Discoveries Among the Ruins of Nineveh and Babylon

by Austen Henry Layard

In these ruins was also found a mass of lead melted by the fire, for embedded in it was the iron head of a hatchet. Amongst the various small objects collected were figures of winged deities, &c., of clay, colored in the mass with a blue derived from copper; eyes, beards, hair, and ornaments in enamel, probably belonging to figures of wood, metal, or ivory, resembling the cryselaphantine statues of the Greeks; eyes of black marble inlaid with ivory, with the eye-balls of a bright blue enamel, belonging to similar statues; and arms, legs, and other parts of figures in charred wood.

Fragments of porcelain (?), parts of a cup or vase, with carvings in low relief, several inscribed fragments of agate, lapis-lazuli, cornelian, and other precious materials, beads, cylinders, and one or two clay tablets with inscriptions and impressions of seals, complete the list of small objects discovered in this temple.

About one hundred feet to the east of the building last described, and on the very edge of the artificial platform, I discovered a second temple. Its principal entrance faced the south, and was on the same level as the north-west palace. This gateway was formed by two colossal lions with extended jaws, gathered up lips and nostrils, flowing manes, and ruffs of bristly hair. The heads, though to a certain extent conventional in form, were designed with that vigor so remarkably displayed by the Assyrian sculptor in the delineation of animals. The limbs conveyed the idea of strength and power, the veins and muscles were accurately portrayed, and the outline of the body was not deficient in grace and truth. But the front of the animal, which was in full, was narrow and cramped, and unequal in dignity to the side. The sculptor has given five legs to the animal for the same reason that he gave them to the sphinxes, that they might offer a complete front and side view.

This gateway, about eight feet wide, was paved with one inscribed slab. The height of the lions was about eight feet, and their length thirteen. An inscription was carved across them. In front of them, in the corners formed by walls projecting at right angles with the entrance, were two altars, hollow at the top, and ornamented with gradines resembling the battlements of a castle. The exterior walls appeared to have been adorned with enamelled bricks, many of which still remained.

Unfortunately, one of these lions had been too much injured by fire to bear removal. The other, although cracked in several places when discovered, and consequently moved in pieces, has been preserved, and is now in the British Museum.

The Lion portal led into a chamber 57 feet by 25. At one end was a recess similar to that in the opposite temple, and also paved with one great alabaster slab, inscribed on both sides. This monolith, 19½ ft. by 12 ft., was likewise broken into several pieces, and had been injured in parts by fire.

The inscription on the upper side, divided into two columns, and containing 230 lines, was nearly the same as that on the king in the frame and on the monolith in the other temple. It was also a record of the wars and campaigns of the early Nimroud king.

The other rooms in the same building contained no inscriptions, sculptures, or other objects of interest.

In the earth above the great inscribed slab was found an interesting figure, 3 feet 4 inches high, and cut in a hard, compact limestone. It appeared to represent the king himself, attired as high priest in his sacrificial robes. In his right hand he held an instrument resembling a sickle, and in his left the sacred mace. Round his waist was the knotted girdle; and his left arm, like that of the king in the opposite temple, was partly concealed by an outer robe. His garments descended to his feet, the toes alone projecting from them. The beard and hair were elaborately curled, the features were majestic, and the general proportions of the statue not altogether incorrect, with the exception of a want of breadth in the side view peculiar to Assyrian works of art of this nature. It was, however, chiefly remarkable as being the only entire statue “in the round” of this period, hitherto discovered in the ruins of Nineveh.

On the breast is an inscription nearly in these words:—After the name and titles of the king, “The conqueror from the upper passage of the Tigris to Lebanon and the Great Sea, who all countries, from the rising of the sun to the going down thereof, has reduced under his authority.” The statue was, therefore, probably raised after his return from the campaign in Syria described, as we have seen, on the monoliths, and alluded to in the standard inscription.