“Miss Garden says, ‘Lanciani came to me one day. He was not married then, and he said, “I am too miserably dull; it cannot go on; I must either take a wife or a cat.” “Well, and which should you prefer, Signer Lanciani?”—“Oh, a me sono tutte due eguale,” he said. “But la signora madre, which would she prefer?”—“Oh, la madre,” he said meditatively, “il gatto.”
“‘All life has its sorrows,’ says Miss Garden, ‘only they are unequally distributed. Do you know what Eddie Baddeley’s sorrow is? He is only three, you know. It is that the turkey-cock at the Villa Borghese will not make friends with him. “But don’t you think he will ever like me?” he said to his mother. “No, my dear,” she said, “I don’t think he ever will.” But it was just one of those cases in which I think a lie would have been permissible; she had better have held out hopes.’”
“Palazzo Guadagni, Florence, April 17.—I have been here ten days as the guest of the ever-kind Duchess Dowager of Sermoneta, and found Mrs. and Miss Lowther here. It is an unusual life. We scarcely see our hostess till dinner-time, unless she asks us to drive with her, and we have each a most comfortable apartment, with excellent food and service, and the whole day to employ as we like. Many are the old friends we have seen, but most frequently the Marchesa Peruzzi, Story’s daughter, who has all his agreeable power of narration. ‘The reason why we loved Mrs. Browning so much as children,’ she says, ‘is because she always treated us as her equals, and talked to us as such. Pen and I used to sit at her feet, and she was just as courteous to us as to any of the grown-up people.’”
“Arco in Sud Tyrol, April 27.—I came here with the Lowthers, and we have been some days with two delightful Misses Warre, sisters of the head-master of Eton. It is an exquisitely beautiful place, with glorious excursions. One day we have spent most deliciously at Castel Toblino, a grand old castle which looks at itself in a glassy lake surrounded by mountains. General Baratieri, a hero, though a most unfortunate one, is one of those of whom we have seen something here.”
“Holmhurst, May 10.—Reached the dear home with great thankfulness, after a most severely hard-worked fortnight for a new edition of my ‘Paris.’”
“June 14, 1899.—At luncheon at Lady Constance Leslie’s I met Mr. Holman Hunt, a charming, simple, natural man. He spoke of the great difficulty of getting any one to do such work as is wanted for St. Paul’s Cathedral; that few would give up the high prices paid now for other work for the small prices the Government would pay. He talked of Leighton, whom he had known intimately in early life. Three tailors in Bond Street, thinking it might be a good speculation, clubbed together to buy one of his first pictures. They offered £100 for it: he stuck out for £200. Eventually it was arranged that they should pay £150, but a suit of clothes was to be thrown in. Then came the violent abuse of all Leighton’s work, and the tailors got alarmed, and sold the picture for £100 without any suit of clothes. That picture was afterwards bought for thousands by the Gallery at Liverpool, and there it is now, unlikely ever to come to the hammer again.
“After this, when Leighton’s pictures were accepted for the Academy and he was hard at work for the next year, he was told by his studio-man that some one wanted to speak to him. He sent out word that he was very busy and could not see any one; but the man was pertinacious and would not go away. At last Leighton said, ‘Well, he had better come in for a minute and say what his business is.’ So he was let in. But it was a man who stood by the door and did not come further. ‘Well,’ said Leighton, ‘what do you want?’ ‘To come straight to the point at once,’ said the man, ‘I want that picture’ (pointing to the work upon the easel). ‘You get £300 now for your pictures, don’t you? Well, I will give you £700.’ ‘But you have not even seen the picture,’ said Leighton; ‘you don’t even know what the subject is.’ ‘No, I don’t,’ said the man, ‘and, if I did, I should know no more about it than I do now.’ That man was Agnew. He acquired the picture: it was his first venture.