"Where's th' flesh?" screamed Sancho, looking up, his mutilated thumb running creepily along the knife-edge.
"Whet your tusks, lads, here's the blessed manna!" squealed Caliban, a hunchbacked terror, who kept his maimed carcass secure by virtue of his viperish temper, coupled with an uncanny skill of the cutlas. "Milo's our man! Huzza for Milo!"
Out from the trees stalked the giant Abyssinian, and the shadows and torchlight distorted him to grotesque proportions. He walked as if his weight was nothing; yet on his great shoulders he bore a half-grown ox, its feet hobbled, its tongue hanging from its panting mouth. Straight to the fire he stepped and cast his burden down, turning again without a word and going back to the rock portals.
"Meat for men!" screamed Sancho, crouching again, knife in hand.
"For men!" echoed Caliban ferociously, and whipped his cutlas out. "Stand clear!" he howled, and Sancho dodged aside. The little terror's blade sang through the air with a wicked whistle; it curved high over Sancho, then flashed down and plunged through the throat of the ox, pinning the beast to the earth. And when he recovered his breath the Spaniard swooped upon the prize, and his knife completed what the dwarf had well begun.
Then began an orgy that must render description bald and colorless. Casks were broached by knocking out the heads; long horns of cattle were filled to slopping over with rare wine or powerful rum; and then up leaped Hanglip on to an unbroached cask, cup in hand, and bellowed a toast that set the trees, the sea, the skies clamoring with rasping applause.
"The next vessel as heaves in sight, lads! May her sails be silk, her masts be gold, and her great cabin full o' rum, with a pretty wench sittin' atop o' every keg!"
From the fire came the odor of roasting meat, and the black night came down outside, making of the small circle where the pirates sprawled a blotch of infernal light, peopled with infernal shapes. But a sprinkling of faces a shade less evil leavened the mass; for to the feast came trooping the women of the camp: of a kidney with the men—yet women, with women's beguilements and softnesses.
Dolores sat alone in the great chamber, careless of the noise outside, her beautiful face dark with somber passion. Beside her chair Milo had placed her treasure chests; hers now, through the death of the terrible old corsair who had amassed them. Idly she had heaped the table with a glittering collection of gems that an empress might well have found interest in; but Dolores frowned as at so much dross, for her thoughts were far away. The filmiest of lace and silken shawls, jeweled slippers, gossamer-gold head dresses, pearls and rubies from India and Persia—all lay in confusion at her hand, and aroused no spark of joy in her breast. From time to time her brooding eyes flashed and fastened upon a priceless Rembrandt "Laughing Cavalier" on the wall opposite; they flashed again when her gaze shifted to a colossal Rubens "Rape of the Sabines"; her face lighted for an instant when her fingers in groping closed upon a cobwebby golden net, scintillating with cunningly wrought jeweled insects caught in the meshes, which had once graced the all-powerful head of Pompadour.
"Where such things are, are better!" she whispered vehemently, clenching her strong, slender hands fiercely. "Where such are fashioned and worn there are people worthy my power. My people! Pah!" she burst out passionately. "My people? Dogs! Cattle! Brutes without souls! There—" she flung a hand impetuously toward the "Laughing Cavalier"—"there is the pirate who should call me queen! There"—with a gesture toward Rubens's great canvas—"are men that I would command. Here, I must stay, why? Because a dead man willed it so. May I wither eternally if I make not my own laws. Milo!"