had been sad under the blessed sun.’[548] How many people in ‘the world,’ so called, are perfectly charming! Surely if there are many like the Woods, Jerseys, William Lowthers, Pennants, Ilchesters, and oh! how many others, good must far predominate over evil in society.
“You know how I have always said I hated leaving London for Sundays, but I did leave it for three of them. The first was spent at Reigate Manor—Lady Henry Somerset’s charming old house, with an oak panelled hall and staircase, such as one is surprised to find near London. Lady Henry is a delightful hostess, and though so enthusiastically interested in all her good works, keeps them quite in the background. I was so glad to find George Curzon at Reigate, as pleasant as ever, and his American wife; and he has so much to say on all subjects that one does not wonder he has been spoken of as the man who ‘had seen everything, known everything, read all books, and written most of them.’ But yet the ‘feature’ of the party was Lord Carlisle’s son, Hubert Howard, who jumped upon the donkeys browsing in the park, and was kicked off by them; then upon a stray long-haired pony, and was kicked off by it; and who finally would go out to sea on the lake in a barrel in his Sunday clothes, and of course the barrel upset in the midst, and the nails with which it was studded left him with very few clothes at all.[549]
“Then I was two days at Hatfield—days of brilliant sunshine, glowing gardens, scent of lime-flowers, great kindness from host and hostess, and much pleasant companionship. The rooms have names of trees: I was in the hornbeam room, whence S. Alban’s Abbey was visible. I drew hard on Sunday amid the brilliant flowers of the garden: oh! how wicked it would have been thought when I was younger; but now no one thought it so. Most of the guests did nothing but talk and enjoy the summer beauty. Madame Ignatieff, coming to Hatfield, said, ‘Ah, I see what your life in great country-houses is—eat and doddle (dawdle), doddle and eat.’ Dear Sir Augustus Paget, of many pleasant Roman memories, sat out by me part of the time, and on the Monday morning kept me after breakfast talking of how very happy he was, how many enjoyments in his life. I could not help feeling afterwards what characteristic ‘last words’ those were. I went into the drawing-room to take leave of Lady Salisbury, and in an instant Lady Cranborne ran in saying that Sir Augustus had fallen in the hall. He scarcely spoke again, and on Saturday his bright spirit had departed. I was very sorry. I had known him so long, and—I am again quoting George Eliot, whom I have just been reading—‘how unspeakably the lengthening of memories in common endears one’s old friends.’
“Lady Salisbury is delightful, not only to listen to but to watch. She is so young in her spirit. ‘On a l’age de son cœur.’ All she does, as all she says, is so clever, and her relation to her many daughters-in-law, to the great variety of her visitors, to her vast household, is so unfailingly sagacious. Even ‘to know her is a liberal education,’ as Steele said of a lady he admired. She is a great contrast to Lord Salisbury: as I watched him solemnly and slowly walking up and down the rooms with his hand on the head of his great dog Pharaoh, I was always reminded of Henry Vaughan’s lines—