3rd Room.—
6. Holy Family: Francia.
9. Boar Hunt: Garofalo.
11. Holy Family: Andrea del Sarto.
17. A Monk led by an Angel to the Heavenly Spheres: Gaudenzio
Ferrari.
26. The Vestal Claudia drawing a boat with the statue of Ceres up
the Tiber: Garofalo.
29. Tavern Scene: Teniers.
33. The Fornarina: Copy of Raphael by Giulio Romano.
36. Holy Family with Angels: Lucas Cranach, 1504.
4th Room.—
1. Holy Family: Fra Bartolomeo.*
"The glow and freshness of colouring in this admirable painting, the softness of the skin, the beauty and sweetness of the expression, the look with which the mother's eyes are bent upon the baby she holds in her arms, and the innocent fondness with which the other child gazes up in her face, are worthy of the painter whose works Raphael delighted to study, and from which, in a great measure, he formed his principles of colouring."—Eaton's Rome.
5. St. John the Evangelist: Guercino.
6. The Violin Player (Andrea Marone?): Raphael.*
"The Violin Player is a youth holding the bow of a violin and a laurel wreath in his hand, and looking at the spectators over his shoulder. The expression of his countenance is sensible and decided, and betokens a character alive to the impressions of sense, yet severe. The execution is excellent,—inscribed with the date 1518."—Kugler.
7. St. Mark: Guercino.
8. Daughter of Herodias: Guercino.
12. Conjugal Love: Agostino Caracci.
16. The Gamblers: Caravaggio.*
"This is a masterpiece of the painter. A sharper is playing at cards with a youth of family and fortune, whom his confederate, while pretending to be looking on, is assisting to cheat. The subject will remind you of the Flemish School, but this painting bears no resemblance to it. Here is no farce, no caricature. Character was never more strongly marked, nor a tale more inimitably told. It is life itself, and you almost forget it is a picture, and expect to see the game go on. The colouring is beyond all praise."—Eaton's Rome.
17. Modesty and Vanity: Leonardo da Vinci.*
"One of Leonardo's most beautiful pictures is in Rome, in the Sciarra Palace—two female half-figures of Modesty and Vanity. The former, with a veil over her head, is a particularly pleasing, noble profile, with a clear, open expression; she beckons to her sister, who stands fronting the spectator, beautifully arrayed, and with a sweet seducing smile. This picture is remarkably powerful in colouring, and wonderfully finished, but unfortunately has become rather dark in the shadows."—Kugler.
19. Magdalen: Guido Reni.
24. Family Portrait: Titian.
25. Portrait: Bronzino.
26. St. Sebastian: Perugino.
29. Bella Donna: Titian.*