Martyrdom of St. Laurence: Spagnoletto.
22. The Magdalen, with angels bearing the instruments of the Passion: Guercino.
23. The Coronation of the Virgin: Pinturicchio.
24. The Resurrection: Perugino. The figures are sharply relieved against a bright green landscape and a perfectly green sky. The figure of the risen Saviour is in a raised gold nimbus surrounded by cherubs' heads, as in the fresco of Pinturicchio at the Ara Cœli. The escaping soldier is said to be a portrait of Perugino, introduced by Raphael,—the sleeping soldier that of Raphael, by Perugino.
25. "La Madonna di Monte Luco," designed by Raphael: the upper part painted by Giulio Romano, the lower by Francesco Penni (Il Fattore). The apostles looking into the tomb of the Virgin, find it blooming with heartsease and ixias. Above, the Virgin is crowned amid the angels. There is a lovely landscape seen through a dark cave, which ends awkwardly in the black clouds. This picture was painted for the convent of Monte Luco near Spoleto.
26. The Nativity: Giovanni Spagna.
27. The Coronation of the Virgin: Raphael. The predella in the first room belonged to this picture, which was painted for the Benedictines of Perugia.
28. The Virgin and Child enthroned under an arcade—with S. Lorenzo, St. Louis, S. Ercolano, and S. Costanzo, standing: On the step of the throne is inscribed 'Hoc Petrus de Chastro Plebis Pinxit.'
29. Virgin and Child: Sassoferrato. A fat mundane Infant and a coarse Virgin seated on a crescent moon. The Child holds a rosary.
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