"Fratribus assimilis, quos proxima templa tenentes
Divus ab excelsa Julius æde videt."
Ovid, Pont. El. ii. 2.
Dion Cassius narrates that this temple was erected on the spot where the body of Julius was burnt. It was adorned by Augustus with the beaks of the vessels taken in the battle of Actium, and hence obtained the name of Rostra Julia. He also placed here the statue of Venus Anadyomene of Apelles, because Cæsar had claimed descent from that goddess. Here, in A.D. 14, the body of Augustus, being brought from Nola, where he died, was placed upon a bier, while Tiberius pronounced a funeral oration over it, before it was carried to the Campus Martius.
The road turns again in front of the remains of the Temple of Antoninus and Faustina, erected by the flattery of the senate to the memory of the licentious Empress Faustina, the faithless wife of Antoninus Pius, whom they elevated to the rank of a goddess. Her husband, dying before its completion, was associated in her honours, and the inscription, which still remains on the portico, is "Divo antonino et divæ faustinæ. ex. s. c." The front of the temple is adorned with eight columns of cipolino, forty-three feet high, supporting a frieze ornamented with griffins and candelabra. The effect of these remains would be magnificent if the modern road were removed, and the temple were laid bare in its full height, with the twenty-one steps which formerly led to it. It is also greatly injured by the hideous Church of S. Lorenzo in Miranda, which encloses the cella of the temple, and whose name, says Ampère, naively expresses the admiration in which its builders held these remains.[60]
On the left we now reach the Church of SS. Cosmo and Damian, considered by Nibby and others to occupy the site of a temple of Remus. Ampère has since proved that this temple never existed, and that the remains are those of a Temple of the Penates, rebuilt by Augustus. Here Valerius Publicola had a house, to which he removed from the Velia, in deference to the wishes of the Roman people.
"Le sentiment d'effroi que la demeure féodale des Valérius causait, était pareille à celui qu'inspiraient aux Romains du moyen âge les tours des barons, que le peuple, dès qu'il était le maître, se hâtait de démolir. Valerius n'attendit pas qu'on se portât à cette extrémité, et il vint habiter au pied de la Velia. C'est le premier triomphe des plébéiens sur l'aristocratie romaine et la première concession de cette aristocratie."—Ampère, Hist. Rom. ii. 274.
A little further on are three gigantic arches, being all that remains of the magnificent Basilica of Constantine, which was 320 feet in length and 235 feet in width. The existing ruins are those of one of the aisles of the basilica. There are traces of an entrance towards the Coliseum. The roof was supported by eight Corinthian columns, of which one, remaining here till the time of Paul V., was removed by him to the piazza of Sta. Maria Maggiore, where it still stands. This site was previously occupied by the Temple of Peace, burnt down in the time of Commodus. This temple was the great museum of Rome under the empire, and contained the seven-branched candlestick and other treasures brought from Jerusalem,[61] as well as all the works of art which had been collected in the palace of Nero and which were removed hither by Vespasian. A statue of the Nile, with children playing around it, is mentioned by Pliny as among the sights in the temple of Peace.[62]
It was near this that the Via Sacra was crossed by the Arch of Fabius, erected B.C. 121, in honour of the conqueror of the Allobroges,—the then inhabitants of Savoy. Close to this portion of the Via Sacra also stood a statue of Valeria, daughter of Publicola, by whom the honours of the virgin Clœlia were disputed.
Besides those which we have noticed, there is mention in classical authors of many other buildings and statues which were once crowded into this narrow space; but all trace of many even of those enumerated is still buried many feet below the soil.
The modern name of Campo Vaccino, by which the Forum is now known, is supposed by some antiquaries to be derived from Vitruvius Vacco, who once had a house there.