“And the beauty is not confined to the views alone. Each turn of the winding road is a picture; deep ravines of solemn dark-green olives which waken into silver light as the wind shakes their leaves—old convents and chapels buried in shady nooks on the mountain-side—thickets of laurustinus, roses, genista, and jessamine—banks of lilies and hyacinths, anemones and violets—grand masses of grey rock, up which white-bearded goats are scrambling to nibble the myrtle and rosemary, and knocking down showers of the red tufa on their way;—and a road, with stone seats and parapets, twisting along the edge of the hill through a constant diorama of loveliness, and peopled by groups of peasants in their gay dresses returning from their work, singing in parts wild canzonetti which echo amid the silent hills, or by women washing at the wayside fountains, or returning with brazen conche poised upon their heads, like stately statues of water-goddesses wakened into life.”
Great was the difficulty of securing any companion for the desolate excursion to the Abruzzi, but at length I found a clever artist, Mr. Donne, who agreed to go with me.
