Hurl’d out into exile from the land I adore,
My future all dark and no refuge to seek;
My roseate dreams hover round me once more,
Sole treasures of all that life to me bore;
The faiths of youth that with sincerity speak.
But not as of old, full of life and of grace,
Do you hold out hopes of undying reward;
Sadder I find you; on your lov’d face,
Though still sincere, the pale lines trace
The marks of the faith it is yours to guard.
You offer now, dreams, my gloom to appease,
And the years of my youth again to disclose;
So I thank you, O storm, and heaven-born breeze,
That you knew of the hour my wild flight to ease,
To cast me back down to the soil whence I rose.
By the spreading beach where the sands are soft and fine,
At the foot of the mount in its mantle of green;
I have found a home in the pleasant grove’s confine,
In the shady woods, that peace and calmness divine,
Rest for the weary brain and silence to my sorrow keen.
One of the lists of ethnographical material collected at Dapitan by Rizal for the Dresden Museum.
Page 211The Church benefited by the presence of the exile, for he drew the design for an elaborate curtain to adorn the sanctuary at Easter time, and an artist Sister of Charity of the school there did the oil painting under his direction. In this line he must have been proficient, for once in Spain, where he traveled out of his way to Saragossa to visit one of his former teachers of the Ateneo, who he had heard was there, Rizal offered his assistance in making some altar paintings, and the Jesuit says that his skill and taste were much appreciated.
| The blind Mr. Taufer who had adopted Josefina Bracken. |
The home of the Sisters had a private chapel, for which the teachers were preparing an image of the Virgin. For the sake of economy the head only was procured from abroad, the vestments concealing all the rest of the figure except the feet, which rested upon a globe encircled by a snake in whose mouth is an apple. The beauty of the countenance, a real work of art, appealed to Rizal, and he modeled the more prominent right foot, the apple and the serpent’s head, while the artist Sister assisted by doing the minor work. Both curtain and image, twenty years after their making, are still in use.