Briefly, it grew a seat of scorn,
Bare,—shameless,—till, for fresh disaster,
From end to end, one April morn,
'Twas riddled like a pepper caster,—
Drilled like a vellum of old time;
And musing on this final mystery,
The Poet left off scribbling rhyme,
And took to studying Natural History.
This was the turning of the tide;
His five-act play is still unwritten;
The dreams that now his soul divide
Are more of Lubbock than of Lytton;
"Ballades" are "verses vain" to him
Whose first ambition is to lecture
(So much is man the sport of whim!)
On "Insects and their Architecture."
THE LOST ELIXIR.
"One drop of ruddy human blood puts more life into the veins of a poem than all the delusive 'aurum potabile' that can be distilled out of the choicest library."—Lowell.
Ah, yes, that "drop of human blood!"—
We had it once, may be,
When our young song's impetuous flood
First poured its ecstasy;
But now the shrunk poetic vein
Yields not that priceless drop again.
We toil,—as toiled we not of old;
Our patient hands distil
The shining spheres of chemic gold
With hard-won, fruitless skill;
But that red drop still seems to be
Beyond our utmost alchemy.
Perchance, but most in later age,
Time's after-gift, a tear,
Will strike a pathos on the page
Beyond all art sincere;
But that "one drop of human blood"
Has gone with life's first leaf and bud.