Discoveries Among the Ruins of Nineveh and Babylon

by Austen Henry Layard

A number of thin iron rods, adhering together in bundles, were found amongst the arms. They may have been the shafts of arrows, which, it has been conjectured from several passages in the Old Testament, were sometimes of burnished metal. To “make bright the arrows”[83] may, however, only allude to the head fastened to a reed, or shaft of some light wood. The armour consisted of parts of breast-plates (?) and of other fragments, embossed with figures and ornaments.

Amongst the iron instruments were the head of a pick, a double-handled saw (about 3 feet 6 inches in length), several objects resembling the heads of sledge-hammers, and a large blunt spear-head, such as we find from the sculptures were used during sieges to force stones from the walls of besieged cities.

The most interesting of the ivory relics were, a carved staff, perhaps a royal sceptre, part of which has been preserved, although in the last stage of decay; and several entire elephants’ tusks, the largest being about 2 feet 5 inches long.

The ivory could with difficulty be detached from the earth in which it was imbedded. It fell to small fragments, and even to dust, almost as soon as exposed to the air. I have described elsewhere[84] the frequent use of ivory for the adornment of ancient Eastern palaces and temples, as well as for thrones and furniture. Ezekiel includes “horns of ivory” amongst the objects brought to Tyre from Dedan, and the Assyrians may have obtained their supplies from the same country, which some believe to have been in the Persian Gulf.[85]

Amongst various small objects in bronze were two cubes, each having on one face the figure of a scarab with outstretched wings, inlaid in gold; very interesting specimens, and probably amongst the earliest known, of an art carried in modern times to great perfection in the East.

Two entire glass bowls, with fragments of others, were also found in this chamber; the glass, like all that from the ruins, is covered with pearly scales, which, on being removed, leave prismatic opal-like colors of the greatest brilliancy, showing, under different lights, the most varied and beautiful tints. On this highly interesting relic is the name of Sargon, with his title of king of Assyria, in cuneiform characters, and the figure of a lion. We are, therefore, able to fix its date to the latter part of the seventh century B. C. It is, consequently, the most ancient known specimen of transparent glass, none from Egypt being, it is believed, earlier than the time of the Psamettici (the end of the sixth or beginning of the fifth century B. C.). Opaque colored glass was, however, manufactured at a much earlier period, and some exists of the fifteenth century B. C. The Sargon vase was blown in one solid piece, and then shaped and hollowed out by a turning-machine, of which the marks are still plainly visible. With it were found, it will be remembered, two larger vases in white alabaster, inscribed with the name of the same king. They were all probably used for holding some ointment or cosmetic.[86]

With the glass bowls was discovered a rock-crystal lens, with opposite convex and plane faces. Its properties could scarcely have been unknown to the Assyrians, and we have consequently the earliest specimen of a magnifying and burning-glass. It was buried beneath a heap of fragments of beautiful blue opaque glass, apparently the enamel of some object in ivory or wood, which had perished.

In the further corner of the chamber, to the left hand, stood the royal throne. Although it was utterly impossible, from the complete state of decay of the materials, to preserve any part of it entire, I was able, by carefully removing the earth, to ascertain that it resembled in shape the chair of state of the king, as seen in the sculptures of Kouyunjik and Khorsabad, and particularly that represented in the bas-relief already described, of Sennacherib receiving the captives and spoil, after the conquest of the city of Lachish.[87] With the exception of the legs, which appear to have been partly of ivory, it was of wood, cased or overlaid with bronze, as the throne of Solomon was of ivory, overlaid with gold.[88] The metal was most elaborately engraved and embossed with symbolical figures and ornaments, like those embroidered on the robes of the early Nimroud king, such as winged deities struggling with griffins, mythic animals, men before the sacred tree, and the winged lion and bull. As the woodwork over which the bronze was fastened by means of small nails of the same material, had rotted away, the throne fell to pieces, but the metal casing was partly preserved. The legs were adorned with lion’s paws resting on a pine-shaped ornament, like the thrones of the later Assyrian sculptures, and stood on a bronze base. A rod with loose rings, to which was once hung embroidered drapery, or some rich stuff, appears to have belonged to the back of the chair, or to a frame-work raised above or behind it.

In front of the throne was the foot-stool, also of wood overlaid with embossed metal, and adorned with the heads of rams or bulls. The feet ended in lion’s paws and pine cones, like those of the throne. The two pieces of furniture may have been placed together in a temple as an offering to the gods, as Midas placed his throne in the temple of Delphi.[89] The ornaments on them were so purely Assyrian, that there can be little doubt of their having been expressly made for the Assyrian king, and not having been the spoil of some foreign nation.

Such, with an alabaster jar, and a few other objects in metal, were the relics found in the newly-opened room. After the examination I had made of the building during my former excavations, this accidental discovery proves that other treasures may still exist in the mound of Nimroud, and increases my regret that means were not at my command to remove the rubbish from the centre of the other chambers in the palace.