Standing in the market-place, and looking up to the Areopagus, Paul would see the temple of Mars, from whom the hill derived its name. And turning toward the Acropolis, he would behold, closing the long perspective, a series of little sanctuaries on the very ledges of the rocks, shrines of Bacchus and Æsculapius, Venus, Earth, and Ceres, ending with the lovely form of the Temple of Unwinged Victory, which glittered in front of the Propylæa.
If the apostle entered the "fivefold gates," and ascended the flight of stone steps to the platform of the Acropolis, he would find the whole area one grand composition of architecture and statuary dedicated to the worship of the gods. Here stood the Parthenon, the Virgin House, the glorious temple which was erected during the proudest days of Athenian glory, an entire offering to Minerva, the tutelary divinity of Athens. Within was the colossal statue of the goddess wrought in ivory and gold. Outside the temple there stood another statue of Minerva, cast from the brazen spoils of Marathon; and near by yet another brazen Pallas, which was called by pre-eminence "the Beautiful."
Indeed, to whatever part of Athens the apostle wandered, he would meet the evidences of their "carefulness in religion," for every public place and every public building was a sanctuary of some god. The Metroum, or record-house, was a temple to the mother of the gods. The council-house held statues of Apollo and Jupiter, with an altar to Vesta. The theatre at the base of the Acropolis was consecrated to Bacchus. The Pnyx was dedicated to Jupiter on high. And as if, in this direction, the Attic imagination knew no bounds, abstractions were deified; altars were erected to Fame, to Energy, to Modesty, and even to Pity, and these abstractions were honored and worshipped as gods.
The impression made upon the mind of Paul was, that the city was literally "full of idols," or images of the gods. This impression is sustained by the testimony of numerous Greek and Roman writers. Pausanias declares that Athens "had more images than all the rest of Greece;" and Petronius, the Roman satirist, says, "it was easier to find a god in Athens than a man." [96]
[Footnote 96: ][ (return) ] See Conybeare and Howson's "Life and Epistles of St. Paul;" also, art. "Athens," in Encyclopædia Britannica, whence our account of the "sacred objects" in Athens is chiefly gathered.
No wonder, then, that as Paul wandered amid these scenes "his spirit was stirred in him." He burned with holy zeal to maintain the honor of the true and only God, whom now he saw dishonored on every side. He was filled with compassion for those Athenians who, notwithstanding their intellectual greatness, had changed the glory of God into an image made in the likeness of corruptible man, and who really worshipped the creature more than the Creator. The images intended to symbolize the invisible perfections of God were usurping the place of God, and receiving the worship due alone to him. We may presume the apostle was not insensible to the beauties of Grecian art. The sublime architecture of the Propylæa and the Parthenon, the magnificent sculpture of Phidias and Praxiteles, could not fail to excite his wonder. But he remembered that those superb temples and this glorious statuary were the creation of the pagan spirit, and devoted to polytheistic worship. The glory of the supreme God was obscured by all this symbolism. The creatures formed by God, the symbols of his power and presence in nature, the ministers of his providence and moral government, were receiving the honor due to him. Over all this scene of material beauty and æsthetic perfection there rose in dark and hideous proportions the errors and delusions and sins against the living God which Polytheism nurtured, and unable any longer to restrain himself, he commenced to "reason" with the crowds of Athenians who stood beneath the shadows of the plane-trees, or lounged beneath the porticoes that surrounded the Agora. Among these groups of idlers were mingled the disciples of Zeno and Epicurus, who "encountered" Paul. The nature of these "disputations" may be easily conjectured, The opinions of these philosophers are even now familiarly known: they are, in one form or another, current in the literature of modern times. Materialism and Pantheism still "encounter" Christianity. The apostle asserted the personal being and spirituality of one supreme and only God, who has in divers ways revealed himself to man, and therefore may be "known." He proclaimed that Jesus is the fullest and most perfect revelation of God--the only "manifestation of God in the flesh." He pointed to his "resurrection" as the proof of his superhuman character and mission to the world. Some of his hearers were disposed to treat him with contempt; they represented him as an ignorant "babbler," who had picked up a few scraps of learning, and who now sought to palm them off as a "new" philosophy. But most of them regarded him with that peculiar Attic curiosity which was always anxious to be hearing some "new thing." So they led him away from the tumult of the market-place to the top of Mars' Hill, where, in its serene atmosphere, they might hear him more carefully, and said, "May we hear what this new doctrine is whereof thou speakest?"
Surrounded by these men of thoughtful, philosophic mind--men who had deeply pondered the great problem of existence, who had earnestly inquired after the "first principles of things;" men who had reasoned high of creation, fate, and providence; of right and wrong; of conscience, law, and retribution; and had formed strong and decided opinions on all these questions--he delivered his discourse on the being, the providence, the spirituality, and the moral government of God.
This grand theme was suggested by an inscription he had observed on one of the altars of the city, which was dedicated "To the Unknown God." "Ye men of Athens! every thing which I behold bears witness to your carefulness in religion. For as I passed by and beheld your sacred objects I found an altar with this inscription, 'To the Unknown God;' whom, therefore, ye worship, though ye know him not [adequately], Him declare I unto you." Starting from this point, the manifest carefulness of the Athenians in religion, and accepting this inscription as the evidence that they had some presentiment, some native intuition, some dim conception of the one true and living God, he strives to lead them to a deeper knowledge of Him. It is here conceded by the apostle that the Athenians were a religious people. The observations he had made during his short stay in Athens enabled him to bear witness that the Athenians were "a God-fearing people," [97] and he felt that fairness and candor demanded that this trait should receive from him an ample recognition and a full acknowledgment. Accordingly he commences by saying in gentle terms, well fitted to conciliate his audience, "All things which I behold bear witness to your carefulness in religion." I recognize you as most devout; ye appear to me to be a God-fearing people, [98] for as I passed by and beheld your sacred objects I found an altar with this inscription, "To the Unknown God," whom therefore ye worship.
[Footnote 97: ][ (return) ] Lange's Commentary, in loco.