McGeoghegan, whose history is compiled, from the best- authenticated documents, says: "When the monarch convened an assembly, or held a festival at Tara, it was customary to make a bonfire on the preceding day, and it was forbidden to light another fire in any other place at the same time, in the territory of Breagh."
This is all; and the probable cause of the prohibition was to do honor to the king. Had it been an act of worship, Patrick, in lighting his own paschal-fire, would not only have shown disrespect to the monarch, but in the eyes of the people committed a sacrilege, which could scarcely have missed mention by the careful historians of the time.
But the proof that we are right in our interpretation of the ceremony is clear, from the following passage, taken from the work of Prof. Curry on "Early Irish Manuscripts:" "We see, by the book of military expeditions, that, when King Dathi— the immediate predecessor of Laeghaire on the throne of Ire- land— thought of conquering Britain and Gaul, he invited the states of the nation to meet him at Tara, at the approaching feast of Baltaine (one of the great pagan festivals of ancient Erin) on May-day.
"The feast of Tara this year was solemnized on a scale of splendor never before equalled. The fires of Lailten (now called Lelltown in the north of Ireland) were lighted, and the sports, games, and ceremonies, were conducted with unusual magnificence and solemnity.
"These games and solemnities are said to have been instituted more than a thousand years previously by Lug, in honor of Lailte, the daughter of the King of Spain, and wife of MacEire, the last king of the Firbolg colony. It was at her court that Lug had been fostered, and at her death he had her buried at this place, where he raised an immense mound over her grave, and instituted those annual games in her honor.
"These games were solemnized about the first day of August, and they continued to be observed down to the ninth century"- therefore, in Christian times-and consequently the lighting of the fires had as little connection with fire-worship as the games with pagan rites.
A more serious difficulty meets us in the destruction of Crom
Cruagh by St. Patrick, and it is important to consider how far
Crom Cruagh could really be called an idol.
With regard to the statues of Celtic gods, all the researches and excavations which the most painstaking of antiquarians have undertaken, especially of late years, have never resulted in the discovery, not of the statue of a god, but of any pagan sign whatever in Ireland. It is clear, from the numerous details of the life of St. Patrick, that he never encountered either temples or the statues of gods in any place, although occasional mention is made of idols. The only fact which startles the reader is the holy zeal which moved him to strike with his "baculus Jesu" the monstrous Crom Cruagh, with its twelve "sub-gods."
In all his travels through Ireland-and there is scarcely a spot which he did not visit and evangelize-St. Patrick meets with only one idol, or rather group of idols, situated in the County Cavan, which was an object of veneration to the people. Nowhere else are idols to be found, or the saint would have thought it his duty to destroy them also. This first fact certainly places the Irish in a position, with regard to idolatry, far different from that of all other polytheist nations. In all other countries it is characteristic of polytheism to multiply the statues of the gods, to expose them in all public places, in their houses, but chiefly within or at the door of edifices erected for the purpose. Yet in Ireland we find nothing of the kind, with the exception of Crom Cruagh. The holy apostle of the nation goes on preaching, baptizing, converting people, without finding any worship of gods of stone or metal; he only hears that there is something of the kind in a particular spot, and he has to travel a great distance in order to see it, and show the people their folly in venerating it.
But what was that idol? According to the majority of expounders of Irish history, it was a golden sphere or ball representing the sun, with twelve cones or pillars of brass, around it, typifying, probably, astronomical signs. St. Patrick, in his "Confessio," seems to allude to Crom Cruagh when he says: "That sun which we behold by the favor of God rises for us every day; but its splendor will not shine forever; nay, even all those who adore it shall be miserably punished."