Discoveries Among the Ruins of Nineveh and Babylon

by Austen Henry Layard

The attendants who followed carried clusters of ripe dates and flat baskets of osier-work, filled with pomegranates, apples, and bunches of grapes. They raised in one hand small green boughs to drive away the flies. Then came men bearing hares, partridges, and dried locusts fastened on rods. The locust has ever been an article of food in the East, and is still sold in the markets of many towns in Arabia.[139] Being introduced in this bas-relief amongst the choice delicacies of a banquet, it was probably highly prized by the Assyrians.

The locust-bearers were followed by a man with strings of pomegranates; then came, two by two, attendants carrying on their shoulders low tables, such as are still used in the East at feasts, loaded with baskets of cakes and fruits of various kinds. The procession was finished by a long line of servants bearing vases of flowers.

These figures were dressed in a short tunic, confined at the waist by a shawl or girdle. They wore no headgear, their hair falling in curls on their shoulders.

On the opposite walls of the passage were fourteen horses without trappings, each horse having a simple halter twisted round its lower jaw, by which it was led by a groom. The animals and men were designed with considerable truth and spirit.

It is probable that the sculptures forming the upper end of the passage, but now entirely destroyed, represented the king receiving this double procession. The passage may have led to the banqueting-hall, or to a chamber, where royal feasts were sometimes held, and was therefore adorned with appropriate subjects. At its western end the gallery turned abruptly to the north, its walls being there built of solid stone-masonry. I lost all further traces of it, as the workmen were unable, at that time, to carry on the tunnel beneath an accumulated mass of earth and rubbish about forty feet thick.

As the workmen could no longer, without some danger, excavate in this part of the ruins, they had returned to the chamber already described as containing a series of bas-reliefs representing the capture and sack of a large city in the mountains, and as opening into the broad gallery on whose walls were depictured the various processes employed by the Assyrians in moving their colossal figures. From this chamber branched to the south a narrow passage, whose sculptured panels had been purposely destroyed. It led into a great hall, which the workmen did not then explore. They continued for a few feet along its western side, and then turning through a doorway, discovered a chamber, from which again, always following the line of wall, they entered a spacious apartment, completely surrounded with bas-reliefs, representing one continuous subject. The Assyrian army was seen fording a broad river amidst wooded mountains. The king in his chariot was followed by a long retinue of warriors on foot and on horses richly caparisoned, by led horses with even gayer trappings, and by men bearing on their shoulders his second chariot, which had a yoke ornamented with bosses and carvings. After crossing the river they attacked the enemy’s strongholds, which they captured one by one, putting to death or carrying into captivity their inhabitants. The captives wore a kind of turban wrapped in several folds round the head, and a short tunic confined at the waist by a broad belt. From the nature of the country it may be conjectured that the sculptures represented a campaign in some part of Armenia, and I am inclined to identify the river with the Euphrates, near whose head-waters, as we learn from the bull inscriptions, Sennacherib waged one of his most important wars.

The slabs at the western end of this chamber were actually curved backwards, showing the enormous pressure that must have taken place from the falling in of the upper part of the building, by which not only the alabaster was bent, but driven into the wall of sundried bricks.

On the north side of the chamber were two doorways leading into separate apartments. Each entrance was formed by two colossal bas-reliefs of Dagon, or the fish-god. Unfortunately the upper part of all these figures had been destroyed, but as the lower remained from above the waist we can have no difficulty in restoring the whole, especially as the same image is seen entire on a fine Assyrian cylinder of agate in my possession. It combined the human shape with that of the fish. The head of the fish formed a mitre above that of the man, whilst its scaly back and fanlike tail fell as a cloak behind, leaving the human limbs and feet exposed. The figure wore a fringed tunic, and bore the two sacred emblems, the basket and the cone.

We can scarcely hesitate to identify this mythic form with the Oannes, or sacred man-fish, who, according to the traditions preserved by Berossus, issued from the Erythræan Sea, instructed the Chaldæans, in all wisdom, in the sciences, and in the fine arts, and was afterwards worshipped as a god in the temples of Babylonia. Its body, says the historian, was that of a fish, but under the head of a fish was that of a man, and to its tail were joined women’s feet. Five such monsters rose from the Persian Gulf at fabulous intervals of time.[140]

The Dagon of the Philistines and of the inhabitants of the Phœnician coast was worshipped, according to the united opinion of the Hebrew commentators on the Bible, under the same form.[141] When the ark of the Lord was brought into the great temple of the idol at Ashdod, and the statue fell a second time, “the head of Dagon and both the palms of his hands were cut off upon the threshold; only the fishy part of Dagon was left to him.”[142] His worship appears to have extended over Syria, as well as Mesopotamia and Chaldæa. He had many temples, as we learn from the Bible, in the country of the Philistines, and it was probably under the ruins of one of them that Samson buried the people of Gaza who had “gathered them together for to offer a great sacrifice unto Dagon their god, and to rejoice.”[143] We also find a Beth-Dagon, or the house of Dagon, amongst the uttermost cities of the children of Judah[144], and another city of the same name in the inheritance of the children of Asher.[145]