MARKET CROSS

123. REPTON, DERBYSHIRE

VILLAGE CROSS


IV. SPIRE-SHAPED, OR ELEANOR CROSSES

ON 28th November 1290 the Queen-Consort, Eleanor of Castile, died at Harby, in Nottinghamshire. Edward I., prostrated with grief—the sincerity of his devotion to his wife was perhaps the most favourable trait in his character—resolved to perpetuate her memory by erecting crosses at the various stopping-places of the funeral procession on its way to London. The route chosen, though not the most direct one, was arranged expressly so that the body might rest, each night of its journey, at some large and important town, or else at some conventual house, for the fitting celebration of the solemn offices for the dead. A stone cross was built, if not upon the exact spot, in the near neighbourhood of the spot, where the body had reposed on each occasion, viz., at Lincoln, Grantham, Stamford, Geddington, Northampton, or rather Hardingston (reached on 9th December), Stony Stratford, Woburn, Dunstable, St Albans (13th December), Waltham, or rather Cheshunt, London (where the body lay for the night, probably in St Paul's Cathedral, a cross being afterwards erected in West Cheap), and, finally, Charing village, which was the last halting-place on the way to the entombment in Westminster Abbey on 17th December. There were set up altogether twelve Eleanor crosses. Some have reckoned the number at fifteen, supposing that similar crosses were erected also at Harby, Newark, and Leicester, but of these there is no evidence.

So far as can be judged from documents and existing remains, it would seem that certain principal features were common to the design of all the crosses of the series, although they varied in minor details. The general outline was borrowed from that of a spire of diminishing stages. A statue of Queen Eleanor occupied each of the niches in the middle storey; a notable peculiarity being the multiplication of the effigies of the person commemorated. Three or four statues of the queen occur in one and the same monument, standing, backs to the central shaft, their faces looking forward in opposite directions. The lowest stage or storey was carved with blind tracery, so designed as to divide, with a vertical moulding, each side, or cant, into two panels, with trefoil cusping in the head, having heraldic shields, one in each panel. The shields respectively bore the arms of (1) England (three leopards only, for the kings of England had not yet arrogated to themselves the sovereignty of France); (2) quarterly, Castile and Leon, the arms of Queen Eleanor's father; and (3) Ponthieu (three bendlets within a bordure), the arms of her mother, Joanna, Countess of Ponthieu, in Picardy.