| The following typographical error were corrected by the etext transcriber: |
|---|
| Palmegiani, 66 Piazzi di Spagna=>Palmegiani, 66 Piazza di Spagna |
| putatur is esse constitutus è marmore=>putatur is esse constitutus ex marmore |
| with vaulted cielings and beautiful frescoes=>with vaulted ceilings and beautiful frescoes |
| after his truimph for his=>after his triumph for his |
| la mémoire du frère quil avait=>la mémoire du frère qu'il avait |
| Madame de Stael=>Madame de Staël |
| cet egard du pauvre Capucin=>cet égard du pauvre Capucin |
| qui ne connâi de l'histoire des=>qui ne connâit de l'histoire des |
| dépuis les thermes de=>depuis les thermes de |
| Before he came to reside here he had been miracuously=>Before he came to reside here he had been miraculously |
| St. Cyprian and Justinian=>SS. Cyprian and Justinian |
| The interior of S. Sabba is in the basilica form=>The interior of St. Sabba is in the basilica form |
| Roma Sotteranea=>Roma Sotterranea |
| Il fut alors sollicite intérieurement=>Il fut alors sollicité intérieurement |
| litanies autour de ce tableau."—Stendal.=>litanies autour de ce tableau."—Stendhal. |
| se précipita dons ses bras,=>se précipita dans ses bras, |
| good terrra-cotta mouldings=>good terra-cotta mouldings |
| la visage sérieux=>le visage sérieux |
| On y voit une femme endormie dont l'attidude=>On y voit une femme endormie dont l'attitude |
| eyes in the rotonda of the Vatican=>eyes in the rotunda of the Vatican |
| île a été entrainée par la violence=>île a été entraînée par la violence |
| construire le palais Pamphili, a créer la villa Pamphili, et a pamphiliser=>construire le palais Pamphili, à créer la villa Pamphili, et à pamphiliser |
| S. Pancrado, ii. 452=>S. Pancrazio, ii. 452 |
FOOTNOTES:
[1] Dionysius, xii. 8.
[2] Livy, v. 13.
[3] Observe.—Here and elsewhere the arms of the Della Rovere—an oak-tree. Robur, an oak,—hence Rovere.
[4] The beautiful 15th century altar of four virgin saints at S. Cosimato in Trastevere, is said to have been brought from this chapel.
[5] All authorities agree that this beautiful portrait is not the work of Raphael. Kugler also denies that it is the likeness of Cæsar Borgia.
[6] See Kugler, ii. 449.
[7] Of the many Handbooks for Italy which have appeared, perhaps that of Du Pays (in one volume) is the most comprehensive, and—as far as its very condensed form allows—much the most interesting.
[8] See Trollope's Life of Vittoria Colonna.