But the description given by Josephus of the interior of one of Solomon’s houses, already quoted by Mr. Fergusson in support of his ingenious arguments, even more completely corresponds with, and illustrates the chambers in the palaces of Nineveh. “Solomon built some of these (houses) with stones of ten cubits, and wainscoted the walls with other stones that were sawed, and were of great value, such as were dug out of the bowels of the earth, for ornaments of temples, &c. The arrangement of the curious workmanship of these stones was in three rows; but the fourth was pre-eminent for the beauty of its sculpture, for on it were represented trees, and all sorts of plants, with the shadows caused by their branches and the leaves that hung down from them. These trees and plants covered the stone that was beneath them, and their leaves were wrought so wonderfully thin and subtile, that they appeared almost in motion; but the rest of the wall, up to the roof, was plastered over, and, as it were, wrought over with various colors and pictures.”[282]

To complete the analogy between the two edifices, it would appear that Solomon was seven years building the temple, and Sennacherib about the same time building his great palace at Kouyunjik.[283]

The ceiling, roof, and beams of the temple were of cedar wood. The discoveries in the ruins at Nimroud show that the same precious wood was used in the Assyrian edifices; and the king of Nineveh, as we learn from the inscriptions, employed men, precisely as Solomon had done, to cut it in Mount Lebanon. Fir was also employed in the Jewish buildings, and probably in those of Assyria.[284]

In the proposed restoration of the palace at Kouyunjik from the existing remains, the building does not face the cardinal points of the compass. I will, however, assume, for convenience sake, that it stands due north and south. To the west, therefore, it immediately overlooked the Tigris; and on that side was one of its principal façades. The edifice must have risen on the very edge of the platform, the foot of which was at that time washed by the river. If, therefore, there were any access to the palace on the river front, it must necessarily have been by a flight of steps, or an inclined way leading down to the water’s edge, and there might have been great stairs parallel to the basement wall as at Persepolis. Although from the fact of there having been a grand entrance to the palace on this side, it is highly probable that some such approach once existed, no remains whatever of it have been discovered. The western façade, like the eastern, was formed by five pairs of human-headed bulls, and numerous colossal figures[285], forming three distinct gateways.

The principal approach to the palace appears, however, to have been on the eastern side, where the great bulls bearing the annals of Sennacherib still stand. In the frontispiece I have been able, by the assistance of Mr. Fergusson, to give a restoration of this magnificent façade and entrance. Inclined ways, or broad flights of steps, appear to have led up to it from the foot of the platform, and the remains of them, consisting of huge squared stones, are still seen in the ravines, which are but the ancient ascents, deepened by the winter rains of centuries. From this grand entrance direct access could be had to all the principal halls and chambers in the palace; that on the western face, as appears from the ruins, only opened into a set of eight rooms.

The chambers hitherto explored appear to have been grouped round three great halls. It must be borne in mind, however, that the palace extended considerably to the north-east of the grand entrance, and that there may have been another hall, and similar dependent chambers in that part of the edifice. Only a part of the palace has been hitherto excavated, and we are not in possession of a perfect ground-plan of it.

The general arrangement of the chambers at Kouyunjik is similar to that of Khorsabad, though the extent of the building is very much greater. It is also to be remarked that the Khorsabad mound falls gradually to the level of the plain, apparently showing the remains of a succession of broad terraces, and that parts of the palace, such as the propylæa, were actually beneath the platform, and removed some distance from it in the midst of the walled inclosure. At Kouyunjik, however, the whole of the royal edifice, with its dependent buildings, appears to have stood on the summit of the artificial basement[286], whose lofty perpendicular sides could only have been accessible by steps, or inclined ways. No propylæa, or other edifices connected with the palace, have as yet been discovered below the platform.

The inscriptions appear to refer to four distinct parts of the palace, three of which, inhabited by the women, seem subsequently to have been reduced to one. It is not clear whether they were all on the ground-floor, or whether they formed different stories. Mr. Fergusson, in his ingenious work on the restoration of the palaces of Nineveh, in which he has, with great learning and research, fully examined the subject of the architecture of the Assyrians and ancient Persians, availing himself of the facts then furnished by the discoveries, endeavors to divide the Khorsabad palace, after the manner of modern Mussulman houses, into the Salamlik or apartments of the men, and the Harem or those of the women. The division he suggests, must, of course, depend upon conjecture; but it may, I think, be considered as highly probable, until fuller and more accurate translations of the inscriptions than can yet be made may furnish us with some positive data on the subject. In the ruins of Kouyunjik there is nothing, as far as I am aware, to mark the distinction between the male and female apartments. Of a temple no remains have as yet been found at Kouyunjik, nor is there any high conical mound as at Nimroud and Khorsabad.

In all the Assyrian edifices hitherto explored, we have the same general interior plan. On the four sides of the great halls are two or three narrow parallel chambers opening one into the other. Most of them have doorways at each and leading into smaller rooms, which have no other outlet. It seems highly probable that this uniform plan was adopted with reference to the peculiar architectural arrangements required by the building, and I agree with Mr. Fergusson in attributing it to the mode resorted to for lighting the apartments.

In my former work I expressed a belief that the chambers received light through an opening in the roof. Although this may have been the case in some instances, yet recent discoveries now prove that the Assyrian palaces had more than one story. Such being the fact, it is evident that other means must have been adopted to admit daylight to the inner rooms on the ground-floor. Mr. Fergusson’s suggestion, that the upper part of the halls and principal chambers was formed by a row of pillars supporting the ceiling and admitting a free circulation of light and air, appears to me to meet, to a certain extent, the difficulty. It has, moreover, been borne out by subsequent discoveries, and by the representation of a large building, apparently a palace, on one of the bas-reliefs discovered at Kouyunjik. In the restoration of the exterior of the Kouyunjik palace forming the frontispiece to this volume, a somewhat similar capital has been adopted in preference to that taken by Mr. Fergusson from Persepolis, which, although undoubtedly like the other architectural details of those celebrated ruins, Assyrian in character, are not authorised by any known Assyrian remains.