At Babel was also found, at some depth below the surface, a curious jug, which I should have been inclined to believe altogether modern, had there not been one nearly similar in form, and of the same substance, in Mr. Rich’s collection in the British Museum, and consequently, it may be presumed, obtained from the same ruins. It is of soapstone, rudely carved and ornamented, and resembles in shape the vessels still used by the Arabs for ablutions.

Scattered over the mound, and at a little depth beneath the surface, were numerous bricks, bearing the usual superscription of Nebuchadnezzar. No ancient masonry was, however, discovered, from which these bricks had been detached.

It was thus evident that the remains of the original edifice, if any still existed, were to be sought far beneath the surface, and I accordingly opened tunnels at the very foot of the mound nearly on a level with the plain. A few days labor enabled me to ascertain that we had at last found the ancient building. On the eastern side the workmen soon reached solid piers and walls of brick masonry, buried under an enormous mass of loose bricks, earth, and rubbish. We uncovered eight or ten piers and several walls branching in various directions, but I failed to trace any plan, or to discover any remains whatever of sculptured stone or painted plaster.

During the remainder of my stay in Babylonia, workmen continued to excavate in this part of the mound, uncovering a confused heap of ruins and standing masonry. The enormous accumulation of loose rubbish above them, not a hard compact mass, as at Nineveh, but continually crumbling and falling in, exposed the men to a risk scarcely warranted by the results of their labors. I much doubt whether even more extensive excavations would lead to any important discoveries. It is possible, however, that detached inscriptions or sculptured slabs might be obtained.

On the western and southern sides of the mound were also discovered, at the very base, remains of solid masonry. The bricks bore the usual superscription of Nebuchadnezzar, and were firmly cemented together with fine white mortar. It is thus evident that a vast edifice once stood either on the level of the plain, or raised upon enormous piers and buttresses of brickwork, and that the tombs, and any traces of building that may exist on or near the present surface of the mound, are of a more recent period. I will not attempt to decide whether Babel be the remains of a great palace of Nebuchadnezzar, of the celebrated hanging gardens, or of a temple.

The only remains of building not covered by soil and sand, but still standing above ground, on the site of Babylon, and part of the ancient city, are about one mile to the south of the mound last described. It is the Kasr, or Palace, of Rich, a name by which it is now generally known to travellers, but the Arabs call it the Mujelibé, or the “overturned.” It rises on the river bank, and is about seven hundred yards square. The principal part of this great ruin consists of loose bricks, tiles, and fragments of stone; but nearly in the centre a solid mass of masonry, still entire, and even retaining traces of architectural ornament, protrudes from the confused heap of rubbish. Piers, buttresses, and pilasters may be traced; but the work of destruction has been too complete to allow us to determine whether they belong to the interior or exterior of a palace. I sought in vain for some clue to the general plan of the edifice. Upon nearly every brick is clearly and deeply stamped the name and titles of Nebuchadnezzar, and the inscribed face is always placed downwards. This wonderful piece of masonry is so perfect, and of so fresh a pale yellow color, that it seems but the work of yesterday, although it is undoubtedly part of a building which stood in the midst of old Babylon.

This ruin has for ages been the mine from which the builders of cities rising after the fall of Babylon have obtained their materials. To this day there are men who have no other trade than that of gathering bricks from this vast heap and taking them for sale to the neighbouring towns and villages, and even to Baghdad. There is scarcely a house in Hillah which is not almost entirely built with them; and as the traveller passes through the narrow streets, he sees in the walls of every hovel a record of the glory and power of Nebuchadnezzar.

A large number of the fragments of brick found in this ruin are covered with a thick enamel or glaze. The colors have resisted the effects of time, and preserve their original brightness. Parts of figures and ornaments may still be traced on many specimens. The principal colors are a brilliant blue, red, a deep yellow, white, and black. We learn from ancient authors that the walls of the palaces of Babylon were painted with the figures of men and animals, and there can be no doubt that these enamelled bricks are from the walls of an edifice. Fragments of glass, Babylonian gems and cylinders, small bronze figures, and other relics of this nature are occasionally found on the mound by the Arabs, and are bought by the Jews of Hillah, who sell them again to European travellers.

The huge lion described by Rich still exists half buried in the rubbish. The animal stands over a man with outstretched arms, which has led some imaginative travellers to see in the group a representation of Daniel in the lions’ den. The figures are in black basalt, either so barbarously executed as to show very little progress in art, or left unfinished by the sculptor. It would scarcely be worth removal.

Near the northern edge of the ruin is the solitary tree Athelé, well-known to the Arabs, and the source of various traditions. It is said to have stood in the hanging gardens of Babylon, and to have been saved by God from the general destruction which overwhelmed the impious city, that Ali might tie his horse to its trunk after the defeat of the enemies of the Prophet in the great battle of Hillah. No other tree of the same kind exists, according to the same tradition, in the whole world. It is, however, I believe, a species of tamarisk, whose long feathery branches tremble in the breeze with a melancholy murmur well suited to the desolate heap over which it may have waved for a thousand years.