The troops of Kennedy, son of Lorcan, are said to have been supported by a fleet of fifty sail, commanded by Falvey Finn, a Kerry chieftain. We need not repeat the story so well known to all readers of Irish history. But this fact is found only in the work of Keating, and the best critics accept it merely as an historical romance, which Keating thought proper to insert in his history. Still, even supposing the truth of the story, all that we may conclude from it is that the seafaring Danes, at the end of their long wars, had taught the Irish to use the sea as a battlefield, to the extent of undertaking a small expedition in order to liberate a beloved chieftain.
It is very remarkable, also, that according to the annals of Ireland, the naval expeditions nearly always bore a religious character, never one of trade or barter, with the exception of the tale of Brescan, who was swallowed up with his fifty curraghs, in which he traded between Ireland and Scotland.
Nearly all the other maritime excursions are voyages undertaken with a Christian or Godlike object. Thus our holy religion was carried over to Scotland and the Hebrides by Columbkill and his brother monks, who evangelized those numerous groups of small islands. Crossing in their skiffs, and planting the cross on some far-seen rock or promontory, they perched their monastic cells on the bold bluffs overlooking the ocean.
No more was the warrior on carnage bent to be seen on the seaboards of Ulster or the western coast of Albania, as Scotland was then called; only unarmed men dressed in humble monastic garb trod those wave-beaten shores. At early morning they left the cove of their convent; they spread their single sail, and plied their well-worn oars, crossing from Colombsay to Iona, or from the harbor of Bangor to the nearest shore of the Isle of Man.
At noon they may have met a brother in the middle of the strait in his shell of a boat, bouncing over the water toward the point they had left. And the holy sign of the cross passed from one monk to the other, and the word of benison was carried through the air, forward and back, and the heaven above was propitious, and the wave below was obedient, while the hearts of the two brothers were softened by holy feelings; and nothing in the air around, on the dimly-visible shores, on the surface of the heaving waves, was seen or heard save what might raise the soul to heaven and the heart to God.
In concluding this portion of our subject, we will merely refer to the fact that neither the Celts of Gaul or Britain, nor those of Ireland, ever opposed an organized fleet to the numerous hostile naval armaments by which their country was invaded. When the Roman fleet, commanded by Caesar, landed in Great Britain, when the innumerable Danish expeditions attacked Ireland, whenever the Anglo-Normans arrived in the island during the four hundred years of the colony of the Pale, we never hear of a Celtic fleet opposed to the invaders. Italian, Spanish, and French fleets came in oftentimes to the help of the Irish; yet never do we read that the island had a single vessel to join the friendly expedition. We may safely conclude, then, that the race has never felt any inclination for sending large expeditions to sea, whether for extensive trading, or for political and warlike purposes. They have always used the vessels of other nations, and it is no surprise, therefore, to find them now crowding English ships in their migrations to colonize other countries. It is one of the propensities of the race.
A third feature of Celtic character and mind now attracts our attention, namely, a peculiar literature, art, music, and poetry, wherein their very soul is portrayed, and which belongs exclusively to them. Some very interesting considerations will naturally flow from this short investigation. It is the study of the constitution of the Celtic mind.
In Celtic countries literature was the perfect expression of the social state of the people. Literature must naturally be so everywhere, but it was most emphatically so among the Celts. With them it became a state institution, totally unknown to other nations. Literature and art sprang naturally from the clan system, and consequently adopted a form not to be found elsewhere. Being, moreover, of an entirely traditional cast, those pursuits imparted to their minds a steady, conservative, traditional spirit, which has resulted in the happiest consequences for the race, preserving it from theoretical vagaries, and holding it aloof, even in our days, from the aberrations which all men now deplore in other European nations, and whose effects we behold in the anarchy of thought. This last consideration adds to this portion of our subject a peculiar and absorbing interest.
The knowledge which Julius Caesar possessed of the Druids and of their literary system was very incomplete; yet he presents to his readers a truly grand spectacle, when he speaks of their numerous schools, frequented by an immense number of the youths of the country, so different from those of Rome, in which his own mind had been trained—"Ad has magnus adolescentium numerus disciplinae causa concurrit:" when he mentions the political and civil subjects submitted to the judgment of literary men—"de omnibus controversiis publicis privatisque constituunt. … Si de hereditate, si de finibus controversia est, iidem decernunt:" when he states the length of their studies—"annos nonnulli vicenos in disciplina permanent:" when he finally draws a short sketch of their course of instruction— "multa de sideribus atque eorum motu, de mundi ac terrarum magnitudine, …. disputant juventutique tradunt."
But, unfortunately, the great author of the "Commentaries" had not sufficiently studied the social state of the Celts in Gaul and Britain; he never mentions the clan institution, even when he speaks of the feuds—factiones—which invariably split their septs—civitates—into hostile parties. In his eleventh chapter, when describing the contentions which were constantly rife in the cities, villages, even single houses, when remarking the continual shifting of the supreme authority from the Edui to the Sequani, and reciprocally, he seems to be giving in a few phrases the long history of the Irish Celts; yet he does not appear to be aware of the cause of this universal agitation, namely, the clan system, of which he does not say a single world. How could he have perceived the effect of that system on their literature and art?