CATHÉDRALE D'ALBI.
The jubé of this cathedral is fortunately still standing, and nearly in all its original beauty. It is remarkable in its construction, having three doors, beside the two recesses anciently filled with altars, and there is a sort of aisle running round between the main pillars of the choir and the screen of enclosure.
CATHÉDRALE D'AUTUN.
"Before the year 1765, the choir was enclosed by a fine screen of mediæval design, but this was pulled down to make some pretended improvements in the choir, and at the same time a most curious zodiac, illustrating the seasons, &c., executed by a monk named Martin, at the order of Bishop Stephen, which was found in mosaic in the pavement of the choir, was totally destroyed, as well as several other objects of the highest interest."—Chapuy, pp. 9 and 10.
CATHEDRALE DE SENLIS.
The ancient jubé was demolished during the revolution, and the present screen is a miserable erection of this century. I have figured it as a specimen of a modern French screen, combining every objection that has been raised by the ambonoclasts of our days, without possessing any of the beauties of the ancient works.
CATHEDRAL OF TOULOUSE.
This screen, which I have [figured] in the plates, was erected in the seventeenth century, and though of debased Italian, is constructed with a rood loft, or jubé, and surmounted by a large crucifix. This jubé is still standing.
CHURCH OF S. SERNIN, TOULOUSE.
The choir of this church is enclosed by iron screens of remarkable design and beautiful execution, [figured] in the plates.