"H. FIELDING
"To John Fielding Esq. at his House in
"Bow Street Covt Garden London."
As the Queen of Portugal did not leave Ryde until the 23d, it is possible that Fielding received a reply. During the remainder of this desultory voyage he continued to beguile his solitary hours—hours of which we are left to imagine the physical torture and monotony, for he says but little of himself—by jottings and notes of the, for the most part, trivial accidents of his progress. That happy cheerfulness, of which he spoke in the Proposal for the Poor, had not yet deserted him; and there are moments when he seems rather on a pleasure-trip than a forlorn pilgrimage in search of health. At Ryde, where, for change of air, he went ashore, he chronicles, after many discomforts from the most disobliging of landladies (let the name of Mrs. Francis go down to posterity!), "the best, the pleasantest, and the merriest meal, [in a barn] with more appetite, more real, solid luxury, and more festivity, than was ever seen in an entertainment at White's." At Torbay, he expatiates upon the merits and flavour of the John Dory, a specimen of which "gloriously regaled" the party, and furnished him with a pretext for a dissertation on the London Fish Supply. Another page he devotes to commendation of the excellent Vinum Pomonae, or Southam cyder, supplied by "Mr. Giles Leverance of Cheeshurst, near Dartmouth in Devon," of which, for the sum of five pounds ten shillings, he extravagantly purchases three hogsheads, one for himself, and the others as presents for friends, among whom no doubt was kindly Mr. Welch. Here and there he sketches, with but little abatement of his earlier gaiety and vigour, the human nature around him. Of the objectionable Ryde landlady and her husband there are portraits not much inferior to those of the Tow-wouses in Joseph Andrews, while the military fop, who visits his uncle the captain off Spithead, is drawn with all the insight which depicted the vagaries of Ensign Northerton, whom indeed the real hero of the Journal not a little resembles. The best character sketch, however, in the whole is that of Captain Richard Veal himself (one almost feels inclined to wonder whether he was in any way related to the worthy lady whose apparition visited Mrs. Bargrave at Canterbury!), but it is of necessity somewhat dispersed. It has also an additional attraction, because, if we remember rightly, it is Fielding's sole excursion into the domain of Smollett. The rough old sea-dog of the Haddock and Vernon period, who had been a privateer; and who still, as skipper of a merchant-man, when he visits a friend or gallants the ladies, decorates himself with a scarlet coat, cockade, and sword; who gives vent to a kind of Irish howl when his favourite kitten is suffocated under a feather bed; and falls abjectly on his knees when threatened with the dreadful name of Law, is a character which, in its surly good-humour and sensitive dignity, might easily, under more favourable circumstances, have grown into an individuality, if not equal to that of Squire Western, at least on a level with Partridge or Colonel Bath. There are numbers of minute touches—as, for example, his mistaking "a lion" for "Elias" when he reads prayers to the ship's company; and his quaint asseverations when exercised by the inconstancy of the wind—which show how closely Fielding studied his deaf companion. But it would occupy too large a space to examine the Journal more in detail. It is sufficient to say that after some further delays from wind and tide, the travellers sailed up the Tagus. Here, having undergone the usual quarantine and custom-house obstruction, they landed, and Fielding's penultimate words record a good supper at Lisbon, "for which we were as well charged, as if the bill had been made on the Bath Road, between Newbury and London." The book ends with a line from the poet whom, in the Proposal for the Poor, he had called his master:—
"—hic finis chartaeque viaeque."
Two months afterwards he died at Lisbon, on the 8th of October, in the forty-eighth year of his age.
He was buried on the hillside in the centre of the beautiful English cemetery, which faces the great Basilica of the Heart of Jesus, otherwise known as the Church of the Estrella. Here, in a leafy spot where the nightingales fill the still air with song, and watched by those secular cypresses from which the place takes its Portuguese name of Os Cyprestes, lies all that was mortal of him whom Scott called the "Father of the English Novel." His first tomb, which Wraxall found in 1772, "nearly concealed by weeds and nettles," was erected by the English factory, in consequence mainly—as it seems—of a proposal made by an enthusiastic Chevalier de Meyrionnet, to provide one (with an epitaph) at his own expense. That now existing was substituted in 1830, by the exertions of the Rev. Christopher Neville, British Chaplain at Lisbon. It is a heavy sarcophagus, resting upon a large base, and surmounted by just such another urn and flame as that on Hogarth's Tomb at Chiswick. On the front is a long Latin inscription; on the back the better-known words:—
LUGET BRITANNIA GREMIO NON DARI FOVERE NATUM. [Footnote: The fifth word is generally given as "datum." But the above version, which has been verified at Lisbon, may be accepted as correct.]
It is to this last memorial that the late George Borrow referred in his Bible in Spain:—
"Let travellers devote one entire morning to inspecting the Arcos and the Mai das agoas, after which they may repair to the English church and cemetery, Pere-la-chaise in miniature, where, if they be of England, they may well be excused if they kiss the cold tomb, as I did, of the author of "Amelia," the most singular genius which their island ever produced, whose works it has long been the fashion to abuse in public and to read in secret."