Discoveries Among the Ruins of Nineveh and Babylon

by Austen Henry Layard

Not a fragment of inscription remained to identify the country represented in the bas-reliefs I have just described. From the size of the river, far exceeding that of any other seen in the sculptures of Kouyunjik, I am inclined to believe that it must have been the combined waters of the Euphrates and Tigris, now known as the Shat-el-Arab.

In the south side of the hall a centre portal flanked by winged bulls, and two small entrances, formed by gigantic figures, opened into a long chamber, whose sculptured walls had been burnt to lime. To judge from the fragments that remained of this series of sculptures, the most skilful artist of the day must have been employed in its execution. At both ends of the chamber, doors, guarded by colossal figures, led into smaller apartments, in which the bas-reliefs had been almost entirely destroyed.

Returning to the great hall we found an entrance formed by colossal figures leading into a long narrow chamber, about 70 feet by 12, whose walls had partly escaped the general wreck. It appeared to be the remains of an entrance into the palace, like that on the western face, or a gallery leading to the outer terrace, which probably surrounded the building. On its alabaster panels were sculptured the conquest of some of those tribes which inhabited, from the remotest period, the vast marshes formed by the Euphrates and Tigris in Chaldæa Babylonia.

Although the people represented in these bas-reliefs dwelt in the swampy districts of Chaldæa, unless, indeed, they had only taken refuge in them to escape the vengeance of the Assyrian king, they appear to have been as rich, if not richer, than any others conquered by Sennacherib. With the exception of three slabs and part of a fourth, containing the battle in the marsh, the entire walls of the chamber were sculptured with the captives and spoil brought by the victorious troops to their king. Unfortunately the image of Sennacherib himself in his chariot, which, to judge from a fragment or two found in the rubbish, must have exceeded all others in the palace, both in size and in the finish and richness of the details, had been entirely destroyed.

Returning to the great hall, from which this gallery led, I found on its western side three other entrances, corresponding with those on the southern, the centre formed by a pair of winged bulls in a fossiliferous limestone. They led into a chamber 58 feet by 34, panelled with unsculptured slabs of the same material as the colossi at the principal portal. Three similar doorways opened into a parallel chamber of the same length, though rather narrower. Its walls had been ornamented with carved alabaster slabs, of which a few fragments remained.

Three doorways on the western side of this chamber, similar to those on the eastern, led into as many distinct rooms, unconnected with each other. There were thus three magnificent portals, one behind the other, each formed by winged bulls facing the same way, and all looking towards the great hall; the largest colossi, those in front, being above 18 feet high, and the smallest, those leading into the inner chamber, about 12. It would be difficult to conceive any interior architectural arrangement more imposing than this triple group of gigantic forms, as seen in perspective by those who stood in the centre of the hall, dimly lighted from above, and harmoniously colored or overlaid, like the cherubims in the temple of Solomon, with gold.

At the upper or southern ends of the two parallel chambers just described, were entrances opening into a room 82 feet by 24, whose walls were of the same unsculptured limestone. From it a portal formed by winged lions in the same material, led into an apartment 76 feet by 26, standing on the edge of the mound, and consequently one of the last on this side of the palace. Only six slabs, neither of them entire, remained against its walls; the rest had been purposely destroyed and the fragments used for the foundations of a building raised over the Assyrian ruins. They were covered from top to bottom with small figures, most elaborately carved, and designed with great spirit. Although bearing a general resemblance to the bas-reliefs of Kouyunjik, there was sufficient in the style of art and in the details, to show that they were not of exactly the same period. Fortunately several epigraphs still remained over the principal groups, and enable us to determine to what monarch the sculptures belong, and to identify the events and incidents they portray.

The three slabs to the right of the winged lions on entering, were occupied by a highly curious representation of a battle. The subject was incomplete, and could not be restored; and from the number of figures introduced, and the complicated nature of the action, it is difficult to describe these important bas-reliefs intelligibly. Above one of the groups of figures was an epigraph, unfortunately much mutilated, which recorded the slaughter of a king, whose name was (? Tiranish), and who, we learn from other inscriptions on the same sculptures, reigned over Elam, or Susiana. The lines being incomplete, the meaning of the whole inscription is not quite clear.

Behind the cart with the Assyrian warriors, was the tent of the registrar, to which had been led a captive chief and his two attendants. Within were collected a heap of human heads, whilst warriors were bringing more of these bloody trophies to the appointed scribes. Several of the captives were apparently about to undergo some dreadful torture; with their hands manacled in iron fetters, they knelt over an object which might be a chafing-dish with hot coals or a vessel to receive their blood. One of the torturers held his victim by a collar round his neck; whilst a second, seizing the unfortunate prisoner by the hair, was about to strike him with ah iron-headed mace.

The epigraphs declare that the war recorded by these sculptures was undertaken by an Assyrian king, whose image was represented on a slab not yet described, against the people of Elam or Susiana. It is of considerable importance thus to identify the conquered people, and to be able to ascertain the costume, the arms, and the mode of warfare of a nation well known in ancient history.