“One is from the queen, my lord; the other from Bar Senestro. The blue is the cloth of the Bars; the red, that of the queens. The Bar and the queen send this bodyguard with their respective compliments.”
Chick took the bundle that Geos had brought, and proceeded to don his own clothes, finding deep satisfaction in the fact that they had arrived as intact as he. He felt carefully in his hip pocket; the automatic was still there, likewise the extra magazine of cartridges that he had carried about with him on that night.
In his other pockets he found two packets of cigarettes, a pouch of tobacco, some papers, a few coins, a little money and two photographs, one of Bertha and the other of her father. Not a thing had been disturbed.
He announced himself ready.
The Rhamda conducted him down the corridor, which he found to be lined with guards; red on one side, blue on the other. These men fell in behind in two parallel files, one of the one colour and one of the other.
It was a building of great size. The corridors were long and high, all with the wide-coved ceiling, and of colours that melted from one shade to another as they turned, not corners, but curves. Apparently each colour had its own suggestive reason. Such rooms as Chick could look into were uniformly large, beautiful, and distinctly lighted.
The guard moved in silent rhythm; the chief sound was that made by Watson's leather-heeled shoes, drowning out, for once, the everlasting tinkling undertone of those unseen fairy-bells; that running cadence, never ceasing, silver, liquid, like the soul of sound.
Though Watson walked with head erect, he had eyes for every little thing he passed. He noted the material of the structure and tried to name it; neither plaster nor stone, the walls were highly polished and, somehow or other, capable of emitting perfume—light and wholesome, not heavy and oppressive. And in dark passages the walls glowed.
The corridor widened, and with a graceful curve opened upon a wide stairway that descended, or rather sank—to use Watson's own words for the feeling—into the depths of the building. To the right of one landing was a large window reaching to the floor; its panes were clear and not frosted as had been the others.
Chick got his first glimpse here of what lay outside—an iridescent landscape, at first view astonishingly like an ocean of opals; for it was of many hues, red and purple and milky white, splashed violantin blue and fluorescence—a maze and shimmer of dancing, joyful colours, whirring in an uncertainty of polychromatic harmony. Such was his first fleeting impression.