Discoveries Among the Ruins of Nineveh and Babylon

by Austen Henry Layard

Several tombs containing vases, beads and ornaments, were discovered above the centre palace. A few large earthen jars from different parts of the mound, a number of small cups of peculiar shape from the ruins of the upper chambers, other pottery of various kinds, and some rude figures in baked clay, were the principal relics found during the excavations at Nimroud.

In the north-west palace was also discovered a duck, with its head turned upon its back, in greenstone, similar to that in white marble engraved in the first series of the Monuments of Nineveh. These two objects are of considerable interest, as we learn from short inscriptions upon them, deciphered by Dr. Hincks, that they are weights of thirty mana, or half a Babylonian talent.

They have been examined at the mint, and are found to weigh 40 lb. 4 oz. 4 dwt. 4 gr. and 39 lb. 1 oz. 1 dwt. 6 gr. The difference between them is owing to the head of one having been broken off.[244]

It may be inferred that two similar figures in baked clay, inscribed with Assyrian numerals, from the same ruins, and others of small size in agate, onyx, and other hard materials, are likewise weights, probably parts of the talent or of the mana. It is also highly probable that the curious series of bronze lions discovered at Nimroud during my first researches were used for a like purpose. Since the coating of green rust has been removed from them, they are found in several instances to bear two short inscriptions, one in cuneiform characters with the name of Sennacherib, the other in Phœnician, or cursive Semetic letters, accompanied by parallel lines or notches cut in the bronze. Dr. Lepsius has recently published a bas-relief from an Egyptian tomb, representing a man weighing rings of gold or silver, with weights in the form of a bull’s head, and of a seated lion with a ring on its back, precisely similar to those from Nineveh, now in the British Museum.

The engraved cylinders or gems, of which a large collection was brought by me to England, form an important as well as an interesting class of Assyrian and Babylonian antiquities. They vary in size, from about two inches to a quarter of an inch, and are either circular, or barrel-shaped, or slightly curved inwards. They are usually of lapis-lazuli, rock-crystal, cornelian, amethyst, chalcedony, agate, onyx, jasper, quartz, serpentine, sienite, oriental alabaster, green felspar, and hæmatite. The workmanship varies in different specimens, that of some being of considerable sharpness and delicacy, and that of others so coarse as scarcely to enable us to recognise the objects engraved upon them. The subjects are generally either religious or historical, usually the former, and on many are short inscriptions in the cuneiform character. These cylinders belong to several distinct periods. The most ancient with which I am acquainted are those of the time of the kings who built the oldest edifices hitherto discovered at Nineveh. The subjects are usually the king in his chariot discharging his arrows against a lion or wild bull, warriors in battle, the monarch or priests in adoration before the emblem of the deity, the eagle-headed god, winged bulls and lions, and other mythic animals, accompanied by the common Assyrian symbols, the sun, the moon, the seven stars, the winged globe, the sacred tree, and the wedge or cuneatic element.

The next in order of date are those of the time of Sargon and his successors. To this period belong the cylinder with the fish-god, and that which I believe to be the signet of Sennacherib himself, described in a previous part of this work.[245] A very fine specimen, cut in agate, represents an Assyrian goddess, perhaps Astarte, or the Moon, surrounded by ten stars, with a dog seated before her. In front of her is the moon’s crescent, and a priest in an attitude of adoration. A tree and a rampant goat, both common Assyrian symbols, complete the group. On others of the same age we find the gods represented under various forms, the king and priests worshipping before them, altars and various signs peculiar to the period, and the usual mythic emblems.

The pure Babylonian cylinders are more commonly found in European collections than the Assyrian. They are usually engraved with sacred figures, accompanied by a short inscription in the Babylonian cuneiform character, containing the names of the owner of the seal and of the divinity, under whose particular protection he had probably placed himself. They are usually cut in a red iron ore or hæmatite, which appears to have been a favorite material for such objects. Many specimens, however, are in agate, jasper, and other hard substances.

A class of cylinders of very rude workmanship, and usually in hæmatite, are probably of the latest Babylonian period. Upon them are usually found the figures of various deities, and especially of Venus, sometimes represented with the waters of life flowing from her breasts.

A few cylinders and gems, Assyrian in character, are inscribed with Semetic letters, resembling the Phœnician and cursive Babylonian. They are rare, and have chiefly been found, I believe, in ruins on the banks of the Euphrates to the north of Babylon, near Hit and Ana. I would attribute them, therefore, to the Semetic population which inhabited the districts on the eastern borders of the Syrian desert. They appear to belong to various periods, from the time of the lower Assyrian dynasty (of which three fine specimens are in possession of Captain Jones of Baghdad) to that of the Persian occupation of Babylonia.

Persian cylinders frequently bear an inscription in the cuneiform character peculiar to the monuments of the Achæmenian dynasty. The most interesting specimen of this class is the well-known gem of green chalcedony in the British Museum, on which is engraved king Darius in his chariot, with his name and that of his father. This was probably a royal signet. Another, in the same collection, bears the name of one Arsaces, who appears to have been a chamberlain, or to have held some other office in the Persian court. A very fine cylinder in rock crystal, brought by me to this country, and now also in the British Museum, has the god Ormuzd represented as at Persepolis, raised by two winged bulls with human heads, above an oval, containing the image of a king. The engraving on this gem is remarkable for its delicacy and minuteness.